Legacy

Positive Photostat.; Not in Evans.; Verse. Available also through the Library of Congress web site in two forms: as facsimile page images and as full text in SGML. Printed Ephemera Collection; Portfolio 33, Folder 59.

Listed in John Alden's Rhode Island Imprints, but see R. W. G. Vail "A patriotic pair of peripatetic printers" in Essays honoring Lawrence G. Wroth, Portland, Me., 1951.; Bristol B5844.; On verso: General Wash More

Public domain song - scan of American song sheet, free to use, no copyright restrictions image - Picryl description

Public domain song - scan of American song sheet, free to use, no copyright restrictions image - Picryl description

(DLC/PP-1933:0185). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "The Mystery of Celestine" by Arthur Sherburne Hardy, Harper's magazine, 140:445 (March 1920).

Public domain photograph related to Arnold Genthe, free to use, no copyright restrictions image - Picryl description

Public domain photograph related to Arnold Genthe, free to use, no copyright restrictions image - Picryl description

Public domain reproduction of lantern slide, free to use, no copyright restrictions image - Picryl description

Public domain photograph related to Arnold Genthe, free to use, no copyright restrictions image - Picryl description

Public domain photograph of midcentury American architecture, free to use, no copyright restrictions image - Picryl description

(DLC/PP-1939:0060). Forms part of: Cabinet of American illustration (Library of Congress). Published in: People from Dickens. New York : Charles Scribner's Sons, 1935, p. 109.

Public domain photograph of Louisiana in 1930s, free to use, no copyright restrictions image - Picryl description

Public domain photograph of Louisiana in 1930s, free to use, no copyright restrictions image - Picryl description

Public domain photo of a monument, historic place, free to use, no copyright restrictions image - Picryl description

Public domain photograph of a house, cottage, free to use, no copyright restrictions image - Picryl description

Public domain photograph of Louisiana in 1930s, free to use, no copyright restrictions image - Picryl description

Public domain photograph of Louisiana in 1930s, free to use, no copyright restrictions image - Picryl description

Public domain photograph of Louisiana in 1930s, free to use, no copyright restrictions image - Picryl description

Digital image produced by Carol M. Highsmith to represent her original film transparency; some details may differ between the film and the digital images. Henderson was the nation's fastest-growing city in the More

Digital image produced by Carol M. Highsmith to represent her original film transparency; some details may differ between the film and the digital images. Title, date, and keywords provided by the photographer. More

Cyrilla Barr. (statement of responsibility) 0844409170 (isbn)

Shows facsimile of Lewis and Clark exploration map and contemporary physical map of approximately the same geographic coverage. Relief shown by hachures on facsimile map. Relief shown by shading and gradient ti More

Legend includes preparation, recruitment, exploration and homecoming, Indian reservations, Louisiana Purchase boundary, and Lewis and Clark National Historic Trail. Available also through the Library of Congres More

Master artist: David Blodgett. Title, date, and keywords provided by the photographer. Credit line: The Jon B. Lovelace Collection of California Photographs in Carol M. Highsmith's America Project, Library of C More

Title, date, and keywords based on information provided by the photographer. Credit line: The Lyda Hill Texas Collection of Photographs in Carol M. Highsmith's America Project, Library of Congress, Prints and P More

(DLC/PP-1932:0042). Forms part of: Cabinet of American illustration (Library of Congress). Published in: Life, 18:396-397 (Dec. 31, 1891).

(DLC/PP-1932:0042). Forms part of: Cabinet of American illustration (Library of Congress). Published in: Life, 18:396-397 (Dec. 31, 1891).

From: Music Copyright Deposits, 1820-1860 (Microfilm M 3106) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form) In bound volumes: Copyright Deposits 1820-1860

From: Music Copyright Deposits, 1820-1860 (Microfilm M 3106) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form) In bound volumes: Copyright Deposits 1820-1860

From: Music Copyright Deposits, 1820-1860 (Microfilm M 3106) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form) In bound volumes: Copyright Deposits 1820-1860

From: Music Copyright Deposits, 1870-1885 (Microfilm M 3500) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form)

From: Music Copyright Deposits, 1870-1885 (Microfilm M 3500) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form)

From: Music Copyright Deposits, 1870-1885 (Microfilm M 3500) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form)

From: Music Copyright Deposits, 1870-1885 (Microfilm M 3500) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form)

From: Music Copyright Deposits, 1870-1885 (Microfilm M 3500) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form)

From: Music Copyright Deposits, 1870-1885 (Microfilm M 3500) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form)

From: Music Copyright Deposits, 1870-1885 (Microfilm M 3500) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form)

From: Music Copyright Deposits, 1870-1885 (Microfilm M 3500) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form)

From: Music Copyright Deposits, 1870-1885 (Microfilm M 3500) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form)

From: Music Copyright Deposits, 1870-1885 (Microfilm M 3500) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form)

From: Music Copyright Deposits, 1870-1885 (Microfilm M 3500) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form)

