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Stage wall. Theatre of Dionysus (Bacchus)

Stage wall. Theatre of Dionysus (Bacchus)

Bas-relief sculpture from the stage wall; crouching figure of Silenus in center. In album: Athens, Egypt, Rhine, Switzerland, Tyrol, Salzburg, p. 8.

Arion Musical Club, Milwaukee, Wis., Pabst Theatre, Nov. 23, 1906

Arion Musical Club, Milwaukee, Wis., Pabst Theatre, Nov. 23, 1906

Public domain photograph of a church interior, gothic architecture, free to use, no copyright restrictions image - Picryl description

On the stage - in person, Hardeen, brother of Houdini handcuffs and jails will not hold him : the greatest mystery show of all times.  Mentalist supreme, Princess Yvonne, the mystery girl.

On the stage - in person, Hardeen, brother of Houdini handcuffs and ja...

At head of title: Lyric Theatre, Beckley, Wed. & Thur., Jan. 29-30." Created by "Triangle Poster Printing Co., Phila." Transferred from; LC Rare Book and Special Collections Division; 1956. Forms part of: Magic... More

Danny Kaye on stage at Prince Edward [Theatre, Sydney] shares a joke with the audience

Danny Kaye on stage at Prince Edward [Theatre, Sydney] shares a joke w...

Courtesy Ern McQuillan (Copyright Notice) The Library of Congress provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The... More

This picture shows the "Four Novelty Grahams" acrobatic performers at the Victoria Theatre, Philadelphia. The father is 23 years of age. Willie Graham is 5 years of age, and Herbert Graham is 3 years of age. At 9 P.M. on June 10th, 1910, these children were performing on the stage. Four times daily they do a turn which lasts from 12 to 14 minutes. Herbert Graham, the youngest, was said by the father to have commenced performing on the stage as a[n] acrobat when he was 10  months of age. Willie, now 5, is said to be the youngest acrobat in the world. The attached letter head shows some of the stunts these youngsters are engaged in. The mother of these boys was formerly a school teacher, and is now performing with this trio on the stage. The children are bright and strong, but have a playfulness about them which shows them to have forgotten the best years of childhood. Edward F. Brown, Investigator.  Location: Philadelphia, Pennsylvania / Photo by Lewis W. Hine.

This picture shows the "Four Novelty Grahams" acrobatic performers at ...

Picryl description: Public domain photograph of child, child labor, farmer, early 20th-century farm, free to use, no copyright restrictions.

The Federal Theatre Div. of W.P.A. presents "The pursuit of happiness" by Armina Marshall Langer & Lawrence Langer A gay rollicking fun fest on the stage in 3 acts.

The Federal Theatre Div. of W.P.A. presents "The pursuit of happiness"...

Poster for Federal Theatre Project presentation of "The pursuit of happiness" at the Waterloo Theater, showing outline of the liberty bell. Date stamped on verso: Jul 8 1937. Work Projects Administration Poster... More

Charles S. Colden Auditorium and School, Queens College. Small theatre from stage

Charles S. Colden Auditorium and School, Queens College. Small theatre...

Picryl description: Public domain image of a school auditorium, college, education, building interior, free to use, no copyright restrictions.

Danny Kaye on stage at Prince Edward [Theatre, Sydney] shares a joke with the audience

Danny Kaye on stage at Prince Edward [Theatre, Sydney] shares a joke w...

Courtesy Ern McQuillan (Copyright Notice) The Library of Congress provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The... More

[Theater and hotel building ("Theatre, Assembly Rooms and an hotel"), Richmond, Virginia. 16--front of the stage]

[Theater and hotel building ("Theatre, Assembly Rooms and an hotel"), ...

Inscription on recto: "Front of the Stage." Reference copy available in LOT 4249. Forms part of: Benjamin Henry Latrobe Archive (Library of Congress).

