Meter: 4/4 Transcribed by Alan Jabbour, from a performance by Henry Reed. Key: A Strains: 2 (high-low, 4-2) Compass: 9 Rendition: 1r-2r-1r-2r-1r-2r Title change: This tune is transcribed after the continuation More
Meter: 4/4 Strains: 2 (high-low, 4-4) Transcribed by Alan Jabbour, from a performance by Henry Reed. Key: G Title change: This tune is transcribed after the continuation of "Natchez [Christmas Morning]" and "F More
Meter: 4/4 Transcribed by Alan Jabbour, from a performance by Henry Reed. Rendition: 1r-2r-1r-2 Compass: 13 Key: G Strains: 2 (low-high, 4-4) Title change: The title appeared on the transcription as "Fisher's H More
Meter: 4/4 Transcribed by Alan Jabbour, from a performance by Henry Reed. Key: G Strains: 3 (low-middle-high, 4-4-4) Rendition: 1r-2-3-2-1r-2-3-2-1 Phrase Structure: ABAC QRQS A'B'A'C' (abac abde qrqs qrts a'b' More
Meter: 4/4 Compass: 15 Transcribed by Alan Jabbour, from a performance by Henry Reed. Rendition: 1r-2r-1r-2 Key: A Strains: 2 (low-high, 4-4) Phrase Structure: ABAC QRQC (abac abdc' qrst qrdc') Stylistic featur More
Meter: 4/4 Transcribed by Alan Jabbour, from a performance by Henry Reed. Title change: The title appears on the transcription as "Unnamed schottische." Compass: 16 Key: G/D Strains: 3 (low-high-low, 2-2-2) Ren More
Meter: 4/4 Strains: 2 (high-low, 4-4) Transcribed by Alan Jabbour, from a performance by Henry Reed. Key: A Compass: 8 Rendition: 1r-2r-1r-2r-1r-2r Phrase Structure: ABA'C QRA'C (abcd ab'ef qrr'b'ef) Handwritte More
Meter: 4/4 Transcribed by Alan Jabbour, from a performance by Henry Reed. Key: C Compass: 12 Title change: This tune is transcribed after the continuation of "Rochester Schottische" on the page. Strains: 2 (hig More
Key: D Meter: 4/4 Transcribed by Alan Jabbour, from a performance by Henry Reed. Compass: 12 Strains: 2 (low-high, 4-4) Rendition: 1r-2r-1r-2r-1 Phrase Structure: ABAC QRSC (abcd abc'e c"c"qq' rsc'e) Stylistic More
Meter: 4/4 Transcribed by Alan Jabbour, from a performance by Henry Reed. Compass: 12 Key: G Stylistic features: Slurs predominate in bowing. Title change: The title appears on the transcription as "Round Town More
Meter: 4/4 Transcribed by Alan Jabbour, from a performance by Henry Reed. Key: A Related Tune(s): Frosty Morning Title change: The title appears on the transcription as "Unnamed Frag." It is transcribed after " More
Key: D Meter: 4/4 Transcribed by Alan Jabbour, from a performance by Henry Reed. Compass: 13 Strains: 2 (low-high, 4-4) Title change: This tune is transcribed after "Jump Jim Crow" on the page. Rendition: 1-2r- More
Meter: 4/4 Transcribed by Alan Jabbour, from a performance by Henry Reed. Key: A Strains: 2 (low-high, 4-4) Title change: This tune is transcribed after "Granny..." on the page. Rendition: 1-2-1r-2r-1 Phrase St More
Meter: 4/4 Transcribed by Alan Jabbour, from a performance by Henry Reed. Compass: 12 Key: A Strains: 3 (high-middle-low, 4-4-4) Rendition: 1-2-3-1-2-3-(break)-2-3-1-2-3 Phrase Structure: ABAB' QRQ'R UVUR' (aba More
Transcribed by Alan Jabbour, from a performance by Henry Reed. Key: A Meter: 4/4 (but not steady in its beat) Strains: 3 (middle-middle-middle, 2-2-2) Rendition: 1r-2r-3 Phrase Structure: AB QB UB (aba'c a"ra'c More
Meter: 4/4 Transcribed by Alan Jabbour, from a performance by Henry Reed. Key: G Compass: 11 Strains: 3 (low-middle-high, 2-2-2) Rendition: 1r-3r-1r-2r-3r-1r-2r-3r-1r-2r-tag Phrase Structure: AB QR UV (abab qrq More
