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Mabel Payne and Luke Harvey - Public domain book illustration

Mabel Payne and Luke Harvey - Public domain book illustration

(DLC/PP-1941:0074). Forms part of: Cabinet of American illustration (Library of Congress). Published as frontispiece for: "The Quaker City."

What's the matter? Miss O'Leary asked : her voice sounded hurt

What's the matter? Miss O'Leary asked : her voice sounded hurt

Gift; Ernest Fuhr estate; (DLC/PP-1934:0111). Forms part of: Cabinet of American illustration (Library of Congress). Published in: Saturday evening post.

There is considerable hard feeling among members of the literary club

There is considerable hard feeling among members of the literary club

(DLC/PP-1939:0060). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "Bumbleton Folks" by Claude Callan, Ladies home journal, 39:36 (May 1922).

Emotions Parisiennes. L'or est une chimère - pour ceux qui n'ont pas le sou / hD.

Emotions Parisiennes. L'or est une chimère - pour ceux qui n'ont pas l...

Print shows a man in a tall black hat with his hands in his pockets, looking sardonically at a window, covered by a grill, behind which sit bowls of coins. Daumier was a French caricaturist and cartoonist, who... More

And there, all motion congealed in her, her eyes fastened on the unveiled wall, she remained

And there, all motion congealed in her, her eyes fastened on the unvei...

Gift; Ernest Fuhr estate; (DLC/PP-1934:0045). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "To-morrow" by Shirley L. Seiffert, Saturday Evening Post, 192:20 (June 19, 1920).

At her reply he hurried to the door

At her reply he hurried to the door

Title on verso. No accession number. Forms part of: Cabinet of American illustration (Library of Congress). Published in: "The Wild Goose" by Gouverneur Morris, Hearst's Magazine, 34:253 (Oct. 1918).

Though not susceptible to aesthetic emotion

Though not susceptible to aesthetic emotion

Title on verso. (DLC/PP-1932:0039.25). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "The First and the last" by John Galsworthy, Cosmopolitan, 49:11 (June 1915).

"Wild birds" Drama of youthful emotions.

"Wild birds" Drama of youthful emotions.

Poster for Federal Theatre Project presentation of "Wild Birds" at the Musart Theatre, 1320 S. Figueroa St., Los Angeles, Calif. showing Canadian geese flying in formation. Work Projects Administration Poster C... More

At her reply he hurried to the door

At her reply he hurried to the door

Title on verso. No accession number. Forms part of: Cabinet of American illustration (Library of Congress). Published in: "The Wild Goose" by Gouverneur Morris, Hearst's Magazine, 34:253 (Oct. 1918).

It was apparent that some terrific storm was shaking the core of Gran' Morgan's being

It was apparent that some terrific storm was shaking the core of Gran'...

No publication information. (DLC/PP-1939:0060). Forms part of: Cabinet of American illustration (Library of Congress).

Mr. Ripple wanted to take his wife by the arm

Mr. Ripple wanted to take his wife by the arm

(DLC/PP-1939:0060). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "Bumbleton Folk" by Claude Callan, Ladies home journal, 38:30 (March 1921).

She dropped the letter and her face in her hands

She dropped the letter and her face in her hands

(DLC/PP-1933:0079). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "Sanctuary" by Edith Wharton, Scribner's magazine, 34:258 (Sept. 1903).

Her hands fell from her face and their eyes met

Her hands fell from her face and their eyes met

(DLC/PP-1933:0079). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "Out of the Depths" by Robert W. Chambers, Collier's weekly (Dec. 3, 1904), p. 13.

They all stood round and laughed at him

They all stood round and laughed at him

(DLC/PP-1939:0060). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "A Source of Irritation" by Stacy Aumonier, Century, 94:325 (Jan. 1918).

My name, he said, is Leo Vulcan

My name, he said, is Leo Vulcan

No accession number. Forms part of: Cabinet of American illustration (Library of Congress). Published in: "Safety Curtain" by Ethel M. Dell, Pictorial review 17:13 (Aug. 1916).

Do you think I care how I get her so long as I get her?

Do you think I care how I get her so long as I get her?

(DLC/PP-1939:0060). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "The House of Broken Dreams" by Christine Jope-Slade, Ladies home journal, 40:30 (Dec. 1920).

He tried to remember that only a few weeks before --

He tried to remember that only a few weeks before --

Gift; Ernest Fuhr estate; (DLC/PP-1934:0111). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "The Lantern on the Plow" by George Agnew Chamberlain, Saturday evening post, 1... More

The rhinoceros. Book illustration from Library of Congress

The rhinoceros. Book illustration from Library of Congress

Gift; Mrs. Peter Grant; 1940; (DLC/PP-1940:008). Forms part of: Cabinet of American illustration (Library of Congress). Published in: A Child's primer of natural history / Oliver Herford. New York : Charles Scr... More

Union emotions. Written by John C. Cross. Air: Glory hallelujah. H. De Marsan, Publisher, 54 Chatham Street, N. Y

Union emotions. Written by John C. Cross. Air: Glory hallelujah. H. De...

Public domain song - scan of American song sheet, free to use, no copyright restrictions image - Picryl description

Jim's face told them no more --

Jim's face told them no more --

Gift; Ernest Fuhr estate; (DLC/PP-1934:0111). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "Helen of Troy, N.Y." by Octavus Roy Cohen, Saturday evening post, 195:23 (Oct. 7, 1922).

And I sat right down again and stayed there -- watching that door as if I expected the devil to pop out of it

And I sat right down again and stayed there -- watching that door as i...

(DLC/PP-1934:0045). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "The Biography of a Million Dollars" by George Kibbe Turner, Saturday evening post, 190:21 (Dec. 15, 1917).

The girls were somewhat startled when they saw a black horse tied beside the road

The girls were somewhat startled when they saw a black horse tied besi...

Title on verso. (DLC/PP-1933:0131). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "Rescued by the Enemy" by Sabria Avery, St. Nicholas, 18:653 (Aug. 1891).

Presently Peter returned with a very redfaced man --

Presently Peter returned with a very redfaced man --

Gift; Ernest Fuhr estate; (DLC/PP-1934:0111). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "My Son" by Cora Harris, Saturday evening post, 194:28 (Jan. 8, 1921).

[Embarrassment, both men staring at one another, room destroyed]

[Embarrassment, both men staring at one another, room destroyed]

Title devised by cataloger. (DLC/PP-1932:0029). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "A Good Story," Harper's Weekly, 34:75 (Jan. 25, 1890).

Yes, Sour-dough's right, that Earl just hates the sight of her

Yes, Sour-dough's right, that Earl just hates the sight of her

(DLC/PP-1934:0045). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "Ruggles of Red Gap" by Harry Leon Wilson, Saturday evening post, 187:18 (Feb. 27, 1915).