Coronet Theatre, W. 49th St., New York City. House from stage

Coronet Theatre, W. 49th St., New York City. House from stage

Public domain photograph of life and commerce in the New YorkCity in1940s-1950s, interiors, free to use, no copyright restrictions image - Picryl description

Indiana University Auditorium, Bloomington, Indiana. Little theatre from stage

Indiana University Auditorium, Bloomington, Indiana. Little theatre fr...

Public domain image of a large historic building, city hall, urban architecture, free to use, no copyright restrictions - Picryl description

Electric Institute of Washington puppet show. Rorbum theatre on stage of Electric Institute II

Electric Institute of Washington puppet show. Rorbum theatre on stage ...

Public domain photograph - historical image of Washington DC, United States, free to use, no copyright restrictions image - Picryl description

Indiana University Auditorium, Bloomington, Indiana. Little theatre toward stage

Indiana University Auditorium, Bloomington, Indiana. Little theatre to...

Public domain photograph of midcentury American office, workers, free to use, no copyright restrictions image - Picryl description

Richard Rodgers, Irving Berlin and Oscar Hammerstein II, seated in back is Helen Tamiris, they are watching hopefuls who are being auditioned on stage of the St. James Theatre [...] / World Telegram photo by Al Aumuller.

Richard Rodgers, Irving Berlin and Oscar Hammerstein II, seated in bac...

NYWT&S staff photograph. Forms part of: New York World-Telegram and the Sun Newspaper Photograph Collection (Library of Congress).

Murder of President Lincoln; The assassin retreating across the stage and Mr. Stewart climbing upon it to pursue him; Appearance of Ford's Theatre, Washington, D.C. after the murder

Murder of President Lincoln; The assassin retreating across the stage ...

Title and other information transcribed from caption card. Illus. in: Frank Leslie's illustrated newspaper, vol. 20, no. 503 (1865 May 20), p. 140.

Beach Theatre, Lincoln Rd., Miami Beach, Florida. Auditorium from stage

Beach Theatre, Lincoln Rd., Miami Beach, Florida. Auditorium from stag...

Public domain image of a large historic building, city hall, urban architecture, free to use, no copyright restrictions - Picryl description

Beekman Theatre, 2nd Ave. and 66th St., New York City. Stage detail (sharp)

Beekman Theatre, 2nd Ave. and 66th St., New York City. Stage detail (s...

Public domain photograph of theater building, free to use, no copyright restrictions image - Picryl description

This picture shows the "Four Novelty Grahams" acrobatic performers at the Victoria Theatre, Philadelphia. The father is 23 years of age. Willie Graham is 5 years of age, and Herbert Graham is 3 years of age. At 9 P.M. on June 10th, 1910, these children were performing on the stage. Four times daily they do a turn which lasts from 12 to 14 minutes. Herbert Graham, the youngest, was said by the father to have commenced performing on the stage as a[n] acrobat when he was 10  months of age. Willie, now 5, is said to be the youngest acrobat in the world. The attached letter head shows some of the stunts these youngsters are engaged in. The mother of these boys was formerly a school teacher, and is now performing with this trio on the stage. The children are bright and strong, but have a playfulness about them which shows them to have forgotten the best years of childhood. Edward F. Brown, Investigator.  Location: Philadelphia, Pennsylvania / Photo by Lewis W. Hine.

This picture shows the "Four Novelty Grahams" acrobatic performers at ...

Picryl description: Public domain photograph of child, child labor, farmer, early 20th-century farm, free to use, no copyright restrictions.

Beach Theatre, Lincoln Rd., Miami Beach, Florida. Auditorium, to stage

Beach Theatre, Lincoln Rd., Miami Beach, Florida. Auditorium, to stage

Public domain photograph of 1940s-1950s America, free to use, no copyright restrictions image - Picryl description

The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

From the performance in the Saga theatre in Oslo, 1955 [Danny Kaye on stage dances with young ballerina]

From the performance in the Saga theatre in Oslo, 1955 [Danny Kaye on ...

Box marked: DKA_VSBOX7 Folder marked: UNICEF (General) The Library of Congress provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other... More

Electric Institute of Washington puppet show. Rorbum theatre on stage of Electric Institute I

Electric Institute of Washington puppet show. Rorbum theatre on stage ...