Meter: 4/4 Transcribed by Alan Jabbour, from a performance by Henry Reed. Compass: 12 Key: G Strains: 2 (low-high, 4-4) Rendition: 1-2r-1r-2r-1r-2 Related Tune(s): I've Got to Leave You Title change: The title More
Meter: 4/4 Strains: 2 (high-low, 4-4) Phrase Structure: ABAC QRQS (abcd abce qrst qrsu) Transcribed by Alan Jabbour, from a performance by Henry Reed. Compass: 12 Key: G/D Rendition: 1r-2r-1r-2r-1r-2r-1r-2r-1 S More
Meter: 4/4 Rendition: 1r-2r-1r-2r Transcribed by Alan Jabbour, from a performance by Henry Reed. Compass: 12 Key: G Strains: 2 (low-high, 4-4) Phrase Structure: ABCD QB'QR (abcd aefg qb'cd qb'f'g) Stylistic fea More
Key: D Meter: 4/4 Strains: 2 (high-low, 4-4) Transcribed by Alan Jabbour, from a performance by Henry Reed. Compass: 17 Title change: The title appears on the transcription as "Hell among the Yearlin's." Rendit More
Meter: 4/4 Strains: 2 (high-low, 4-4) Transcribed by Alan Jabbour, from a performance by Henry Reed. Compass: 12 Key: A Phrase Structure: ABAC QRQS (abcd abef qrst qruf) Related Tune(s): Paddy on the Turnpike R More
Key: D Meter: 4/4 Transcribed by Alan Jabbour, from a performance by Henry Reed. Compass: 12 Strains: 2 (high-low, 2-2) Title change: The title appears on the transcription as "Shootin' Creek." It is transcribe More
Key: D Meter: 4/4 Transcribed by Alan Jabbour, from a performance by Henry Reed. Rendition: 1r-2r-1r-2 Strains: 2 (low-high, 4-4) Compass: 14 Phrase Structure: ABAC QRST (abbc abde qrq's tuvw) Title change: The More
Meter: 4/4 Strains: 2 (high-low, 4-4) Transcribed by Alan Jabbour, from a performance by Henry Reed. Compass: 15 (11 plus low A) Key: A Rendition: tag-1r-2r-1r-2r-1r-2r-tag Phrase Structure: ABA'C QRQ'C (abcd a More
Key: D Meter: 4/4 Transcribed by Alan Jabbour, from a performance by Henry Reed. Rendition: 1r-2r-1r-2r-1 Strains: 2 (high-low, 4-2) Phrase Structure: ABAC QR (abac abde qrsc) Compass: 11 (14 including drone on More
Meter: 4/4 Transcribed by Alan Jabbour, from a performance by Henry Reed. Key: A Strains: 2 (low-high, 4-4) Compass: 11 Rendition: 1-2-1-2-1-2-1 Phrase Structure: ABAB QRQS (abcd abcd qrsd qrtd) Handwritten: Pl More
Meter: 4/4 Transcribed by Alan Jabbour, from a performance by Henry Reed. Title change: The title appears on the transcription as "Unnamed schottische." Key: C Strains: 3 (low-high-higher, 4-4-4) Rendition: 1-2 More
Meter: 4/4 Strains: 2 (high-low, 4-4) Transcribed by Alan Jabbour, from a performance by Henry Reed. Compass: 12 Key: D/A Rendition: 1r-2r-1r-2r-1r-2r-1 Phrase Structure: ABAC QRQS (abcd abc'e qrst qruv) Stylis More
Meter: 4/4 Strains: 2 (high-low, 4-4) Compass: 15 Transcribed by Alan Jabbour, from a performance by Henry Reed. Key: A Title change: This tune is transcribed after the continuation of "Forked Deer" on the page More
Key: D Meter: 4/4 Strains: 2 (high-low, 4-4) Transcribed by Alan Jabbour, from a performance by Henry Reed. Rendition: 1r-2r-1r-2 Phrase Structure: ABA'C QRST (aba'c ab'de qeqr q'stb) Compass: 15 (11 plus low A More
Title change: The title appears on the transcription as "Unnamed." Meter: 4/4 Transcribed by Alan Jabbour, from a performance by Henry Reed. Compass: 12 Key: G Rendition: 1r-2r-1 Strains: 2 (low-high, 4-2) Phra More
Strains: 2 (high-low, 4-4) Transcribed by Alan Jabbour, from a performance by Henry Reed. Compass: 12 Key: G Meter: 6/8 Rendition: 1r-2r-1 Title change: A transcription of Ed Hall's rendition of "Cumberland Gap More
