Clemence

A black and white photo of a woman. Public domain portrait photograph, free to use, no copyright restrictions image - Picryl description

Public domain historical photo, free to use, no copyright restrictions image - Picryl description

Public domain historical photo, free to use, no copyright restrictions image - Picryl description

Public domain photograph of ship, people, free to use, no copyright restrictions image - Picryl description

Public domain photograph of Industrial building, free to use, no copyright restrictions image - Picryl description

A black and white photo of a woman with flowers. Public domain portrait photograph, free to use, no copyright restrictions image - Picryl description

Title derived from information on verso of photographic print. Van Vechten number: XL G 16. Also available on microfilm. Gift; Carl Van Vechten Estate; 1966. Forms part of: Portrait photographs of celebrities, More

Title derived from information on verso of photographic print. Van Vechten number: XL G 10. Also available on microfilm. Gift; Carl Van Vechten Estate; 1966. Forms part of: Portrait photographs of celebrities, More

Public domain photograph of building interior, office, room, free to use, no copyright restrictions image - Picryl description

nach dem Französischen des Michel Carré ; Deutsch von Dräxler-Manfred und Pasqué ; Musik von Ch. Gounod. (statement of responsibility) U.S. RISM Libretto Project. The number "60" written by hand in upper right More

nach dem Französischen des Michel Carré ; Deutsch von Dräxler-Manfred und Pasqué ; Musik von Ch. Gounod. (statement of responsibility) U.S. RISM Libretto Project. The number "60" written by hand in upper right More

nach dem Französischen des Michel Carré ; Deutsch von Dräxler-Manfred und Pasqué ; Musik von Ch. Gounod. (statement of responsibility) U.S. RISM Libretto Project. The number "60" written by hand in upper right More

nach dem Französischen des Michel Carré ; Deutsch von Dräxler-Manfred und Pasqué ; Musik von Ch. Gounod. (statement of responsibility) U.S. RISM Libretto Project. The number "60" written by hand in upper right More

nach dem Französischen des Michel Carré ; Deutsch von Dräxler-Manfred und Pasqué ; Musik von Ch. Gounod. (statement of responsibility) U.S. RISM Libretto Project. The number "60" written by hand in upper right More

nach dem Französischen des Michel Carré ; Deutsch von Dräxler-Manfred und Pasqué ; Musik von Ch. Gounod. (statement of responsibility) U.S. RISM Libretto Project. The number "60" written by hand in upper right More

nach dem Französischen des Michel Carré ; Deutsch von Dräxler-Manfred und Pasqué ; Musik von Ch. Gounod. (statement of responsibility) U.S. RISM Libretto Project. The number "60" written by hand in upper right More

nach dem Französischen des Michel Carré ; Deutsch von Dräxler-Manfred und Pasqué ; Musik von Ch. Gounod. (statement of responsibility) U.S. RISM Libretto Project. The number "60" written by hand in upper right More

nach dem Französischen des Michel Carré ; Deutsch von Dräxler-Manfred und Pasqué ; Musik von Ch. Gounod. (statement of responsibility) U.S. RISM Libretto Project. The number "60" written by hand in upper right More

nach dem Französischen des Michel Carré ; Deutsch von Dräxler-Manfred und Pasqué ; Musik von Ch. Gounod. (statement of responsibility) U.S. RISM Libretto Project. The number "60" written by hand in upper right More

nach dem Französischen des Michel Carré ; Deutsch von Dräxler-Manfred und Pasqué ; Musik von Ch. Gounod. (statement of responsibility) U.S. RISM Libretto Project. The number "60" written by hand in upper right More

nach dem Französischen des Michel Carré ; Deutsch von Dräxler-Manfred und Pasqué ; Musik von Ch. Gounod. (statement of responsibility) U.S. RISM Libretto Project. The number "60" written by hand in upper right More

nach dem Französischen des Michel Carré ; Deutsch von Dräxler-Manfred und Pasqué ; Musik von Ch. Gounod. (statement of responsibility) U.S. RISM Libretto Project. The number "60" written by hand in upper right More

nach dem Französischen des Michel Carré ; Deutsch von Dräxler-Manfred und Pasqué ; Musik von Ch. Gounod. (statement of responsibility) U.S. RISM Libretto Project. The number "60" written by hand in upper right More

nach dem Französischen des Michel Carré ; Deutsch von Dräxler-Manfred und Pasqué ; Musik von Ch. Gounod. (statement of responsibility) U.S. RISM Libretto Project. The number "60" written by hand in upper right More

