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The habeas corpus, or The wild geese flying away with Fox to America, British Cartoon Print
Summary
Cartoon shows seven geese, wrapped with a ribbon tied to the hind legs of a fox, representing Charles James Fox, are flying to America; in the background, three ships are under sail.
No. 9 in a series published by J. Barrow.
Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5, no. 6029
Forms part of: British Cartoon Prints Collection (Library of Congress).
Published in: The American Revolution in drawings and prints; a checklist of 1765-1790 graphics in the Library of Congress / Compiled by Donald H. Cresswell, with a foreword by Sinclair H. Hitchings. Washington : [For sale by the Supt. of Docs., U.S. Govt. Print. Off.], 1975, no. 824.
It wasn't really until the 1700s that caricature truly blossomed as a form of political criticism. In the late 1750s, a man named Thomas Townshend began using the techniques employed by earlier engravers and applying them towards a political model. This gave Thompson's cartoons a much greater feeling of propaganda than previous artistic critiques of the time. The intense political climate of the period, and often accusatory nature of most political cartoons forced many artists to use pseudonyms in order to avoid accusations of libel. Other artists took it a step farther, and left their cartoons completely unsigned, foregoing any credit they may have received. Political higher-ups were notoriously touchy about their reputations and were not afraid to make examples of offenders. Puck was the first successful humor magazine in the United States of colorful cartoons, caricatures and political satire of the issues of the day. It was published from 1871 until 1918.
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