Henry Clay

Drawing shows an Anglo-African (or African American) cabin boy named "Henry Clay" on board a ship; he has been caught by another sailor with a stash of stolen coffee that he has hidden in pantaloons. Inscribed More

Print shows Henry Clay, half-length portrait, facing slightly left. Stamped on back: Briggs Coll. A. 41499.

This record contains unverified data from PGA shelflist card. Associated name on shelflist card: Warner. Copyright Deposit, Eastern District of Penn.: 1814. Check 500 field.

Transcripts, guides, and tools to help you use this collection may be found at loc.gov James Madison Papers.

Clay, Henry.; On verso: a. Available also through the Library of Congress web site in two forms: as facsimile page images and as full text in SGML. Printed Ephemera Collection; Portfolio 152, Folder 23.

Reproduction number: A23 (color slide) In the presidential campaign of 1824 the candidates were John Quincy Adams (1767-1848), Henry Clay (1777-1852), William Harris Crawford (1772-1834), and Andrew Jackson (17 More

Transcripts, guides, and tools to help you use this collection may be found at loc.gov James Madison Papers.

A satire on dissension and political intrigue within Andrew Jackson's administration, surrounding the Spring 1831 resignations of several members of his Cabinet. In the center Jackson sits in a collapsing chair More

Picryl description: Public domain image related to politics, political campaigns, committee, free to use, no copyright restrictions.

A rare pro-Jackson satire on the President's campaign to destroy the political power and influence of the Bank of the United States. It was probably issued late in the presidential campaign of 1832, after Jacks More

Print showing Henry Clay, half-length portrait, sitting in a chair, facing front. Inscribed in ink: Deposited June 27th 1832. Entered according to Act of Congress in the year 1832 by Endicott & Swett, in the C More

Transcripts, guides, and tools to help you use this collection may be found at loc.gov James Madison Papers.

A crudely drawn anti-Jackson satire, applauding Henry Clay's orchestration of Congressional resistance to the President's plan to withdraw Treasury funds from the Bank of the United States. The print also attac More

A pro-Jackson satire applauding the President's September 1833 order for the removal of federal deposits from the Bank of the United States. The combined opposition to this move from Bank president Nicholas Bid More

Andrew Jackson is roasted over the fires of "Public Opinion" by the figure of Justice in a cartoon relating to the controversy surrounding Jackson's removal of federal deposits from the Bank of the United State More

A prediction of dire consequences to follow from Jackson's withdrawal of federal funds from the Bank of the United States, initiated late in 1833. The artist is harshly critical of Jackson's move to distribute More

The artist supports Andrew Jackson's decision to withdraw federal funds from the Bank of the United States and distribute them among various state banks. Henry Clay and Bank president Nicholas Biddle's efforts More

A satire on the failure of the combined efforts of Henry Clay, Daniel Webster, John Calhoun, and Nicholas Biddle to thwart Andrew Jackson's treasury policy. In 1833 Jackson ordered that federal deposits be remo More

Satire on the public conflict between Andrew Jackson and Nicholas Biddle over the future of the Bank of the United States, and the former's campaign to destroy it. The print is sympathetic to Jackson, portrayi More

A satire on the presidential contest of 1836, using the metaphor of a billiards game between Whig candidate William Henry Harrison (left) and Democrat Martin Van Buren. The artist is clearly on the side of Harr More

A burlesque history of the Jackson administration, with particular reference to his campaign to destroy the Bank of the United States. The narrative, in a series of twelve episodes, is based on Cervantes's "Don More

Whig senator Henry Clay is attacked here on several fronts. The artist alludes to his reputation for gambling, his widely publicized outburst in the House of Representatives in February 1838, and his alleged un More

The Van Buren administration's record, particularly with regard to the handling of public finances, is condemned as corrupt and a perpetuation of unpopular Jacksonian policies. The artist echoes perennial Whig More

Political cartoons friendly to Van Buren were the rare exception during the 1840 campaign. Here the artist parodies the exploitation by Whig politicians of populist candidate William Henry Harrison. Martin Van More

The artist forecasts a Whig electoral victory and dramatizes the politically ruinous effects of Van Buren's fiscal policy and his alignment with Loco Foco forces in New York. Whig candidate William Henry Harri More

Democratic efforts to reelect Martin Van Buren are portrayed as hopeless in the face of broad popular support for Whig candidate William Henry Harrison. Here one of Harrison's campaign emblems, a log cabin, is More

