![Mrs. Coolidge at Walter Reed, [12/23]](https://cache.getarchive.net/Prod/thumb/cdn4/L3Bob3RvLzE5MjMvMDEvMDEvbXJzLWNvb2xpZGdlLWF0LXdhbHRlci1yZWVkLTEyMjMtMS02NDAuanBn/40/32/webp "Mrs. Coolidge at Walter Reed, [12/23]")
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A petitioning, remonstrating, reforming, republican / R.S., British Cartoon Print
Summary
Cartoon shows a "Republican" squatting over an upturned crown, urinating into an upturned bishop's mitre. He supports himself with a staff on which is a liberty cap with the word "liberty" crossed out and "rebellion" written underneath. A doggrel "Your petitioner sheweth" is written underneath the image.
LC copy, dated 1782, lacks publication information cited in British Museum Catalog.
Forms part of: British Cartoon Prints Collection (Library of Congress).
Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5, no. 5665 (later issue)
It wasn't really until the 1700s that caricature truly blossomed as a form of political criticism. In the late 1750s, a man named Thomas Townshend began using the techniques employed by earlier engravers and applying them towards a political model. This gave Thompson's cartoons a much greater feeling of propaganda than previous artistic critiques of the time. The intense political climate of the period, and often accusatory nature of most political cartoons forced many artists to use pseudonyms in order to avoid accusations of libel. Other artists took it a step farther, and left their cartoons completely unsigned, foregoing any credit they may have received. Political higher-ups were notoriously touchy about their reputations and were not afraid to make examples of offenders. Puck was the first successful humor magazine in the United States of colorful cartoons, caricatures and political satire of the issues of the day. It was published from 1871 until 1918.
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