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knee

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[Frontis illus. of books by Mason Locke "Parson" Weems (1759-1825): "he writhes. he gnashes his teeth. on bended knee he curses the author of his ruin" [gambler]]

[Frontis illus. of books by Mason Locke "Parson" Weems (1759-1825): "h...

Illus. in: God's Revenge against gambling ... (Philadelphia, 1812). No reference copies. This record contains unverified, old data from caption card. Caption card tracings: Shelf.

[Unidentified man and woman, both about 30 years of age, with a child about two years of age seated on woman's knee, full-length portraits, facing front, seated on chairs on carpet]

[Unidentified man and woman, both about 30 years of age, with a child ...

Scratched on back of plate: 178; 196. Two edges trimmed. Transfer; U.S. War College; 1920; (DLC/PP-1920:46153). Forms part of: Daguerreotype collection (Library of Congress). Produced by Mathew Brady's studio.

She was seated on the hearth-rug before the fire, her head just touching his knee

She was seated on the hearth-rug before the fire, her head just touchi...

(DLC/PP-1933:0175). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "Shandon Bells," Harper's magazine, 65:949 (Nov. 1882).

"[T]hen upon one knee, uprising, Hiawatha aimed an arrow"

"[T]hen upon one knee, uprising, Hiawatha aimed an arrow"

A scene from "The song of Hiawatha" by Henry Wadsworth Longfellow showing Hiawatha on one knee aiming an arrow at a deer in the wilderness. Illus. in: The song of Hiawatha / by Henry Wadsworth Longfellow. Bosto... more

Big Foot, chief of the Bules [sic] taken at the Battle of Wounded Knee, S.D.

Big Foot, chief of the Bules [sic] taken at the Battle of Wounded Knee...

Body of Spotted Elk, chief of the Miniconjou, Lakota Sioux, lying in snow, after the Massacre at Wounded Knee, S.D., Dec. 29, 1890. Copyright by Northwestern Photo Co., Chadron, Nebraska. Title transcribed from... more

The opening of the fight at Wounded Knee

The opening of the fight at Wounded Knee

Seventh Cavalry in battle with Indians. Illus. in: Harper's weekly, 1891 Jan. 24, p. 65.

Birds-eye view of canyon at Wounded Knee, S.D.

Birds-eye view of canyon at Wounded Knee, S.D.

Dead horses and Indians. Photo copyrighted by Northwestern Photo Co. Not found in LOT 6/2005. This record contains unverified, old data from caption card. Caption card tracings: Shelf. South Dakota.

[Portrait of man wearing glasses, seated with elbow resting on right knee] / EW.

[Portrait of man wearing glasses, seated with elbow resting on right k...

Title devised by staff. Signed with photographer's monogram. Prior to 1901 photographer known as Eva Lawrence Watson. Forms part of: Artistic photographs collected by Frances Benjamin Johnston in the Frances Be... more

Caught in the act

Caught in the act

Man dressed as Santa Claus seated on model of chimney smoking long pipe and blowing circles of smoke. D4849 U.S. Copyright Office. No. 3.

U.S. troops surrounding the Indians on Wounded Knee battle field / Miller Studio, Gordon, Neb.

U.S. troops surrounding the Indians on Wounded Knee battle field / Mil...

Photograph shows a Native encampment in the foreground with a short line of U.S. troops in the background.

Col. Sherrell, Supt. of Public Buildings and Grounds, has issued an order that bathing suits at the Wash[ington] bathing beach must not be over six inches above the knee ...

Col. Sherrell, Supt. of Public Buildings and Grounds, has issued an or...

Photo shows Bill Norton, the bathing beach "cop", using a tape measure to determine the distance between a woman's knee and the bottom of her bathing suit on a beach in Washington, D.C. Title from item In album... more

Bending huge steel girders. Washington, D.C., Sept. 23. At the U.S. Bureau of Standards officials were witnessing the testing of rigid steel frame knees that are used in grade eliminations such as over-passes, under-passes, bridges, etc. This photo shows the girder or knee placed into the huge 600,000 lb. testing machine in preparation for the test. This welded rigid steel frame knee which was designed to withstand 50,000 pounds had a maximum load of 153,600 lbs placed on it before it buckled

Bending huge steel girders. Washington, D.C., Sept. 23. At the U.S. Bu...

Title from unverified caption data received with the Harris & Ewing Collection. Date from related adjacent neg. LC-H22-2404. Gift; Harris & Ewing, Inc. 1955. General information about the Harris & Ewing Collect... more

Would you rather be a colonel with an eagle on your shoulder, or a private with a chicken on your knee?

Would you rather be a colonel with an eagle on your shoulder, or a pri...

Words by Sidney D. Mitchell ; music by Archie Gottler. (statement of responsibility) For voice and piano. Staff notation. (language) 4002-2 (music plate)

Would you rather be a colonel with an eagle on your shoulder, or a private with a chicken on your knee?

Would you rather be a colonel with an eagle on your shoulder, or a pri...

Words by Sidney D. Mitchell ; music by Archie Gottler. (statement of responsibility) For voice and piano. Staff notation. (language) 4002-2 (music plate)

Would you rather be a colonel with an eagle on your shoulder, or a private with a chicken on your knee?

Would you rather be a colonel with an eagle on your shoulder, or a pri...

Words by Sidney D. Mitchell ; music by Archie Gottler. (statement of responsibility) For voice and piano. Staff notation. (language) 4002-2 (music plate)

Would you rather be a colonel with an eagle on your shoulder, or a private with a chicken on your knee?