Meter: 4/4 Transcribed by Alan Jabbour, from a performance by Henry Reed. Key: A Strains: 2 (high-low, 2-2) Compass: 10 Rendition: 1r-2r-1r-2r-1r-2r-1r-2r Phrase Structure: AB QR (aba'c qrq'c) Handwritten: Play More
Meter: 4/4 Transcribed by Alan Jabbour, from a performance by Henry Reed. Title change: The title appears on the transcription as "Unnamed schottische." Key: G Strains: 2 (low-high, 4-4) Compass: 16 Rendition: More
Meter: 4/4 Transcribed by Alan Jabbour, from a performance by Henry Reed. Key: A Strains: 1 (8) Rendition: 1-1 Phrase Structure: ABCD (abcdcbef) Compass: 7 Related Tune(s): Hicks's Farewell Handwritten: Played More
Meter: 4/4 Rendition: 1r-2r-1r-2r Transcribed by Alan Jabbour, from a performance by Henry Reed. Key: G Strains: 2 (low-high, 4-4) Compass: 10 Title change: The title appears on the transcription as "Unnamed" [ More
Meter: 4/4 Strains: 2 (high-low, 4-4) Transcribed by Alan Jabbour, from a performance by Henry Reed. Rendition: 1r-2r-1r-2 Key: A Phrase Structure: ABCD QRC'D (abac a'def d'd"qr a'def ) Compass: 9 Stylistic fea More
Meter: 4/4 Strains: 2 (high-low, 4-4) Transcribed by Alan Jabbour, from a performance by Henry Reed. Compass: 12 Key: G Stylistic features: Slurred bowing. Rendition: tag-1r-2r-1r-2r-1r-2 Phrase Structure: ABAC More
Meter: 4/4 Transcribed by Alan Jabbour, from a performance by Henry Reed. Key: G Strains: 2 (low-high, 4-4) Compass: 16 Phrase Structure: ABAC QRQS (abcd abce qrst qrue) Title change: The title appears on the t More
Title change: The title appears on the transcription as "Unnamed." Meter: 4/4 Strains: 2 (high-low, 4-4) Compass: 15 Transcribed by Alan Jabbour, from a performance by Henry Reed. Key: A Rendition: tag-1r-2r-1r More
Meter: 4/4 Rendition: 1r-2r-1r-2r Transcribed by Alan Jabbour, from a performance by Henry Reed. Key: A Compass: 11 Strains: 2 (high-low, 4-2) Phrase Structure: ABAC QR (abcd abef qrst) Stylistic features: Slur More
Title change: The title appears on the transcription as "Unnamed." Meter: 4/4 Transcribed by Alan Jabbour, from a performance by Henry Reed. Compass: 12 Key: G Strains: 2 (low-high, 4-4) Rendition: 1r-2r-[diffe More
Key: D Meter: 4/4 Transcribed by Alan Jabbour, from a performance by Henry Reed. Compass: 12 Rendition: 1r-2r-1r-2 Strains: 2 (low-high, 4-4) Title change: The title appears on the transcription as "Ricket's Ho More
Meter: 4/4 Strains: 2 (high-low, 4-4) Transcribed by Alan Jabbour, from a performance by Henry Reed. Key: A Title change: This tune is transcribed after "Georgia Camp Meeting" on the page. Rendition: 1-2-1r-2-1 More
Meter: 4/4 Transcribed by Alan Jabbour, from a performance by Henry Reed. Key: A Strains: 3 (low-high-high octave, 4-4-4) Rendition: 1-2-3-2-1-2-3-2-1 Phrase Structure: ABAC QRQ'S UVUV (abac abad qrqs qr'td uvu More
Title change: The title appears on the transcription as "Unnamed." Meter: 4/4 Strains: 2 (high-low, 4-4) Transcribed by Alan Jabbour, from a performance by Henry Reed. Key: G Rendition: 1r-2r-1r-2r-tag Phrase S More
Key: D Meter: 4/4 Transcribed by Alan Jabbour, from a performance by Henry Reed. Stylistic features: Slurs in bowing. Title change: The title appears on the transcription as "Foldin' Down the Sheets." Strains: More
Meter: 4/4 Strains: 2 (high-low, 4-4) Compass: 15 Transcribed by Alan Jabbour, from a performance by Henry Reed. Key: A Title change: This tune is transcribed after "Santa Anna's Retreat" on the page. Rendition More
Meter: 4/4 Transcribed by Alan Jabbour, from a performance by Henry Reed. Key: C Strains: 2 (low-high, 4-4) Compass: 16 Title change: The title appears on the transcription as "Shelvin' Rock." Rendition: 1-2r-1 More