Figurative portrayal of Whig opposition to the independent treasury or subtreasury system conceived by Jackson and implemented by Van Buren and the Democrats. In a large tree is a nest labeled "Sub Treasury" i More

The artist forecasts with obvious relish the ouster of Van Buren and his cronies from office by William Henry Harrison. Van Buren is shown leaving Washington in a large cart drawn by supporters (left to right) More

A rare anti-Whig satire, giving a cynical view of the party's image-building and manipulation of candidate William Henry Harrison. Two influential Whigs, Senator Henry Clay (left) and Congressman Henry A. Wise, More

Print showing Henry Clay, full-length portrait, sitting with legs crossed, facing front, with right arm resting on a table, and holding papers in lap with left hand. Entered according to Act of Congress, in th More

The artist's portrayal of Harrison's rout of Van Buren reflects strong Whig confidence late in the presidential campaign of 1840. Van Buren is shown as a fox, with a bird (an albatross?) labeled "Treasury" aro More

This record contains unverified data from PGA shelflist card. Associated name on shelflist card: Robinson, H.R.

A critical look at Irish Repeal movement leader Daniel O'Connell's condemnation of slavery in the United States. Clay portrays O'Connell's agitation against slavery as an affront to American friends of repeal, More

The artist employs Aesop's fable about the mountain which was said to be in labor, its dreadful groans attracting expectant crowds only to be disappointed when it issued forth a small mouse. Here the mountain i More

Print showing Henry Clay, full-length portrait, sitting under tree, facing front, with dog at his feet. Includes facsimile signature and a remarque with view of Ashland, home of Henry Clay. Entered according t More

An imaginative and elaborate parody on the upcoming 1844 presidential campaign. The artist favors Whig nominee-apparent Henry Clay and is highly critical of incumbent John Tyler. The "chase" for the presidency More

A Whig fantasy on the supposed outcome of the 1844 election. Here Henry Clay and Theodore Frelinghuysen occupy the White House. They watch from a window as John Tyler plays a hand organ and leads a group of mi More

Another campaign portrait of Whig presidential candidate Henry Clay. In an oval frame, surrounded by an ornate floral wreath, is a bust-length portrait of Clay. Two books and a quill pen are visible over his sh More

One of the few satires sympathetic to the Democrats to appear during the 1844 presidential contest. Democratic presidential nominee James Polk is portrayed as a buckskinned hunter who has treed "coons" Henry Cl More

Print showing Henry Clay, full-length portrait, standing, facing slightly left, gesturing with right hand, left hand resting on table; a globe and two books are on the floor in lower left corner. Entered accor More

Three oval views of Clay's birthplace, Hanover, Ky.; Clay's residence "Ashland"; and White House, Wash., D.C. LOT subdivision subject: Birthplace and Homes. Title and other information transcribed from caption More

Print shows Henry Clay, half-length portrait, facing left; includes a facsimile signature. Signed on stone. Publication date based on copyright statement on item. Stamped on verso: L.C. Division of Prints. Sta More

The race for a $25,000 prize (the president's salary) is a metaphor for the 1844 campaign. The favored contender here is Henry Clay. The other runners are James K. Polk and John Tyler, while commentaries are of More

An anti-Tyler satire, lampooning the incumbent's efforts to secure a second term against challengers Henry Clay and James Polk. With his shoulder to the door Tyler bars the entry of (left to right) John C. Cal More

A comic scene anticipating a Whig victory in the upcoming presidential election. The date is 1845, after an election supposedly decided on the Texas question, the tariff issue, and Democratic identification wi More

A cynical look at the opposition to American annexation of Texas during the 1844 campaign. At the head of a motley procession is Whig candidate and professed anti-annexationist Henry Clay, riding a raccoon (wh More

Print showing Henry Clay, head-and-shoulders portrait, facing front. Includes a facsimile signature: H. Clay. 480 U.S. Copyright Office. Inscribed in ink: Deposited in the Clerk's Office for the Southern Distr More

This record contains unverified data from PGA shelflist card. Associated name on shelflist card: Duval, P.S.