nach dem Französischen des Michel Carré ; Deutsch von Dräxler-Manfred und Pasqué ; Musik von Ch. Gounod. (statement of responsibility) U.S. RISM Libretto Project. The number "60" written by hand in upper right More

nach dem Französischen des Michel Carré ; Deutsch von Dräxler-Manfred und Pasqué ; Musik von Ch. Gounod. (statement of responsibility) U.S. RISM Libretto Project. The number "60" written by hand in upper right More

nach dem Französischen des Michel Carré ; Deutsch von Dräxler-Manfred und Pasqué ; Musik von Ch. Gounod. (statement of responsibility) U.S. RISM Libretto Project. The number "60" written by hand in upper right More

nach dem Französischen des Michel Carré ; Deutsch von Dräxler-Manfred und Pasqué ; Musik von Ch. Gounod. (statement of responsibility) U.S. RISM Libretto Project. The number "60" written by hand in upper right More

nach dem Französischen des Michel Carré ; Deutsch von Dräxler-Manfred und Pasqué ; Musik von Ch. Gounod. (statement of responsibility) U.S. RISM Libretto Project. The number "60" written by hand in upper right More

nach dem Französischen des Michel Carré ; Deutsch von Dräxler-Manfred und Pasqué ; Musik von Ch. Gounod. (statement of responsibility) U.S. RISM Libretto Project. The number "60" written by hand in upper right More

nach dem Französischen des Michel Carré ; Deutsch von Dräxler-Manfred und Pasqué ; Musik von Ch. Gounod. (statement of responsibility) U.S. RISM Libretto Project. The number "60" written by hand in upper right More

nach dem Französischen des Michel Carré ; Deutsch von Dräxler-Manfred und Pasqué ; Musik von Ch. Gounod. (statement of responsibility) U.S. RISM Libretto Project. The number "60" written by hand in upper right More

William Shakespeare books and illustrations The Works Progress Administration (WPA) was a New Deal program established by President Franklin D. Roosevelt in 1935 as a response to the high unemployment during t More

William Shakespeare books and illustrations The Works Progress Administration (WPA) was a New Deal program established by President Franklin D. Roosevelt in 1935 as a response to the high unemployment during t More

Photograph #19 was not digitized along with the rest of the first photo set (#1-19) because it is a duplicate of one of the measured drawings. See sheet 11 instead. Significance: This house, now restored and o More

Photograph #19 was not digitized along with the rest of the first photo set (#1-19) because it is a duplicate of one of the measured drawings. See sheet 11 instead. Significance: This house, now restored and o More

Photograph #19 was not digitized along with the rest of the first photo set (#1-19) because it is a duplicate of one of the measured drawings. See sheet 11 instead. Significance: This house, now restored and o More

Photograph #19 was not digitized along with the rest of the first photo set (#1-19) because it is a duplicate of one of the measured drawings. See sheet 11 instead. Significance: This house, now restored and o More

Photograph #19 was not digitized along with the rest of the first photo set (#1-19) because it is a duplicate of one of the measured drawings. See sheet 11 instead. Significance: This house, now restored and o More

Photograph #19 was not digitized along with the rest of the first photo set (#1-19) because it is a duplicate of one of the measured drawings. See sheet 11 instead. Significance: This house, now restored and o More

Photograph #19 was not digitized along with the rest of the first photo set (#1-19) because it is a duplicate of one of the measured drawings. See sheet 11 instead. Significance: This house, now restored and o More

Photograph #19 was not digitized along with the rest of the first photo set (#1-19) because it is a duplicate of one of the measured drawings. See sheet 11 instead. Significance: This house, now restored and o More

Photograph #19 was not digitized along with the rest of the first photo set (#1-19) because it is a duplicate of one of the measured drawings. See sheet 11 instead. Significance: This house, now restored and o More

Photograph #19 was not digitized along with the rest of the first photo set (#1-19) because it is a duplicate of one of the measured drawings. See sheet 11 instead. Significance: This house, now restored and o More

Photograph #19 was not digitized along with the rest of the first photo set (#1-19) because it is a duplicate of one of the measured drawings. See sheet 11 instead. Significance: This house, now restored and o More

Photograph #19 was not digitized along with the rest of the first photo set (#1-19) because it is a duplicate of one of the measured drawings. See sheet 11 instead. Significance: This house, now restored and o More

