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Convent of St. Catherine with Mount Horeb. Feb. 11th 1839 / David Roberts, R.A.

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Convent of St. Catherine with Mount Horeb. Feb. 11th 1839 / David Roberts, R.A.

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Summary

Painting drawn at the slopes of Gebel El Dier (Selib-Baraka) to the north of Saint Catherine Monastery in Wadi El Dier (Biblical Holy Valley), looking southeast and showing the mountain slopes of Gebel Armaziya and Naqb Armaziya to the right and Siqqat Sydina Musa (to Armaziya's left) along the Byzantine monastic and pilgrimage naqb to the summit of Gebel Musa (Biblical Mount Sinai) to the left from a 1km distance, both in the background, and the orchard and fortress of Saint Catherine Monastery in the foreground in the centre. (Source: A. Shams, Sinai Peninsula Research, 2018)
Mountain chapels and Byzantine monastic structures are scattered across the valley and on the plateau of Biblical Mount Horeb and Mount Sinai, including ruined buildings (dwellings), hermit cells, prayer niches, rock-paved paths, rock inscriptions and agricultural plots (water dams, reservoirs & cisterns, conduits and retaining walls) (4th-7th centuries CE). Saint Catherine Monastery was constructed in 545 CE by the Byzantine Emperor Justinian I (527-565 CE). Several Byzantine monastic (4th-7th centuries CE) and later pilgrimage routes lead to the summit of Gebel Musa (Biblical Mount Sinai) from the monastery, including Naqb Armaziya, Siqqat Sydina Musa and Siqqat Abbas Basha. Abbas Helmi I, the Khedive of Egypt (1849-54), visited Sinai Peninsula in 1853-54 CE and paved several paths in the vicinity of Mount Sinai and along the pilgrimage routes in the peninsula. (Source: A. Shams, Sinai Peninsula Research, 2018)
Illus. in: The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia / from drawings made on the spot by David Roberts ... ; lithographed by Louis Haghe. London : F.G. Moon, 1842-1845, v. 3, pts. 19-20, p. 6.
Tooley, no. 117

David Roberts, a Scottish painter, was born in 1796. His father was a poor shoemaker. From an early age, Roberts displayed a distinct artistic talent. Since age 10 he was apprenticed to a house-painter. In 1816, the young David joined a troupe of traveling pantomimists as a theatrical backdrop painter. Eventually, he got a position as a principal painter at the Theatre Royal, Glasgow, following that by employment, in 1820-21, at the Theatre Royal, Edinburgh and in 1823, the Drury Lane Theatre in London. Roberts made trips to Europe, sketching monuments and cathedrals with photographic precision. He turned these sketches into his first real “romantic travel” paintings exhibited and sold at ever-increasing prices. In 1830 he was elected president of the Society of British Artists. In 1832-1837 Roberts visited Burgos, Madrid, Toledo, Segovia, Cordova, Granada, Malaga, Gibraltar, Cadiz and Seville. In 1838 he sailed to Malta, the Greek Cycladian isles, and Egypt. In Cairo, after visiting the Pyramids of Geza, he wrote: “Not much struck with the size of the great one till I began the ascent, which is no joke. The Sphinx pleased me even more than the Pyramids... I cannot express my feelings on seeing these vast monuments.” Roberts left Cairo on 8 February 1839 to begin his trek to Palestine where Roberts drew sketches that would become some of the Holy Land’s most memorable plates. Roberts then went to Petra, that legendary rock-carved city. David Roberts travel lithographs were sketched in 1832-1840 and produced from 1842-49 by London publisher F.G. Moon. Hundreds of prints were made of each drawing from the lithographer’s original stone plate. David Roberts became a member of at least nine societies and academies. Roberts was at work upon a picture of St. Paul’s Cathedral, when he died suddenly at the age of sixty-eight, in 1864.

date_range

Date

01/01/1844
person

Contributors

Haghe, Louis, 1806-1885, lithographer
Roberts, David, 1796-1864, artist
place

Location

egypt
create

Source

Library of Congress
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No known restrictions on publication.

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saint catherine monastery mount sinai
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