Another commentary on the Texas question (see "Texas Coming In," no. 1844-28), illustrating Democratic campaign strategy as advanced by Andrew Jackson. The idea of the annexation of Texas, repudiated by many of More

Republican Senator from Kentucky, 1806-1807, 1810-1811; Congressman, 1811-1814, 1815-1821, 1823-1825; U.S. Secretary of State, 1825-1829; Whig Senator, 1831-1842, 1849-1852; Democratic Republican candidate for More

An illustrated sheet music cover for a Whig campaign song, "The American Marseillaise," composed by Benjamin Cahill to mark the July 4, 1844, Boston Clay rally. In keeping with the title and the occasion of the More

Text illustrated with patriotic symbolic vignettes. Etching, 32 x 25.7 cm., copyrighted by R.G. Berford, So. Dist. of Pa., No. 94? Reference copy may be in Biog. File. This record contains unverified, old data More

A woodland fantasy satirizing the prominent figures of the 1844 election campaign. The artist again favors Whig candidate Henry Clay, the "Kentucky Coon," who is shown overwhelming Democrat James K. Polk, the More

Campaign badge produced for the Whig National Convention held at Baltimore in May 1844. A bust-length portrait of Whig candidate Henry Clay appears in an oval, against a backdrop of American flags. The oval is More

Another Whig campaign badge, featuring a bust-length portrait of presidential candidate Henry Clay, with books, drapery, and the base of a column in the background. Above Clay's portrait is the motto: "The Peop More

Print showing Henry Clay, head-and-shoulders portrait, facing slightly right, in medallion and wreath. Inscribed in ink: Deposited in the Clerk's Office for the Southern District of New York October 12, 1844. More

A polemic applauding Democratic support of the Dorrite cause in Rhode Island. (See also "Trouble in the Spartan Ranks," and "The Great Political Car and Last Load of Patriots," nos. 1843-6 and 1845-5). In the More

An election-year cartoon satirizing disharmony within the Whig ranks on the bank issue. The artist suggests a division of opinion between New England's Daniel Webster and presidential nominee Henry Clay on the More

A pro-Democrat cartoon forecasting the collapse of Whig opposition to the annexation of Texas. James K. Polk, the expansionist candidate, stands at right near a bridge spanning "Salt River." He holds an America More

Bucholzer again uses animal characterizations to poke fun at the respective faults of prominent Democrats in the 1844 presidential race. In an interior, Whig nominee Henry Clay conducts a livestock auction, off More

The erosion of Democratic support for presidential hopeful Martin Van Buren is portrayed as the funeral of "the Kinderhook fox." The print was deposited for copyright on May 22, 1844, one week before the Democr More

Henry Clay is the hunter, and various Democrats his quarry. Clay wears a fringed buckskin outfit and coonskin cap reminiscent of Davy Crockett and the Western characters of the contemporary stage, such as Nimro More

Print shows a Whig campaign banner composed of a pattern of alternating red and white stripes reminiscent of the American flag. On each of the four white stripes appears the name of a Whig candidate for the 184 More

A satire published before the Democratic convention, predicting would-be presidential nominee Martin Van Buren's second "bath in Salt River" (the first one being his unsuccessful bid for reelection in 1840). O More

A figurative portrayal of the 1844 presidential contest as a cock-fight, in which Whig candidate Henry Clay prevails. Clay and Democratic opponent Polk battle in a pit or ring as several prominent political fi More

A pro-Whig satire, envisioning the cleansing of the "Augean Stable" of government corruption by presidential candidate Henry Clay and other Whigs. The title derives from one of the twelve mythical labors of Her More

Portrait, half-length, facing right. Reference copy available in Biog. File. Illus. in: American Review, 1845, vol. 1, frontispiece. This record contains unverified, old data from caption card. Caption card tra More

Inscribed in pencil on mount: Portrait of Henry Clay. (DLC/PP-1999:126). Forms part of: Marian S. Carson collection at the Library of Congress.

This record contains unverified data from PGA shelflist card. Associated name on shelflist card: Kellogg, E.B. & E.C.

A cartoon on the defeat of Whig Henry Clay in the 1844 presidential election, ascribing his loss of the state of New York to his cousin Cassius M. Clay's campaign tour on his behalf. Oddly, though given promine More

A virulent attack on Vice-President George M. Dallas, charging the former Pennsylvania attorney and senator with duplicity in his stand on the tariff of 1846. "Jesuitism" was a strong contemporary term for dece More

Illustration shows Henry Clay, dressed in doublet and breast plate with a brace of pistols at his waist, holding a carving knife and fork, at an open door in which a tiny "Mexican" cowers on a shelf. Below the More

Currier & Ives : a catalogue raisonné / compiled by Gale Research. Detroit, MI : Gale Research, c1983, no. 1621.

