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Dr Pepper advertising clock and other early memorabilia at the Dublin Bottling Works and W.P. Kloster Museum in Dublin, Texas
Vintage Dr Pepper posters at the Dublin Bottling Works and W.P. Kloster Museum in Dublin, Texas
Original Dr Pepper bottles at the Dublin Bottling Works and W.P. Kloster Museum in Dublin, Texas
1960s Dr Pepper advertising placard at the Dublin Bottling Works and W.P. Kloster Museum in Dublin, Texas
Old Dr Pepper soft-drink outdoor advertisement on a building near the Dublin Bottling Works and W.P. Kloster Museum in Dublin, Texas
Vintage advertising clocks at the Dublin Bottling Works and W.P. Kloster Museum in Dublin, Texas
Vintage decorative plates advertising the Dr Pepper soft drink at the Dublin Bottling Works and W.P. Kloster Museum in Dublin, Texas
Vintage advertising clocks at the Dublin Bottling Works and W.P. Kloster Museum in Dublin, Texas
1940s-vintage Dr Pepper neon sign at the Dublin Bottling Works and W.P. Kloster Museum in Dublin, Texas
Dr Pepper advertising clock and other early memorabilia at the Dublin Bottling Works and W.P. Kloster Museum in Dublin, Texas
Summary
Title, date and keywords based on information provided by the photographer.
This plant produced a distinctive form of Dr Pepper, a soda popular throughout the South. The distinction: it used only pure cane sugar, and does to this day in several sodas that it bottles on site.
Credit line: The Lyda Hill Texas Collection of Photographs in Carol M. Highsmith's America Project, Library of Congress, Prints and Photographs Division.
Gift; The Lyda Hill Foundation; 2014; (DLC/PP-2014:054).
Forms part of: Lyda Hill Texas Collection of Photographs in Carol M. Highsmith's America Project in the Carol M. Highsmith Archive.
In 2015, documentary photographer Carol Highsmith received a letter from Getty Images accusing her of copyright infringement for featuring one of her own photographs on her own website. It demanded payment of $120. This was how Highsmith came to learn that stock photo agencies Getty and Alamy had been sending similar threat letters and charging fees to users of her images, which she had donated to the Library of Congress for use by the general public at no charge. In 2016, Highsmith has filed a $1 billion copyright infringement suit against both Alamy and Getty stating “gross misuse” of 18,755 of her photographs. “The defendants [Getty Images] have apparently misappropriated Ms. Highsmith’s generous gift to the American people,” the complaint reads. “[They] are not only unlawfully charging licensing fees … but are falsely and fraudulently holding themselves out as the exclusive copyright owner.” According to the lawsuit, Getty and Alamy, on their websites, have been selling licenses for thousands of Highsmith’s photographs, many without her name attached to them and stamped with “false watermarks.” (more: http://hyperallergic.com/314079/photographer-files-1-billion-suit-against-getty-for-licensing-her-public-domain-images/)
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