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Topic

cheek

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[Walt Whitman, three-quarter length portrait, seated, facing slightly right, wearing heavy coat with right hand in pocket, left hand at cheek]

[Walt Whitman, three-quarter length portrait, seated, facing slightly ...

On verso: Gardner, Washington, D.C. Forms part of: Feinberg-Whitman Collection (Library of Congress). Exhibited: American Treasures of the Library of Congress. Autographed: Walt Whitman 1864. Saunders, no. 22

[African American girl, half-length portrait, with right hand to cheek, with illustrated book on table]

[African American girl, half-length portrait, with right hand to cheek...

Attribution to Askew from Photography on the color line. In album (disbound): Types of American Negroes, compiled and prepared by W.E.B. Du Bois, v. 3, no. 210. B&w copy prints for LOT 11930 are provided as sur... More

Joseph Priestley

Joseph Priestley

Joseph Priestley, head-and-shoulders portrait, facing right. 74323 U.S. Copyright Office.

[Mamie Westmorland, school teacher; half-length portrait, with left hand to cheek, facing front]

[Mamie Westmorland, school teacher; half-length portrait, with left ha...

Attribution to Askew and title identification information from Photography on the color line. In album (disbound): Types of American Negroes, compiled and prepared by W.E.B. Du Bois, v. 1, no. 79. B&w copy prin... More

[Daughter of Thomas E. Askew, head-and-shoulders portrait, seated, right hand on cheek, with open book]

[Daughter of Thomas E. Askew, head-and-shoulders portrait, seated, rig...

Title and photographer attribution based on research by D. Willis in Small nation of people. Untitled photograph in album (disbound): Types of American Negroes, compiled and prepared by W.E.B. Du Bois, v. 1, no... More

[Thomas C. Platt, three-quarter length portrait, seated in chair, facing front, left hand at cheek, leaning on left elbow, holding New York newspaper in right hand]

[Thomas C. Platt, three-quarter length portrait, seated in chair, faci...

H4390 U.S. Copyright Office. Copyright by G.V. Buck, Washington, D.C. No. 5.

Major: if a man were to slap your wife's cheek, what would you do? : Pacifist: I'd turn her other cheek

Major: if a man were to slap your wife's cheek, what would you do? : P...

Gift; Mrs. Peter Grant; 1940; (DLC/PP-1940:008). Forms part of: Cabinet of American illustration (Library of Congress). Published in: Life, 71:30 (Jan. 3, 1918).

Angela felt Somer's arms tighten around her and his cheek brush hers as the water roared over them

Angela felt Somer's arms tighten around her and his cheek brush hers a...

(DLC/PP-1939:0060). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "The Salving of John Somers" by John Fleming Wilson, Everybody's magazine, 43:37 (Aug. 1920).

[ Danny Kaye kissing Jennie Grossinger on the cheek]

[ Danny Kaye kissing Jennie Grossinger on the cheek]

From a dinner after a golf outing at Grossingers Country Club after returning from performances at the Palladium in London. (General) Although no credit or publication information is given, the photograph conta... More

Metal Cheek Plate Patterns

Metal Cheek Plate Patterns

Maker: Faupel, Leonard, Winnemucca, Nevada Pattern at right cut from coffee can, others from sheet zinc and a tobacco tin

Cheek Plates and Blanks with Stars

Cheek Plates and Blanks with Stars

Maker: Faupel, Leonard, Winnemucca, Nevada One steel plate with silver inlay on edge of shank; two steel blanks with star pattern

Metal Cheek Plate Blanks

Metal Cheek Plate Blanks

Maker: Faupel, Leonard, Winnemucca, Nevada Two steel blanks with areas outlined for silver inlay, one steel blank inlaid with silver, one plate cut from a silver sheet and engraved for use as overlay

Cheek Plates with Inlays and Blank

Cheek Plates with Inlays and Blank

Maker: Faupel, Leonard, Winnemucca, Nevada Bottom cheek plate blank in popular "Lady's Leg" pattern; top "Chileno" cheek plate displays silver inlay on the high arch; middle cheek plate blank made of 3/16-inch ... More

A rendition of the scary clown Pennywise from the movie "It" is part of Melissa Glendinning's spooky tableau that starts with a 1,425-pound pumpkin at the annual Pumpkinfest, a colorful fall festival in Damariscotta, Maine

A rendition of the scary clown Pennywise from the movie "It" is part o...

