Ruins Art Prints

Print shows a view of the ruins at Baʻlabakk, with three men in conversation, two are holding long spears, in the left foreground among fragments of buildings, (A) on the left and (B) on the right, with the col More

Print shows a bird's-eye view of ruins with the Arch of Constantine in the foreground and the Flavian Amphitheater or Colosseum in the background, with numbered key. Some of the men appear to be examining the r More

Print shows a view of the ruins at Baʻlabakk, with two men in conversation, one is holding a long spear, between the columns of the Temple of Jupiter (A) on the left and the Temple of Bacchus (B) on the right, More

Print shows several men, a cow, and a dog barking at a donkey transporting two barrels, among the columns of the Temple of Neptune in Campania (Paestum), Italy, with lettered key identifying elements of the str More

Print shows a view of the ruins at Baʻlabakk, with two men holding long spears in the foreground among fragments of buildings, (A) on the left and (B) on the right, with the columns of the Temple of Jupiter (D) More

Public domain photograph related to history of Israel, Palestine, free to use, no copyright restrictions image - Picryl description

Picryl description: Public domain image of a historic place, world heritage building, classical or neoclassical architecture, free to use, no copyright restrictions.

Illus. in: The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia / from drawings made on the spot by David Roberts ... ; lithographed by Louis Haghe. London : F.G. Moon, 1842-1845, v. 2, pts. 9-10, p. 11. Surro More

Illus. in: The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia / from drawings made on the spot by David Roberts ... ; lithographed by Louis Haghe. London : F.G. Moon, 1842-1845, v. 2, pts. 7-8, p. 12. Surrog More

Public domain scan of lithograph illustration, free to use, no copyright restrictions image - Picryl description

Illus. in: Egypt & Nubia / from drawings made on the spot by David Roberts ... ; lithographed by Louis Haghe. London : F.G. Moon, 1846-1849, v. 2, pt. 27.

Print shows a moonlight view, from the east, of the ruins of Melrose Abbey with two men on horseback in the foreground. The area around the Abbey is overgrown with trees. 21947 U.S. Copyright Office. Caption: More

General information about the Popular and Applied Graphic Art print materials is available at: loc.gov Title information compiled by Junior Fellows, 2005-2017. Restein, E.P. & L., copyright claimant. Fabronius, More

General information about the Popular and Applied Graphic Art print materials is available at: loc.gov Title information compiled by Junior Fellows, 2005-2017. Boussod, Jean, copyright claimant. Tommasi, Adolfo More

Currier & Ives : a catalogue raisonné / compiled by Gale Research. Detroit, MI : Gale Research, c1983, no. 5375

Print shows a stone house and ruins along the Appian Way. Signed in pencil. Title in Beall: Via Appia. Date based on period when Chapman lived in Italy. American prints in the Library of Congress : a catalog o More

Ruins of the Church of St. Peter & St. Paul at Sevastopolʹ with two Zouaves in the foreground and a view of city and harbor to the right and in the background, during the occupation by French and British forces More

View of the ship building docks at Sevastopolʹ with Fort St. Paul on the high ground to the left. Colnaghi's Authentic Series. Plate 26. Deposé Paris, Goupil & Cie ; Leipzig, Otto Weigel.

Italian print published on the occasion of Napoleon's coming to power in France, November 9, 1799, following his successful campaign in Egypt. Image depicts France as a giant sphinx wearing the cap of Liberty a More

Print shows an allegory of the restoration of peace and prosperity to America following the Revolution. The print is based on a 1778 painting by British artist Robert Edge Pine, which was destroyed by fire in 1 More

Print shows an allegory of the restoration of peace and prosperity to America following the Revolution. The print is based on a 1778 painting by British artist Robert Edge Pine, which was destroyed by fire in 1 More

Print shows an allegory of the restoration of peace and prosperity to America following the Revolution. The print is based on a 1778 painting by British artist Robert Edge Pine, which was destroyed by fire in 1 More