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Zusammenfassung
Print shows an Irishman confronting Uncle Sam in a boarding house filled with laborers, immigrants from several countries who are attempting to sleep; the "Frenchman, Japanese, Negro, Russian, Italian," and "German" sleep peacefully. The "Irishman" kicks up a row. He has thrown such bricks as "The Chinese must go," "Recall Lowell," and "Irish independence" at Uncle Sam and the female figure of liberty standing on the left. He disturbs a "Chinese" man and an "Englishman," who are in the berths next to him.
Caption: Uncle Sam "Look here, you, everybody else is quiet and peaceable, and you're all the time a-kicking up a row!"
Illus. in: Puck, v. 11, no. 274 (1882 June 7), centerfold.
2nd copy illus. from: Puck, v. 11, no. 274 (1882 June 7), pp. 220-221.
Library has two copies, one bound in vol. 11 and the second copy in LOT 14014.
Copyright 1882 by Keppler & Schwarzmann.
2nd copy forms part of: Ben and Beatrice Goldstein Foundation Collection (Library of Congress).
Der Erfinder der Lithographie, Alois Senefelder, führte 1818 das Thema der farbigen Lithographie ein. Auch Druckereien in anderen Ländern wie Frankreich und England begannen, Farbdrucke herzustellen. Die erste amerikanische Chromolithographie - ein Porträt von Reverend F. W. P. Greenwood - wurde 1840 von William Sharp geschaffen. Chromolithographien wurden in der amerikanischen Kultur so populär, dass die Ära als "Chromozivilisation" bezeichnet wurde. Während der viktorianischen Zeit bevölkerten Chromolithographien die Kinder- und Kunstpublikationen sowie Werbegrafiken auf Handelskarten, Etiketten und Plakaten. Sie wurden auch für Werbung, populäre Drucke und medizinische oder wissenschaftliche Bücher verwendet.
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