Title, date and keywords based on information provided by the photographer. Purchase; Carol M. Highsmith Photography, Inc.; 2017; (DLC/PP-2016:103-11). Forms part of: Carol M. Highsmith's America Project in the... More

The darktown hunt-presenting the brush: "You done better keep it kurnel to polish you cheek."

The darktown hunt-presenting the brush: "You done better keep it kurne...

Caricature issued as part of the "Darktown comics" series. Currier & Ives : a catalogue raisonné / compiled by Gale Research. Detroit, MI : Gale Research, c1983, no. 1530.

Dimpled cheek schottisch

Dimpled cheek schottisch

From: Music Copyright Deposits, 1870-1885 (Microfilm M 3500) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form)

Dimpled cheek schottisch

Dimpled cheek schottisch

From: Music Copyright Deposits, 1870-1885 (Microfilm M 3500) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form)

Dimpled cheek schottisch

Dimpled cheek schottisch

From: Music Copyright Deposits, 1870-1885 (Microfilm M 3500) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form)

Dimpled cheek schottisch

Dimpled cheek schottisch

From: Music Copyright Deposits, 1870-1885 (Microfilm M 3500) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form)

There's a tear on her beautiful cheek, ballad

There's a tear on her beautiful cheek, ballad

From: Music Copyright Deposits, 1820-1860 (Microfilm M 3106) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form) In bound volumes: Copyright Deposits 1820-1860

There's a tear on her beautiful cheek, ballad

There's a tear on her beautiful cheek, ballad

From: Music Copyright Deposits, 1820-1860 (Microfilm M 3106) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form) In bound volumes: Copyright Deposits 1820-1860

There's a tear on her beautiful cheek, ballad

There's a tear on her beautiful cheek, ballad

From: Music Copyright Deposits, 1820-1860 (Microfilm M 3106) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form) In bound volumes: Copyright Deposits 1820-1860

There's a tear on her beautiful cheek, ballad

There's a tear on her beautiful cheek, ballad

From: Music Copyright Deposits, 1820-1860 (Microfilm M 3106) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form) In bound volumes: Copyright Deposits 1820-1860

Madame Joly in no wise resembled the Madonna Botticelli in the Louvre : poor little one! she murmured, resting her cheek on the brown hair

Madame Joly in no wise resembled the Madonna Botticelli in the Louvre ...

(DLC/PP-1933:0185). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "The Real Birthday of Dorante" by Arthur Sherburne Hardy, Harper's magazine, 123:143 (June 1911).

Madame Joly in no wise resembled the Madonna Botticelli in the Louvre : poor little one! she murmured, resting her cheek on the brown hair

Madame Joly in no wise resembled the Madonna Botticelli in the Louvre ...

(DLC/PP-1933:0185). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "The Real Birthday of Dorante" by Arthur Sherburne Hardy, Harper's magazine, 123:143 (June 1911).

Madame Joly in no wise resembled the Madonna Botticelli in the Louvre : poor little one! she murmured, resting her cheek on the brown hair

Madame Joly in no wise resembled the Madonna Botticelli in the Louvre ...

(DLC/PP-1933:0185). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "The Real Birthday of Dorante" by Arthur Sherburne Hardy, Harper's magazine, 123:143 (June 1911).

Madame Joly in no wise resembled the Madonna Botticelli in the Louvre : poor little one! she murmured, resting her cheek on the brown hair

Madame Joly in no wise resembled the Madonna Botticelli in the Louvre ...

(DLC/PP-1933:0185). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "The Real Birthday of Dorante" by Arthur Sherburne Hardy, Harper's magazine, 123:143 (June 1911).

