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He won't be happy till he gets it (with profuse apologies to the Pears' Soap Baby) / L.M. Glackens.

He won't be happy till he gets it (with profuse apologies to the Pears' Soap Baby) / L.M. Glackens.

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Summary

Illustration shows a man labeled "Organized Greed", possibly Chauncey M. Depew, as a baby trying to climb out of a tub of bath water labeled "Special Privilege", reaching for a bar of soap labeled "Ship Subsidy". Hanging on the wall in the background is a sign "In Graft We Trust".

Illus. in: Puck, v. 61, no. 1566 (1907 March 6), cover.
Copyright 1907 by Keppler & Schwarzmann.

It wasn't really until the 1700s that caricature truly blossomed as a form of political criticism. In the late 1750s, a man named Thomas Townshend began using the techniques employed by earlier engravers and applying them towards a political model. This gave Thompson's cartoons a much greater feeling of propaganda than previous artistic critiques of the time. The intense political climate of the period, and often accusatory nature of most political cartoons forced many artists to use pseudonyms in order to avoid accusations of libel. Other artists took it a step farther, and left their cartoons completely unsigned, foregoing any credit they may have received. Political higher-ups were notoriously touchy about their reputations and were not afraid to make examples of offenders. Puck was the first successful humor magazine in the United States of colorful cartoons, caricatures and political satire of the issues of the day. It was published from 1871 until 1918.

date_range

Date

01/01/1907
person

Contributors

Glackens, L. M. (Louis M.), 1866-1933, artist
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Source

Library of Congress
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Copyright info

No known restrictions on publication.

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