From: Music Copyright Deposits, 1870-1885 (Microfilm M 3500) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form)

From: Music Copyright Deposits, 1870-1885 (Microfilm M 3500) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form)

From: Music Copyright Deposits, 1870-1885 (Microfilm M 3500) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form)

From: Music Copyright Deposits, 1870-1885 (Microfilm M 3500) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form)

From: Music Copyright Deposits, 1870-1885 (Microfilm M 3500) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form)

From: Music Copyright Deposits, 1870-1885 (Microfilm M 3500) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form)

From: Music Copyright Deposits, 1870-1885 (Microfilm M 3500) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form)

From: Music Copyright Deposits, 1870-1885 (Microfilm M 3500) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form)

From: Music Copyright Deposits, 1870-1885 (Microfilm M 3500) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form)

From: Music Copyright Deposits, 1870-1885 (Microfilm M 3500) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form)

From: Music Copyright Deposits, 1870-1885 (Microfilm M 3500) Also available through the Library of Congress Web Site as facsimile page images. (additional physical form)

D7291 U.S. Copyright Office Caption: A light breaks in upon me. Created and "copyright, 1900, by The U.S. Printing Co., Russell-Morgan Print, Cincinnati & New York." No. 4551. Forms part of: Theatrical poster c More

D7291 U.S. Copyright Office Caption: A light breaks in upon me. Created and "copyright, 1900, by The U.S. Printing Co., Russell-Morgan Print, Cincinnati & New York." No. 4551. Forms part of: Theatrical poster c More

Various historic events and discoveries carried over to the 20th century.

Various historic events and discoveries carried over to the 20th century.

George Clinton's legacy.; Imprint 2. Page Order: Multipage Available also through the Library of Congress web site in two forms: as facsimile page images and as full text in SGML. Printed Ephemera Collection; P More

George Clinton's legacy.; Imprint 2. Page Order: Multipage Available also through the Library of Congress web site in two forms: as facsimile page images and as full text in SGML. Printed Ephemera Collection; P More

George Clinton's legacy.; Imprint 2. Page Order: Multipage Available also through the Library of Congress web site in two forms: as facsimile page images and as full text in SGML. Printed Ephemera Collection; P More

George Clinton's legacy.; Imprint 2. Page Order: Multipage Available also through the Library of Congress web site in two forms: as facsimile page images and as full text in SGML. Printed Ephemera Collection; P More

George Clinton's legacy.; Imprint 2. Page Order: Multipage Available also through the Library of Congress web site in two forms: as facsimile page images and as full text in SGML. Printed Ephemera Collection; P More

George Clinton's legacy.; Imprint 2. Page Order: Multipage Available also through the Library of Congress web site in two forms: as facsimile page images and as full text in SGML. Printed Ephemera Collection; P More

George Clinton's legacy.; Imprint 2. Page Order: Multipage Available also through the Library of Congress web site in two forms: as facsimile page images and as full text in SGML. Printed Ephemera Collection; P More

George Clinton's legacy.; Imprint 2. Page Order: Multipage Available also through the Library of Congress web site in two forms: as facsimile page images and as full text in SGML. Printed Ephemera Collection; P More

Significance: Named by the writer, George W. Cable, in his "Old Creole Days," this building appears first on Engineer Broutin's map of the city in 1728 as Captain Pascal's Place. It appears to have survived th More

Significance: Named by the writer, George W. Cable, in his "Old Creole Days," this building appears first on Engineer Broutin's map of the city in 1728 as Captain Pascal's Place. It appears to have survived th More

Significance: Named by the writer, George W. Cable, in his "Old Creole Days," this building appears first on Engineer Broutin's map of the city in 1728 as Captain Pascal's Place. It appears to have survived th More

Significance: Named by the writer, George W. Cable, in his "Old Creole Days," this building appears first on Engineer Broutin's map of the city in 1728 as Captain Pascal's Place. It appears to have survived th More

Significance: Named by the writer, George W. Cable, in his "Old Creole Days," this building appears first on Engineer Broutin's map of the city in 1728 as Captain Pascal's Place. It appears to have survived th More

Significance: Named by the writer, George W. Cable, in his "Old Creole Days," this building appears first on Engineer Broutin's map of the city in 1728 as Captain Pascal's Place. It appears to have survived th More

Significance: Named by the writer, George W. Cable, in his "Old Creole Days," this building appears first on Engineer Broutin's map of the city in 1728 as Captain Pascal's Place. It appears to have survived th More

Significance: Named by the writer, George W. Cable, in his "Old Creole Days," this building appears first on Engineer Broutin's map of the city in 1728 as Captain Pascal's Place. It appears to have survived th More

Significance: Named by the writer, George W. Cable, in his "Old Creole Days," this building appears first on Engineer Broutin's map of the city in 1728 as Captain Pascal's Place. It appears to have survived th More

Significance: Named by the writer, George W. Cable, in his "Old Creole Days," this building appears first on Engineer Broutin's map of the city in 1728 as Captain Pascal's Place. It appears to have survived th More

