Significance: At six stories, the Stangenwald building was considered Hawaii's first skyscraper and one of the most prestigious addresses in Honolulu. It was functionally progressive, and its Beaux Arts classi More
Title, date and keywords based on information provided by the photographer. The third state house to be located in Jackson, this Beaux-Arts-style building, completed in 1901, was designed to house all branches More
Photographed as part of an assignment for the General Services Administration. This stylized building reflects the Beaux Arts classicism adopted by the U.S. Treasure Department for early twentieth-century feder More
Photographed as part of an assignment for the General Services Administration. This stylized building reflects the Beaux Arts classicism adopted by the U.S. Treasure Department for early twentieth-century feder More
Photographed as part of an assignment for the General Services Administration. This stylized building reflects the Beaux Arts classicism adopted by the U.S. Treasure Department for early twentieth-century feder More
Title, date, and keywords based on information provided by the photographer. Originally owned by cattle and oil man W.P.H. McFaddin and his wife, Ida, the home was one of a number of grand residences built in t More
Photographed as part of an assignment for the General Services Administration. This stylized building reflects the Beaux Arts classicism adopted by the U.S. Treasure Department for early twentieth-century feder More
Title, date, and keywords based on information provided by the photographer. Originally owned by cattle and oil man W.P.H. McFaddin and his wife, Ida, the home was one of a number of grand residences built in t More
Significance: This building is a contributing structure to the Oakland Downtown district. The Oakland Cultural Heritage Survey describes the district as, "...an architecturally, historically, and functionally More
Three artists, the sculptor Chavaillaud, the sculptor Engrau, and the painter Grangérard are fleeing the invaded territory with their art works. Translation of title: Exhibition of works by artists from the More
A soldier holding a small wooden statue of winged victory that he has been carving. In 1916, the Ministry of Beaux-Arts and the Ministry of War promised artists serving in the war, that their work would be More
On caption card: Tracy-Le-Val, 1916. Title, date and notes from Red Cross caption card. Artist name: J. Lapeyre. Source of original from caption card or negative sleeve: Henry D. Sedgwick. Date received: Novemb More
On caption card: Carabinier Italien, Mai 1915. Title, date and notes from Red Cross caption card. Photographer name or source of original from caption card or negative sleeve: Henry D. Sedgwick. Date received: More
On caption card: Chemin des Dames, 1917. Un Grenadier. Title, date and notes from Red Cross caption card. Photographer name or source of original from caption card or negative sleeve: Henry D. Sedgwick. Date re More
On caption card: Soldat Canadien Ypres, Mai 1917. Title, date and notes from Red Cross caption card. Photographer name or source of original from caption card or negative sleeve: Henry D. Sedgwick. Date receive More
Title, date and notes from Red Cross caption card. Photographer name or source of original from caption card or negative sleeve: Hine. Group title: Military Hospitals. Gift; American National Red Cross 1944 and More
Item title devised. The Beaux-Arts Institute of Design held a competition in 1930 of student proposals for East Capitol Street, Washington, D.C. This design is by E. Bartow Muller of University of Pennsylvania.
Item title devised. The Beaux-Arts Institute of Design held a competition in 1930 of student proposals for East Capitol Street, Washington, D.C. This design is by John Louis Rochon Grand of Catholic University.
A black and white photo of a group of men. Public domain portrait photograph, free to use, no copyright restrictions image - Picryl description
A black and white photo of a group of men, Library of Congress Harris and Ewing collection Title from unverified caption data on negative or negative sleeve. Gift; Harris & Ewing, Inc. 1955. General informatio More
Significance: This building houses the Birmingham Realty Company whose financing and planning created the city of Birmingham. This finely-detailed Beaux Arts building also houses and exceptional collection of More
Significance: This finely-detailed station marks the furthermost extension of the L. & N. Birmingham Mineral Railroad which opened Tuscaloosa County coal fields to economic development. / This Beaux Arts style More
Poster for Federal Theatre Project presentation of "Hansel and Gretel" at the Beaux Arts Theatre, 8th and Beacon Streets, Los Angeles, Calif., showing Hansel and Gretel talking to a witch. Work Projects Adminis More
Architect: Arthur Brown, Jr. Built in 1934, the exterior elevations, particularly at Constitution Avenue, are embellished with Beaux-Arts sculpture. Photographed as part of an assignment for the General Service More
Architect: Arthur Brown, Jr. Built in 1934, the exterior elevations, particularly at Constitution Avenue, are embellished with Beaux-Arts sculpture. Photographed as part of an assignment for the General Service More
Architect: Arthur Brown, Jr. Built in 1934, the exterior elevations, particularly at Constitution Avenue, are embellished with Beaux-Arts sculpture. Photographed as part of an assignment for the General Service More
Title translated: It's he who is the "chienlit." Reproduction of a French poster paraphrasing de Gaulle; original issued by students of the Beaux-Arts, Paris. Gift; Gary Yanker; 1975-1983. Published in: Prop a More
Digital image produced by Carol M. Highsmith to represent her original film transparency; some details may differ between the film and the digital images. Designed by Hermann J. Schwarzmann for the 1876 Centenn More
Digital image produced by Carol M. Highsmith to represent her original film transparency; some details may differ between the film and the digital images. Title, date, and keywords provided by the photographer. More
Digital image produced by Carol M. Highsmith to represent her original film transparency; some details may differ between the film and the digital images. Title, date, and keywords provided by the photographer. More
Architect: Arthur Brown, Jr. Built in 1934, the exterior elevations, particularly at Constitution Avenue, are embellished with Beaux-Arts sculpture. Photographed as part of an assignment for the General Service More
Building reflects the Beaux Arts classicism adopted by the U.S. Treasure Department for early twentieth-century federal buildings. Steel-framed structure clad in white Sierra granite. Architect: James Knox Tayl More
Building reflects the Beaux Arts classicism adopted by the U.S. Treasure Department for early twentieth-century federal buildings. Steel-framed structure clad in white Sierra granite. Architect: James Knox Tayl More
Photographed as part of an assignment for the General Services Administration. This stylized building reflects the Beaux Arts classicism adopted by the U.S. Treasure Department for early twentieth-century feder More
Building reflects the Beaux Arts classicism adopted by the U.S. Treasure Department for early twentieth-century federal buildings. Steel-framed structure clad in white Sierra granite. Architect: James Knox Tayl More
Building reflects the Beaux Arts classicism adopted by the U.S. Treasure Department for early twentieth-century federal buildings. Steel-framed structure clad in white Sierra granite. Architect: James Knox Tayl More
Building reflects the Beaux Arts classicism adopted by the U.S. Treasure Department for early twentieth-century federal buildings. Steel-framed structure clad in white Sierra granite. Architect: James Knox Tayl More
Title, date and keywords based on information provided by the photographer. When the bank moved in 1975, new owners converted the old bank into a restaurant. Though the building's bricks don't look all that yel More
Photographed as part of an assignment for the General Services Administration. This stylized building reflects the Beaux Arts classicism adopted by the U.S. Treasure Department for early twentieth-century feder More
Architect: Arthur Brown, Jr. Built in 1934, the exterior elevations, particularly at Constitution Avenue, are embellished with Beaux-Arts sculpture. Photographed as part of an assignment for the General Service More
Building reflects the Beaux Arts classicism adopted by the U.S. Treasure Department for early twentieth-century federal buildings. Steel-framed structure clad in white Sierra granite. Architect: James Knox Tayl More