Cleveland's entry into Washington - March 4th. 1885 / J. Keppler.
Summary
Illustration shows Grover Cleveland riding the Democratic donkey past the "Republican R.R.R. Hotel" on the way to his inauguration; he is surrounded by a host of characters that includes many political figures and newspaper editors, including Joseph F. Keppler with his diminutive character Puck. Among those depicted are: Roscoe Conkling, George Edmunds, Augustus Garland, "Hampton", "William H. Barnum", L.Q.C. Lamar, "Grace", "Jones", Joseph Pulitzer, James G. Bennett, Henry Ward Beecher, Samuel J. Randall, Thomas Hendricks, Abram S. Hewitt, U.S. Grant, Chester A. Arthur, Grover Cleveland, "McDonas", Daniel Manning, George W. Curtis, Rutherford B. Hayes, Samuel J. Tilden, Thomas F. Bayard (carrying a flag that states "Public Office is a Public Trust. G. Cleveland"), Joseph Medill, William C. Endicott, John Logan, James G. Blaine, Carl Schurz, William F. Vilas, Cox, Winfield Scott Hancock, Benjamin Harrison, Henry Watterson, and Hermann "Raster". Also shown is Puck's Independent Party and papers labeled "Compliments of C.A. Dana".
Illus. from Puck, v. 17, no. 417, (1885 March 4), centerfold.
Copyright 1885 by Keppler & Schwarzmann.
Alois Senefelder, the inventor of lithography, introduced the subject of colored lithography in 1818. Printers in other countries, such as France and England, were also started producing color prints. The first American chromolithograph—a portrait of Reverend F. W. P. Greenwood—was created by William Sharp in 1840. Chromolithographs became so popular in American culture that the era has been labeled as "chromo civilization". During the Victorian times, chromolithographs populated children's and fine arts publications, as well as advertising art, in trade cards, labels, and posters. They were also used for advertisements, popular prints, and medical or scientific books.
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