![[Unidentified soldier in Union uniform and unidentified young girl, probably his daughter]](https://cache.getarchive.net/Prod/thumb/cdn18/L3Bob3RvLzIwMTkvMTEvMTcvdW5pZGVudGlmaWVkLXNvbGRpZXItaW4tdW5pb24tdW5pZm9ybS1hbmQtdW5pZGVudGlmaWVkLXlvdW5nLWdpcmwtcHJvYmFibHktMDY2MjhlLTY0MC5qcGc%3D/40/36/webp "[Unidentified soldier in Union uniform and unidentified young girl, probably his daughter]")
A Curiosity in Ireland / C.W., British Cartoon Print
Summary
Cartoon showing a woman sitting on settee by fireplace. She wears a small hat trimmed with a feather, a short braided hussar jacket, a limp skirt draping her knees, with a long boa and large muff of white fur.
Catalogue of Political and Personal Satires preserved in the Department of Prints and Drawings in the British Museum / by Mary Dorothy George, v. 9, no. 12397
Print no. 12397A; Gift; Ruth Chandler; 1964.
Engraving by C. Williams.
Forms part of : British Cartoon Prints Collection (Library).
It wasn't really until the 1700s that caricature truly blossomed as a form of political criticism. In the late 1750s, a man named Thomas Townshend began using the techniques employed by earlier engravers and applying them towards a political model. This gave Thompson's cartoons a much greater feeling of propaganda than previous artistic critiques of the time. The intense political climate of the period, and often accusatory nature of most political cartoons forced many artists to use pseudonyms in order to avoid accusations of libel. Other artists took it a step farther, and left their cartoons completely unsigned, foregoing any credit they may have received. Political higher-ups were notoriously touchy about their reputations and were not afraid to make examples of offenders. Puck was the first successful humor magazine in the United States of colorful cartoons, caricatures and political satire of the issues of the day. It was published from 1871 until 1918.
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