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A "bogus" cremation for the benefit of the "life-long Democrats" / J. Keppler.

A "bogus" cremation for the benefit of the "life-long Democrats" / J. Keppler.

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Summary

Illustration shows a group of men, some identified by name "Blackburn, D.B. Hill, Mclaughlin, Thurman, Jones, Hedden, [and] Hendricks" and some by association with quills behind their ears "Sun" Charles A. Dana, "Cincinnati Enquirer" John R. McLean, "World" Joseph Pulitzer, and "Star", with the newspaper editors pushing a wrapped figure labeled "This is the Mugwump! And don't you forget it!" into a crematorium labeled "Bourbon Crematory for Disbelievers in the Spoils System"; Hendricks stands on the right, next to an urn labeled "For Mugwump Ashes" and the others observe from the left. Puck and the figure representing "The Independent Party" are watching from a window in the background.

Caption: Uncremated Mugwump (from outside) "If those old Bourbons take that dummy for me, they'll be a little startled when they find out that I'm alive - and kicking!"
Illus. from Puck, v. 18, no. 454, (1885 November 18), centerfold.
Copyright 1885 by Keppler & Schwarzmann.

Alois Senefelder, the inventor of lithography, introduced the subject of colored lithography in 1818. Printers in other countries, such as France and England, were also started producing color prints. The first American chromolithograph—a portrait of Reverend F. W. P. Greenwood—was created by William Sharp in 1840. Chromolithographs became so popular in American culture that the era has been labeled as "chromo civilization". During the Victorian times, chromolithographs populated children's and fine arts publications, as well as advertising art, in trade cards, labels, and posters. They were also used for advertisements, popular prints, and medical or scientific books.

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Date

01/01/1885
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Contributors

Keppler, Joseph Ferdinand, 1838-1894, artist
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Source

Library of Congress
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Copyright info

No known restrictions on publication.

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