Meter: 4/4 Strains: 2 (high-low, 4-4) Transcribed by Alan Jabbour, from a performance by Henry Reed. Key: A Compass: 11 Stylistic features: Slurred bowing. Rendition: (1)-2r-1r-2r-1r-2 Phrase Structure: ABAC QR More
Meter: 4/4 Transcribed by Alan Jabbour, from a performance by Henry Reed. Key: G Compass: 9 Strains: 3 (high-middle-low, 2-2-2) Rendition: 1r-2r-3r-1r-2r-3r-1r-2r-3r-1r-2r-3r-tag Phrase Structure: AB QR UV (abc More
Meter: 4/4 Transcribed by Alan Jabbour, from a performance by Henry Reed. Key: A Strains: 2 (low-high, 4-4) Compass: 11 Title change: The title appears on the transcription as "The Route (H. Reed - uncle's vers More
Meter: 4/4 Transcribed by Alan Jabbour, from a performance by Henry Reed. Key: A Strains: 2 (low-high, 4-4) Compass: 10 Title change: The title appears on the transcription as "Betsy...." Rendition: 1r-2r-1(pau More
"From the Archive of Folk Song." Various performers. Field recordings made from 1934-1942 by various collectors including Robert V. Draves, Helene Stratman-Thomas, Ivan Walton, Alan Lomax, Elizabeth Lomax, Jose More
Meter: 4/4 Transcribed by Alan Jabbour, from a performance by Henry Reed. Key: A Title change: The title appears on the transcription as "Natchez." It is transcribed after "Unnamed," near the bottom of the page More
Meter: 4/4 Transcribed by Alan Jabbour, from a performance by Henry Reed. Key: A Compass: 8 Strains: 3 (high-low-(high), 2-2-(4)), where ( ) = first strain of "Devil's Dream" Rendition: 1r-2r-(1r)-2r-1r-2r-1r-2 More
Meter: 4/4 Strains: 2 (high-low, 4-4) Transcribed by Alan Jabbour, from a performance by Henry Reed. Compass: 12 Rendition: 1r-2r-1r-2 Key: G Title change: The title appears on the transcription as "Unnamed" [= More
Meter: 4/4 Transcribed by Alan Jabbour, from a performance by Henry Reed. Compass: 12 Strains: 2 (low-high, 4-4) Key: D/A Title change: The title appears on the transcription as "Schottische" ["Rochester"]. It More
Meter: 4/4 Transcribed by Alan Jabbour, from a performance by Henry Reed. Compass: 12 Key: G Strains: 2 (low-high-low-high, 4-4-4-4) Rendition: 1r-2r-1r-3r-4-2 Phrase Structure: ABAC QRQC (abac abde qbqr qbde)- More
Meter: 4/4 Rendition: 1r-2r-1r-2r Transcribed by Alan Jabbour, from a performance by Henry Reed. Key: A Compass: 11 Strains: 2 (high-low, 4-2) Title change: The title appears on the transcription as "Granny.... More
Key: D Meter: 4/4 Transcribed by Alan Jabbour, from a performance by Henry Reed. Compass: 17 Title change: This tune is transcribed after the continuation of "Old Joe Clark" on the page. Strains: 3 (high-low-hi More
Title change: The title appears on the transcription as "Unnamed." Key: D Meter: 4/4 Strains: 2 (high-low, 4-4) Rendition: 1r-2r-1r-2r Phrase Structure: ABAC QRQS (abcd abce qrst qrsu) Compass: 15 Handwritten: More
Meter: 4/4 Transcribed by Alan Jabbour, from a performance by Henry Reed. Key: C Compass: 11 Strains: 3 (high-low-higher, 8-4-8) Rendition: 1r-2-3-2-1-2-3 Phrase Structure: ABACABDE QRQE' TUVWTUVX (aa'bc aa'de More
Meter: 4/4 Strains: 2 (high-low, 4-4) Transcribed by Alan Jabbour, from a performance by Henry Reed. Stylistic features: Slurs in bowing. Key: A Compass: 11 Rendition: 1r-2r-1r-2r-1 Title change: This tune is t More
Meter: 4/4 Transcribed by Alan Jabbour, from a performance by Henry Reed. Strains: 3 (low-high-high octave, 4-4-4) Title change: This tune is transcribed after "Lost Indian" on the page. Key: E Rendition: 1r-2r More