Would you rather be a colonel with an eagle on your shoulder, or a pri...

Words by Sidney D. Mitchell ; music by Archie Gottler. (statement of responsibility) For voice and piano. Staff notation. (language) 4002-2 (music plate)

Would you rather be a colonel with an eagle on your arm than a private with a chicken on your knee?

Would you rather be a colonel with an eagle on your arm than a private...

Words by Fred Fisher ; music by Leo Edwards. (statement of responsibility) For voice and piano. Staff notation. (language)

Would you rather be a colonel with an eagle on your arm than a private with a chicken on your knee?

Would you rather be a colonel with an eagle on your arm than a private...

Words by Fred Fisher ; music by Leo Edwards. (statement of responsibility) For voice and piano. Staff notation. (language)

Would you rather be a colonel with an eagle on your arm than a private with a chicken on your knee?

Would you rather be a colonel with an eagle on your arm than a private...

Words by Fred Fisher ; music by Leo Edwards. (statement of responsibility) For voice and piano. Staff notation. (language)

Would you rather be a colonel with an eagle on your arm than a private with a chicken on your knee?

Would you rather be a colonel with an eagle on your arm than a private...

Words by Fred Fisher ; music by Leo Edwards. (statement of responsibility) For voice and piano. Staff notation. (language)

But with her babe upon her knee / FES.

But with her babe upon her knee / FES.

Virgin Mary holding baby Jesus Christ. "B3957." No accession number. Forms part of: Cabinet of American illustration (Library of Congress). Published in: Christmas Tales and Christmas Verse / Eugene Field. New ... more

But with her babe upon her knee / FES.

But with her babe upon her knee / FES.

Virgin Mary holding baby Jesus Christ. "B3957." No accession number. Forms part of: Cabinet of American illustration (Library of Congress). Published in: Christmas Tales and Christmas Verse / Eugene Field. New ... more

Tries His Knee

Tries His Knee

Half-length portrait of Crow Man.

Tries His Knee

Tries His Knee

Half-length portrait of Crow Man.

Dance me on your knee, darling

Dance me on your knee, darling

From: Music Copyright Deposits, 1870-1885 (Microfilm M 3500) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form)

Dance me on your knee, darling

Dance me on your knee, darling

From: Music Copyright Deposits, 1870-1885 (Microfilm M 3500) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form)

Dance me on your knee, darling

Dance me on your knee, darling

From: Music Copyright Deposits, 1870-1885 (Microfilm M 3500) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form)

Dance me on your knee, darling

Dance me on your knee, darling

From: Music Copyright Deposits, 1870-1885 (Microfilm M 3500) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form)

Dance me on your knee, darling

Dance me on your knee, darling

From: Music Copyright Deposits, 1870-1885 (Microfilm M 3500) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form)

Over her knee

Over her knee

From: Music Copyright Deposits, 1870-1885 (Microfilm M 3500) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form)

Over her knee

Over her knee

From: Music Copyright Deposits, 1870-1885 (Microfilm M 3500) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form)

Over her knee

Over her knee

From: Music Copyright Deposits, 1870-1885 (Microfilm M 3500) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form)

Over her knee

Over her knee

From: Music Copyright Deposits, 1870-1885 (Microfilm M 3500) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form)

O! God, we humbly bend the knee; Hymn

O! God, we humbly bend the knee; Hymn

From: Music Copyright Deposits, 1870-1885 (Microfilm M 3500) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form)

O! God, we humbly bend the knee; Hymn

O! God, we humbly bend the knee; Hymn

From: Music Copyright Deposits, 1870-1885 (Microfilm M 3500) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form)

O! God, we humbly bend the knee; Hymn

O! God, we humbly bend the knee; Hymn

From: Music Copyright Deposits, 1870-1885 (Microfilm M 3500) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form)

O! God, we humbly bend the knee; Hymn

O! God, we humbly bend the knee; Hymn

From: Music Copyright Deposits, 1870-1885 (Microfilm M 3500) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form)

[Big Foot's camp three weeks after the Wounded Knee Massacre (Dec. 29, 1890), with bodies of several Lakota Sioux people wrapped in blankets in the foreground and U.S. soldiers in the background]

[Big Foot's camp three weeks after the Wounded Knee Massacre (Dec. 29,...

Title devised by Library staff, based on information provided by Lise Broer, 2009. Copyrighted 1891 by Trager & Kuhn, Chadron, Nebr. This record contains unverified, old data from caption card. Exhibited: "Expa... more

[Big Foot's camp three weeks after the Wounded Knee Massacre (Dec. 29, 1890), with bodies of several Lakota Sioux people wrapped in blankets in the foreground and U.S. soldiers in the background]

[Big Foot's camp three weeks after the Wounded Knee Massacre (Dec. 29,...

Title devised by Library staff, based on information provided by Lise Broer, 2009. Copyrighted 1891 by Trager & Kuhn, Chadron, Nebr. This record contains unverified, old data from caption card. Exhibited: "Expa... more

Remember Wounded Knee

Remember Wounded Knee

Poster showing Bobby Onco, a Kiowa, and member of the American Indian Movement (AIM), holding up rifle. Photograph was taken after a ceasefire agreement between AIM forces and federal marshals at Wounded Knee, ... more

Remember Wounded Knee

Remember Wounded Knee

Poster showing Bobby Onco, a Kiowa, and member of the American Indian Movement (AIM), holding up rifle. Photograph was taken after a ceasefire agreement between AIM forces and federal marshals at Wounded Knee, ... more

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