Significance: Named by the writer, George W. Cable, in his "Old Creole Days," this building appears first on Engineer Broutin's map of the city in 1728 as Captain Pascal's Place. It appears to have survived th More

Significance: Named by the writer, George W. Cable, in his "Old Creole Days," this building appears first on Engineer Broutin's map of the city in 1728 as Captain Pascal's Place. It appears to have survived th More

Significance: Named by the writer, George W. Cable, in his "Old Creole Days," this building appears first on Engineer Broutin's map of the city in 1728 as Captain Pascal's Place. It appears to have survived th More

Significance: Named by the writer, George W. Cable, in his "Old Creole Days," this building appears first on Engineer Broutin's map of the city in 1728 as Captain Pascal's Place. It appears to have survived th More

Significance: Named by the writer, George W. Cable, in his "Old Creole Days," this building appears first on Engineer Broutin's map of the city in 1728 as Captain Pascal's Place. It appears to have survived th More

Significance: Named by the writer, George W. Cable, in his "Old Creole Days," this building appears first on Engineer Broutin's map of the city in 1728 as Captain Pascal's Place. It appears to have survived th More

Significance: Named by the writer, George W. Cable, in his "Old Creole Days," this building appears first on Engineer Broutin's map of the city in 1728 as Captain Pascal's Place. It appears to have survived th More

Significance: Named by the writer, George W. Cable, in his "Old Creole Days," this building appears first on Engineer Broutin's map of the city in 1728 as Captain Pascal's Place. It appears to have survived th More

Significance: Named by the writer, George W. Cable, in his "Old Creole Days," this building appears first on Engineer Broutin's map of the city in 1728 as Captain Pascal's Place. It appears to have survived th More

Significance: Named by the writer, George W. Cable, in his "Old Creole Days," this building appears first on Engineer Broutin's map of the city in 1728 as Captain Pascal's Place. It appears to have survived th More

Significance: Named by the writer, George W. Cable, in his "Old Creole Days," this building appears first on Engineer Broutin's map of the city in 1728 as Captain Pascal's Place. It appears to have survived th More

Significance: Named by the writer, George W. Cable, in his "Old Creole Days," this building appears first on Engineer Broutin's map of the city in 1728 as Captain Pascal's Place. It appears to have survived th More

Significance: Named by the writer, George W. Cable, in his "Old Creole Days," this building appears first on Engineer Broutin's map of the city in 1728 as Captain Pascal's Place. It appears to have survived th More

Significance: Named by the writer, George W. Cable, in his "Old Creole Days," this building appears first on Engineer Broutin's map of the city in 1728 as Captain Pascal's Place. It appears to have survived th More

Significance: Named by the writer, George W. Cable, in his "Old Creole Days," this building appears first on Engineer Broutin's map of the city in 1728 as Captain Pascal's Place. It appears to have survived th More

Significance: Named by the writer, George W. Cable, in his "Old Creole Days," this building appears first on Engineer Broutin's map of the city in 1728 as Captain Pascal's Place. It appears to have survived th More

Significance: Named by the writer, George W. Cable, in his "Old Creole Days," this building appears first on Engineer Broutin's map of the city in 1728 as Captain Pascal's Place. It appears to have survived th More

Significance: Named by the writer, George W. Cable, in his "Old Creole Days," this building appears first on Engineer Broutin's map of the city in 1728 as Captain Pascal's Place. It appears to have survived th More

Significance: Named by the writer, George W. Cable, in his "Old Creole Days," this building appears first on Engineer Broutin's map of the city in 1728 as Captain Pascal's Place. It appears to have survived th More

Significance: Named by the writer, George W. Cable, in his "Old Creole Days," this building appears first on Engineer Broutin's map of the city in 1728 as Captain Pascal's Place. It appears to have survived th More

Significance: Named by the writer, George W. Cable, in his "Old Creole Days," this building appears first on Engineer Broutin's map of the city in 1728 as Captain Pascal's Place. It appears to have survived th More

Significance: Named by the writer, George W. Cable, in his "Old Creole Days," this building appears first on Engineer Broutin's map of the city in 1728 as Captain Pascal's Place. It appears to have survived th More

Significance: Named by the writer, George W. Cable, in his "Old Creole Days," this building appears first on Engineer Broutin's map of the city in 1728 as Captain Pascal's Place. It appears to have survived th More

Significance: Named by the writer, George W. Cable, in his "Old Creole Days," this building appears first on Engineer Broutin's map of the city in 1728 as Captain Pascal's Place. It appears to have survived th More

Significance: Named by the writer, George W. Cable, in his "Old Creole Days," this building appears first on Engineer Broutin's map of the city in 1728 as Captain Pascal's Place. It appears to have survived th More

Significance: Named by the writer, George W. Cable, in his "Old Creole Days," this building appears first on Engineer Broutin's map of the city in 1728 as Captain Pascal's Place. It appears to have survived th More