Soft is the rounded cheek of youth

Soft is the rounded cheek of youth

lyricist semi-legible - S. G. Bul..ck From: Music Copyright Deposits, 1820-1860 (Microfilm M 3106) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form) In... More

Soft is the rounded cheek of youth

Soft is the rounded cheek of youth

lyricist semi-legible - S. G. Bul..ck From: Music Copyright Deposits, 1820-1860 (Microfilm M 3106) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form) In... More

Soft is the rounded cheek of youth

Soft is the rounded cheek of youth

lyricist semi-legible - S. G. Bul..ck From: Music Copyright Deposits, 1820-1860 (Microfilm M 3106) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form) In... More

Soft is the rounded cheek of youth

Soft is the rounded cheek of youth

lyricist semi-legible - S. G. Bul..ck From: Music Copyright Deposits, 1820-1860 (Microfilm M 3106) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form) In... More

Go hold white roses to thy cheek

Go hold white roses to thy cheek

From: Music Copyright Deposits, 1870-1885 (Microfilm M 3500) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form)

Go hold white roses to thy cheek

Go hold white roses to thy cheek

From: Music Copyright Deposits, 1870-1885 (Microfilm M 3500) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form)

Go hold white roses to thy cheek

Go hold white roses to thy cheek

From: Music Copyright Deposits, 1870-1885 (Microfilm M 3500) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form)

Go hold white roses to thy cheek

Go hold white roses to thy cheek

From: Music Copyright Deposits, 1870-1885 (Microfilm M 3500) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form)

For the comfort of Americans and for the use of mankind in general, a discovery has been made to give ease to the cheek, comfort to the upper lip, a pleasant familiarity to the chin, and an agreeable surprise to the bearded phisiognomy: which ta

For the comfort of Americans and for the use of mankind in general, a ...

Razor. Available also through the Library of Congress web site in two forms: as facsimile page images and as full text in SGML. Printed Ephemera Collection; Portfolio 160, Folder 46.

For the comfort of Americans and for the use of mankind in general, a discovery has been made to give ease to the cheek, comfort to the upper lip, a pleasant familiarity to the chin, and an agreeable surprise to the bearded phisiognomy: which ta

For the comfort of Americans and for the use of mankind in general, a ...

Razor. Available also through the Library of Congress web site in two forms: as facsimile page images and as full text in SGML. Printed Ephemera Collection; Portfolio 160, Folder 46.

[Unidentified man, three-quarter length portrait, three-quarters to the right, seated, with arm over back of chair, hand to cheek, with full beard, wearing jacket with elaborate trimming]

[Unidentified man, three-quarter length portrait, three-quarters to th...

Scratched on back of plate: 245; 254. Corners trimmed. Alternative identification: Charles Francis Hall, 1821-1871, arctic explorer. Transfer; U.S. War College; 1920; (DLC/PP-1920:46153). Forms part of: Daguerr... More

[Unidentified man, three-quarter length portrait, three-quarters to the right, seated, with arm over back of chair, hand to cheek, with full beard, wearing jacket with elaborate trimming]

[Unidentified man, three-quarter length portrait, three-quarters to th...

Scratched on back of plate: 245; 254. Corners trimmed. Alternative identification: Charles Francis Hall, 1821-1871, arctic explorer. Transfer; U.S. War College; 1920; (DLC/PP-1920:46153). Forms part of: Daguerr... More

" Rosy cheek" polka

" Rosy cheek" polka

From: Music Copyright Deposits, 1870-1885 (Microfilm M 3500) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form)

" Rosy cheek" polka

" Rosy cheek" polka

From: Music Copyright Deposits, 1870-1885 (Microfilm M 3500) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form)

" Rosy cheek" polka

" Rosy cheek" polka

From: Music Copyright Deposits, 1870-1885 (Microfilm M 3500) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form)

" Rosy cheek" polka

" Rosy cheek" polka

From: Music Copyright Deposits, 1870-1885 (Microfilm M 3500) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form)

Dimpled cheek; Waltz

Dimpled cheek; Waltz

From: Music Copyright Deposits, 1870-1885 (Microfilm M 3500) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form)

Dimpled cheek; Waltz

Dimpled cheek; Waltz

From: Music Copyright Deposits, 1870-1885 (Microfilm M 3500) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form)

