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They saw their "Flying Dutchman" - it crossed their path, and they were lost / Gillam.

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They saw their "Flying Dutchman" - it crossed their path, and they were lost / Gillam.

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Summary

Illustration shows the shipwreck of a ship that lost its course at the sight of the "Flying Dutchman" labeled "Speeches" with the face of James G. Blaine as the ship's figurehead and using the "Bloody Shirt" as sails; men cling to the wreck of the ship, some are in the sea, and many are on the rocks, some are identified as "Cornell, Wadsworth, Daggett, Catlin, Carr, O'Brien [who is clinging to "Davenport's Bar'l"], Evarts, "Jake Hess", Miller, T. Platt, Davenport, Sherman, Edmunds, [and] Jonah B. Foraker", among those unidentified are Whitelaw Reid holding a bottle labeled "Tribune Editorial Solace", Joseph Pulitzer as a bird labeled "N.Y. World", and John Logan.

Illus. from Puck, v. 18, no. 453, (1885 November 11), centerfold.
Copyright 1885 by Keppler & Schwarzmann.

Alois Senefelder, the inventor of lithography, introduced the subject of colored lithography in 1818. Printers in other countries, such as France and England, were also started producing color prints. The first American chromolithograph—a portrait of Reverend F. W. P. Greenwood—was created by William Sharp in 1840. Chromolithographs became so popular in American culture that the era has been labeled as "chromo civilization". During the Victorian times, chromolithographs populated children's and fine arts publications, as well as advertising art, in trade cards, labels, and posters. They were also used for advertisements, popular prints, and medical or scientific books.

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Date

01/01/1885
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Contributors

Gillam, Bernhard, 1856-1896, artist
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Source

Library of Congress
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No known restrictions on publication.

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