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Where the blame lies / Hamilton.
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Cartoon shows a man holding a top hat in one hand and gesturing toward horde of arriving immigrants labeled "German socialist," "Russian anarchist," "Polish vagabond," "Italian brigand," "English convict," "Irish pauper," etc., at Castle Clinton in New York City. A scowling Uncle Sam leans against a building, at his feet is a sheet of paper on which is written, "Mafia in New Orleans, Anarchists in Chicago, Socialists in New York." The man (Judge) says to Uncle Sam: "If Immigration was properly Restricted you would no longer be troubled with Anarchy, Socialism, the Mafia and such kindred evils!"
Illus. in: Judge, v. 19, no. 494 (1891 April 4), pp. 458-59.
Alois Senefelder, the inventor of lithography, introduced the subject of colored lithography in 1818. Printers in other countries, such as France and England, were also started producing color prints. The first American chromolithograph—a portrait of Reverend F. W. P. Greenwood—was created by William Sharp in 1840. Chromolithographs became so popular in American culture that the era has been labeled as "chromo civilization". During the Victorian times, chromolithographs populated children's and fine arts publications, as well as advertising art, in trade cards, labels, and posters. They were also used for advertisements, popular prints, and medical or scientific books.
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