Currier & Ives : a catalogue raisonné / compiled by Gale Research. Detroit, MI : Gale Research, c1983, no. 1622.

Page Order: Leaflet Available also through the Library of Congress web site in two forms: as facsimile page images and as full text in SGML. 2 duplicate copies Printed Ephemera Collection; Portfolio 155, Folder More

The artist resorts to the familiar metaphor of a card game for the presidential stakes in his rendition of the 1848 contest. The major contenders play a game of "brag" (an early form of poker). Around the tabl More

Again partisan bitterness, over the perceived Whig betrayal of Henry Clay's hopes for the presidential nomination and over subsequent efforts to obtain Clay's endorsement of Zachary Taylor's candidacy, is vente More

Whig nominee Zachary Taylor's reluctance to clearly declare his political views was an issue eagerly exploited by the opposition in the 1848 campaign. Here the artist shows phrenologist Orson S. Fowler probing More

In a race between the railroad and the telegraph the "telegraphic candidates," Lewis Cass and William O. Butler, are first to the White House. The artist ridicules Zachary Taylor for his hazy stance on major ca More

The satire imputes to the Democrats of 1848, led by candidate Lewis Cass, the corrupt practices of the Van Buren-era party. The artist also criticizes Whig repudiation of stalwart party leader Henry Clay in fav More

Zachary Taylor and Lewis Cass engage in a bout of fisticuffs in their battle for the presidency in 1848. Taylor, clearly getting the better of his opponent, seizes Cass by the lapels saying, "A little more gra More

A cryptic satire critical of Lewis Cass and incumbent President James K. Polk. The work probably appeared prior to the Whig national convention (June 9-10), since reference is made to a Clay-Fillmore ticket. (T More

A severe split within the Whig ranks, between partisans of Henry Clay and those of Zachary Taylor, preceded the party's convention in June 1848. Here Horace Greeley, one of Clay's most influential northern supp More

New York "Tribune" editor Horace Greeley is ridiculed for vacillating between support of candidates Martin Van Buren and Zachary Taylor in the presidential election of 1848. Greeley balances precariously on a t More

Reproduction number: A20 (color slide; page 1) The famous South Carolinian John C. Calhoun (1782-1850) made his last Senate speech during the course of the great debate over the Compromise of 1850, a complicate More

A somewhat tongue-in-cheek dramatization of the moment during the heated debate in the Senate over the admission of California as a free state when Mississippi senator Henry S. Foote drew a pistol on Thomas Har More

In English. (language) Public domain song - scan of American song sheet, free to use, no copyright restrictions image - Picryl description

This record contains unverified data from PGA shelflist card. Associated name on shelflist card: Schnabel & Finkeldey.

1 silk badge. Available also through the Library of Congress web site in two forms: as facsimile page images and as full text in SGML. Printed Ephemera Collection; Portfolio 244, Folder 10.

The artist lionizes Kentucky senator Henry Clay, author of the Compromise of 1850, and slams his political foes and critics of the compromise, particularly those in the Taylor administration. A text in the lowe More

Music published by Root & Cady, Chicago. In English. (language) Public domain song - scan of American song sheet, free to use, no copyright restrictions image - Picryl description

A diverse group of abolitionists try to drag an unwilling black man toward the left with a large gaff hook. Holding the hook are (left to right) an old hag, a Quaker man, and two other homely men. The hag dec More

Print shows a statue of Henry Clay standing atop a pillar with "H. Clay" on the base forming the "Clay Monument" in Pottsville, Pennsylvania; sightseers approach the monument as others inspect the base. (DLC/P More

Illustrated with two half length portraits of George Washington and two of Henry Clay, two of a woman, cupid on lion, etc. LOT subdivision subject: Portraits - male. Title and other information transcribed from More

A patriotic, illustrated sheet music cover for a song composed by Charles Collins, Jr., and dedicated to Kentucky senator Henry Clay. The work celebrates Clay's efforts to preserve the Union, and was a product More

Currier & Ives : a catalogue raisonné / compiled by Gale Research. Detroit, MI : Gale Research, c1983, no. 0826.

A cynical view of party competition for the working man's vote in the presidential campaign of 1852. In a polling place, four candidates struggle to force their own election ticket on a short, uncouth-looking c More

Clay, Henry.; Verse. Available also through the Library of Congress web site in two forms: as facsimile page images and as full text in SGML. Printed Ephemera Collection; Portfolio 22, Folder 27.