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David Octavius Hill - [David Roberts, R.A., full-length portrait, standing, facing left]
Summary
Purchase; 1995 (DLC/PP-1995:158).
David Octavius Hill was a Scottish painter and photographer. He was a pioneer of photography in Scotland and is best known for his collaboration with Robert Adamson in which they produced some of the most important early photographs of Scotland.
In 1843, Hill was commissioned to paint a group portrait of the leaders of the Free Church of Scotland, which became known as the "Disruption Assembly" painting. He then decided to photograph the same people in order to have a more accurate representation of the individuals. This commission led him to take up photography and he teamed up with Robert Adamson, who was a master of the new collodion process. Together, they produced a large body of work that depicted the people and landscapes of Scotland during the mid-19th century. Their photographs are considered some of the most important early photographs of Scotland, and are widely recognized for their technical excellence and artistry.
In 1844, Mathew Brady opened a photography studio at the corner of Broadway and Fulton Street in New York. By 1845, he began to exhibit his portraits of famous Americans, including the likes of Senator Daniel Webster and poet Edgar Allan Poe. In 1849, he opened a studio at 625 Pennsylvania Avenue in Washington, D.C. Brady's early images were daguerreotypes, and he won many awards for his work. In 1850, Brady produced The Gallery of Illustrious Americans, a portrait collection of prominent contemporary figures. The album, which featured noteworthy images including the elderly Andrew Jackson at the Hermitage, was not financially rewarding but invited increased attention to Brady's work. When the Civil War started, he used a mobile studio and darkroom enabled vivid battlefield photographs. Thousands of war scenes were captured, as well as portraits of generals and politicians on both sides of the conflict, though most of these were taken by his assistants, rather than by Brady himself. After the war, these pictures went out of fashion, and the government did not purchase the master-copies as he had anticipated. Brady's fortunes declined sharply, and he died in debt.
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