Dimpled cheek; Waltz

Dimpled cheek; Waltz

From: Music Copyright Deposits, 1870-1885 (Microfilm M 3500) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form)

Dimpled cheek; Waltz

Dimpled cheek; Waltz

From: Music Copyright Deposits, 1870-1885 (Microfilm M 3500) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form)

They cheek is pale, thy lip is mute, ballad

They cheek is pale, thy lip is mute, ballad

From: Music Copyright Deposits, 1820-1860 (Microfilm M 3106) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form) In bound volumes: Copyright Deposits 1820-1860

They cheek is pale, thy lip is mute, ballad

They cheek is pale, thy lip is mute, ballad

From: Music Copyright Deposits, 1820-1860 (Microfilm M 3106) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form) In bound volumes: Copyright Deposits 1820-1860

They cheek is pale, thy lip is mute, ballad

They cheek is pale, thy lip is mute, ballad

From: Music Copyright Deposits, 1820-1860 (Microfilm M 3106) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form) In bound volumes: Copyright Deposits 1820-1860

They cheek is pale, thy lip is mute, ballad

They cheek is pale, thy lip is mute, ballad

From: Music Copyright Deposits, 1820-1860 (Microfilm M 3106) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form) In bound volumes: Copyright Deposits 1820-1860

They cheek is pale, thy lip is mute, ballad

They cheek is pale, thy lip is mute, ballad

From: Music Copyright Deposits, 1820-1860 (Microfilm M 3106) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form) In bound volumes: Copyright Deposits 1820-1860

Where Ella hid her blushing cheek

Where Ella hid her blushing cheek

From: Music Copyright Deposits, 1870-1885 (Microfilm M 3500) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form)

Where Ella hid her blushing cheek

Where Ella hid her blushing cheek

From: Music Copyright Deposits, 1870-1885 (Microfilm M 3500) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form)

Where Ella hid her blushing cheek

Where Ella hid her blushing cheek

From: Music Copyright Deposits, 1870-1885 (Microfilm M 3500) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form)

Where Ella hid her blushing cheek

Where Ella hid her blushing cheek

From: Music Copyright Deposits, 1870-1885 (Microfilm M 3500) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form)

Where Ella hid her blushing cheek

Where Ella hid her blushing cheek

From: Music Copyright Deposits, 1870-1885 (Microfilm M 3500) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form)

Where Ella hid her blushing cheek

Where Ella hid her blushing cheek

From: Music Copyright Deposits, 1870-1885 (Microfilm M 3500) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form)

I love thee not for rosy cheek, ballad

I love thee not for rosy cheek, ballad

From: Music Copyright Deposits, 1820-1860 (Microfilm M 3106) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form) In bound volumes: Copyright Deposits 1820-1860

I love thee not for rosy cheek, ballad

I love thee not for rosy cheek, ballad

From: Music Copyright Deposits, 1820-1860 (Microfilm M 3106) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form) In bound volumes: Copyright Deposits 1820-1860

I love thee not for rosy cheek, ballad

I love thee not for rosy cheek, ballad

From: Music Copyright Deposits, 1820-1860 (Microfilm M 3106) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form) In bound volumes: Copyright Deposits 1820-1860

I love thee not for rosy cheek, ballad

I love thee not for rosy cheek, ballad

From: Music Copyright Deposits, 1820-1860 (Microfilm M 3106) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form) In bound volumes: Copyright Deposits 1820-1860

Oh lay thy cheek on mine, dear love [soprano or tenor]

Oh lay thy cheek on mine, dear love [soprano or tenor]

From: Music Copyright Deposits, 1870-1885 (Microfilm M 3500) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form)

Oh lay thy cheek on mine, dear love [soprano or tenor]

Oh lay thy cheek on mine, dear love [soprano or tenor]

From: Music Copyright Deposits, 1870-1885 (Microfilm M 3500) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form)

Oh lay thy cheek on mine, dear love [soprano or tenor]

Oh lay thy cheek on mine, dear love [soprano or tenor]

From: Music Copyright Deposits, 1870-1885 (Microfilm M 3500) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form)