Photograph #19 was not digitized along with the rest of the first photo set (#1-19) because it is a duplicate of one of the measured drawings. See sheet 11 instead. Significance: This house, now restored and o More

Photograph #19 was not digitized along with the rest of the first photo set (#1-19) because it is a duplicate of one of the measured drawings. See sheet 11 instead. Significance: This house, now restored and o More

Photograph #19 was not digitized along with the rest of the first photo set (#1-19) because it is a duplicate of one of the measured drawings. See sheet 11 instead. Significance: This house, now restored and o More

Photograph #19 was not digitized along with the rest of the first photo set (#1-19) because it is a duplicate of one of the measured drawings. See sheet 11 instead. Significance: This house, now restored and o More

Photograph #19 was not digitized along with the rest of the first photo set (#1-19) because it is a duplicate of one of the measured drawings. See sheet 11 instead. Significance: This house, now restored and o More

Photograph #19 was not digitized along with the rest of the first photo set (#1-19) because it is a duplicate of one of the measured drawings. See sheet 11 instead. Significance: This house, now restored and o More

Photograph #19 was not digitized along with the rest of the first photo set (#1-19) because it is a duplicate of one of the measured drawings. See sheet 11 instead. Significance: This house, now restored and o More

Photograph #19 was not digitized along with the rest of the first photo set (#1-19) because it is a duplicate of one of the measured drawings. See sheet 11 instead. Significance: This house, now restored and o More

Photograph #19 was not digitized along with the rest of the first photo set (#1-19) because it is a duplicate of one of the measured drawings. See sheet 11 instead. Significance: This house, now restored and o More

Photograph #19 was not digitized along with the rest of the first photo set (#1-19) because it is a duplicate of one of the measured drawings. See sheet 11 instead. Significance: This house, now restored and o More

Photograph #19 was not digitized along with the rest of the first photo set (#1-19) because it is a duplicate of one of the measured drawings. See sheet 11 instead. Significance: This house, now restored and o More

Photograph #19 was not digitized along with the rest of the first photo set (#1-19) because it is a duplicate of one of the measured drawings. See sheet 11 instead. Significance: This house, now restored and o More

Photograph #19 was not digitized along with the rest of the first photo set (#1-19) because it is a duplicate of one of the measured drawings. See sheet 11 instead. Significance: This house, now restored and o More

Photograph #19 was not digitized along with the rest of the first photo set (#1-19) because it is a duplicate of one of the measured drawings. See sheet 11 instead. Significance: This house, now restored and o More

Photograph #19 was not digitized along with the rest of the first photo set (#1-19) because it is a duplicate of one of the measured drawings. See sheet 11 instead. Significance: This house, now restored and o More

Photograph #19 was not digitized along with the rest of the first photo set (#1-19) because it is a duplicate of one of the measured drawings. See sheet 11 instead. Significance: This house, now restored and o More

Photograph #19 was not digitized along with the rest of the first photo set (#1-19) because it is a duplicate of one of the measured drawings. See sheet 11 instead. Significance: This house, now restored and o More

Photograph #19 was not digitized along with the rest of the first photo set (#1-19) because it is a duplicate of one of the measured drawings. See sheet 11 instead. Significance: This house, now restored and o More

Photograph #19 was not digitized along with the rest of the first photo set (#1-19) because it is a duplicate of one of the measured drawings. See sheet 11 instead. Significance: This house, now restored and o More

Photograph #19 was not digitized along with the rest of the first photo set (#1-19) because it is a duplicate of one of the measured drawings. See sheet 11 instead. Significance: This house, now restored and o More

Photograph #19 was not digitized along with the rest of the first photo set (#1-19) because it is a duplicate of one of the measured drawings. See sheet 11 instead. Significance: This house, now restored and o More

Photograph #19 was not digitized along with the rest of the first photo set (#1-19) because it is a duplicate of one of the measured drawings. See sheet 11 instead. Significance: This house, now restored and o More

Photograph #19 was not digitized along with the rest of the first photo set (#1-19) because it is a duplicate of one of the measured drawings. See sheet 11 instead. Significance: This house, now restored and o More

Photograph #19 was not digitized along with the rest of the first photo set (#1-19) because it is a duplicate of one of the measured drawings. See sheet 11 instead. Significance: This house, now restored and o More

Photograph #19 was not digitized along with the rest of the first photo set (#1-19) because it is a duplicate of one of the measured drawings. See sheet 11 instead. Significance: This house, now restored and o More