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Hounsditch Empörung, Feuerwehrleute bei der Arbeit
(Quelle: Flickr Commons project, 2015) Bildet einen Teil von: George Grantham Bain Collection (Library of Congress).
Locust plague, wall & traps - Public domain image. Dry plate negative.
Locust plague, egg pouch - Public domain image. Dry plate negative.
Schindelmuster, Die; Polka
Clearing up volcanic ashes, Alaska - Frank G. Carpenter collection
Grotto Geyser, Fire Hole Basin - stereoscopic view, public domain photorpaph
Cracking nuts beside the fire - Public domain American sheet music 1870-1885
458 Titel von Posten.
Krater des Riesengeysirs, Feuerloch-Becken
Zusammenfassung
No. 460.
Part of series: Scenery of the Yellowstone, 1871.
The albumen silver print is a photographic printing process that was widely used in the 19th century. It involves coating paper support with a mixture of egg whites and salt, which creates a glossy surface to hold light-sensitive silver salts. The paper is then sensitized in a solution of silver nitrate, and exposed in a camera or under a negative. After exposure, the print is developed in a solution of gallic acid and silver nitrate, which reduces the silver salts to metallic silver and creates the final image. The albumen print process was widely used for commercial and fine art photography in the 19th century and produced high-quality, detailed images with a distinctive glossy finish.
William Henry Jackson (1843-1942) was an American painter, photographer, and explorer who is best known for his pioneering work in documenting the American West. He was born in Keeseville, New York, and after serving in the Union Army during the American Civil War, he became interested in photography. Jackson worked as a photographer for the United States Geological Survey, and he was a member of several expeditions to the West, including the Hayden Geological Survey of 1871. During these expeditions, he produced a large number of photographs that helped to document the landscape and the Native American cultures of the region. Jackson's photographs were instrumental in promoting the idea of creating national parks in the United States. He was also one of the founding members of the Detroit Photographic Company, which produced a large number of postcards and other commercial products based on his photographs.