For the glory of Ireland / Hely's Limited, Litho, Dublin.
Summary
Poster showing a woman holding a rifle, gesturing to a distant shore in flames "Belgium," as she addresses a man with a walking stick.
Caption: Will you go or must I?
P661.
Following the outbreak of war in 1914, the conflict rapidly grew towards ‘Total War‘. During the early years of the war, poster design and distribution in Britain was organized by the War Propaganda Bureau run out of Wellington House in London. Many of the designs and content of the posters produced during this period were decided internally without oversight from the British Parliament. From 1916 onward, the production of posters and propaganda was centralized through the British Government and, by 1918, were run primarily by the British Ministry for Information. All posters in this collection are printable in high definition.
Alois Senefelder, the inventor of lithography, introduced the subject of colored lithography in 1818. Printers in other countries, such as France and England, were also started producing color prints. The first American chromolithograph—a portrait of Reverend F. W. P. Greenwood—was created by William Sharp in 1840. Chromolithographs became so popular in American culture that the era has been labeled as "chromo civilization". During the Victorian times, chromolithographs populated children's and fine arts publications, as well as advertising art, in trade cards, labels, and posters. They were also used for advertisements, popular prints, and medical or scientific books.
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