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![[Meeting of the waters, Vale of Avoca. County Wicklow, Ireland]](https://cache.getarchive.net/Prod/thumb/cdn18/L3Bob3RvLzIwMTkvMTAvMDcvbWVldGluZy1vZi10aGUtd2F0ZXJzLXZhbGUtb2YtYXZvY2EtY291bnR5LXdpY2tsb3ctaXJlbGFuZC0wOTliNDctNjQwLmpwZw%3D%3D/40/29/webp "[Meeting of the waters, Vale of Avoca. County Wicklow, Ireland]")
![[Vale of Avoca. County Wicklow, Ireland]](https://cache.getarchive.net/Prod/thumb/cdn18/L3Bob3RvLzIwMTkvMTAvMDcvdmFsZS1vZi1hdm9jYS1jb3VudHktd2lja2xvdy1pcmVsYW5kLTNkYjA4ZS02NDAuanBn/40/29/webp "[Vale of Avoca. County Wicklow, Ireland]")
The meeting of the waters: in the Vale of Avoca, County Wicklow, Ireland
Summary
After a sketch by Fairland.
Currier & Ives : a catalogue raisonné / compiled by Gale Research. Detroit, MI : Gale Research, c1983, no. 4460
New York City from 1835 to 1907 headed first by Nathaniel Currier, and later jointly with his partner James Merritt Ives. The prolific firm produced prints from paintings by fine artists as black and white lithographs that were hand-colored. The firm called itself "the Grand Central Depot for Cheap and Popular Prints" and advertised its lithographs as "colored engravings for the people". The firm adopted the name "Currier and Ives" in 1857.
Tags
Date
01/01/1867
Contributors
Currier & Ives.
Source
Library of Congress
Copyright info
No known restrictions on publication.
