Part of PICRYL.com. Not developed or endorsed by the Library of Congress
Breaking that "backbone", Confederate States of America.

Similar

Breaking that "backbone", Confederate States of America.

description

Summary

A figurative commentary on Northern efforts to end the rebellion during the early years of the Civil War. Confederate President Jefferson Davis (far left) displays "the Great Southern Gyascutis," a dog-like monster with long fangs and an enlarged spine, the "stiffest Back-Bone ever grown." The beast is labeled "Rebellion." Davis holds the animal on a chain as several figures prepare to attack it with large sledgehammers. From left to right, they are: Union generals Henry W. Halleck and George B. McClellan, who swing in unison hammers marked "Skill" and "Strategy," respectively; and Secretary of War Edwin Stanton, who waits his turn holding a hammer labeled "Draft." On the far right waits President Lincoln, with the ax "Emancipation Proclamation" over his shoulder. Stanton: "Halleck may use his skill and Mac his strategy, but this draft will do the business." Lincoln: "You can try him with that, but I'm afraid this axe of mine is the only thing that will fetch him." At left, behind the group, sits a dejected, bespectacled man holding a tiny hammer labeled "Compromise." Further left, on a wall behind Jefferson Davis, hangs a poster saying "Only 10,000 men and $1000,000 in Treasure per Crack. Step up and Try your Muscle."

Signed: BDay del. [Benjamin H. Day, Jr.]
Printed late 1862 or early 1863.
Currier & Ives : a catalogue raisonné / compiled by Gale Research. Detroit, MI : Gale Research, c1983, no. 731
Weitenkampf, p. 135
Wilson, p. 188-189
Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1862-8.

New York City from 1835 to 1907 headed first by Nathaniel Currier, and later jointly with his partner James Merritt Ives. The prolific firm produced prints from paintings by fine artists as black and white lithographs that were hand-colored. The firm called itself "the Grand Central Depot for Cheap and Popular Prints" and advertised its lithographs as "colored engravings for the people". The firm adopted the name "Currier and Ives" in 1857.

date_range

Date

01/01/1862
person

Contributors

Currier & Ives.
Day, Benjamin Henry, 1838-1916, artist
create

Source

Library of Congress
copyright

Copyright info

No known restrictions on publication.

Explore more

draft military service
draft military service