Public domain photograph of theatrical production, cabaret, musical, performance, free to use, no copyright restrictions image - Picryl description

The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

Ruins of Jerash (Gerasa). Jerash, south theatre. View of the seats taken from the stage.

Ruins of Jerash (Gerasa). Jerash, south theatre. View of the seats tak...

Picryl description: Public domain image of a Roman forum, large historic building, architecture, free to use, no copyright restrictions.

The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

Danny Kaye drew big laughs on his "shy" stage approach after the premiere of "The Five Pennies" at the Prince Edward Theatre [Sydney], [June 25, 1959]

Danny Kaye drew big laughs on his "shy" stage approach after the premi...

Courtesy Ern McQuillan (Copyright Notice) The Library of Congress provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The... More

The Crouching Silenus, Stage of Theatre of Dionysus, Athens, Greece

The Crouching Silenus, Stage of Theatre of Dionysus, Athens, Greece

Statue on stage of Theatre of Dionysus, amphitheater, Athens, Greece. H11151 U.S. Copyright Office. No. 4114.

In an alley back of a moving picture theatre on First Street. Children were hanging about the "stage" entrance--"peeking in." Photo taken at 10:30 P.M. Little tot on right said was 5 years old.  Location: Troy, New York (State)

In an alley back of a moving picture theatre on First Street. Children...

Picryl description: Public domain image of children, kids, free to use, no copyright restrictions.

Coronet Theatre, W. 49th St., New York City. Stage from center

Coronet Theatre, W. 49th St., New York City. Stage from center

Public domain photograph of the 1940s-1950s New York City interiors, commerce, advertising, free to use, no copyright restrictions image - Picryl description

The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

The theatre of war or the stage as set for the opening scenes of 1861

The theatre of war or the stage as set for the opening scenes of 1861

Scale ca. 1:4,500,000. LC Civil War Maps (2nd ed.), 14.85 General map of the South and adjoining states showing state boundaries, cities and towns, projected and completed railroads, and forts. Stamped in the l... More

The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

[ Stage Bill for the Schubert Theatre, Chicago, week of September 6, 1956]
The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

[ Stage Bill for the Schubert Theatre, Chicago, week of September 6, 1956]
The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

[ Stage Bill for the Schubert Theatre, Chicago, week of September 6, 1956]
[ Stage Bill for the Schubert Theatre, Chicago, week of September 6, 1956]
[ Stage Bill for the Schubert Theatre, Chicago, week of September 6, 1956]
Indiana University Auditorium. Little theatre from stage

Indiana University Auditorium. Little theatre from stage

Public domain image of a large historic building, city hall, urban architecture, free to use, no copyright restrictions - Picryl description

The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

Danny Kaye drew big laughs on his "shy" stage approach after the premiere of "The Five Pennies" at the Prince Edward Theatre [Sydney], [June 25, 1959]

Danny Kaye drew big laughs on his "shy" stage approach after the premi...

Courtesy Ern McQuillan (Copyright Notice) The Library of Congress provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The... More

[ Stage Bill for the Schubert Theatre, Chicago, week of September 6, 1956]
The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

From the performance in the Saga theatre in Oslo, 1955 [Danny Kaye on stage dances with young ballerina]

From the performance in the Saga theatre in Oslo, 1955 [Danny Kaye on ...

Box marked: DKA_VSBOX7 Folder marked: UNICEF (General) The Library of Congress provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other... More

The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

The Richmond alarm: a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts: I. Containing introduction, with many instructive hints and observations upon many of the most remarkable occurrences, wonders and curiosities in history; with a short account of the four religions of the world, viz., Pagan, Jewish, Mahometan and Christian religion; and a brief account of the Greek church, Popish church, and Protestant church. II. An account of the burning of the theatre in Richmond, December 26, 1811; with observations upon the nature and effects of stage plays, masquerades, balls, puppet shows, horse races, and gambling. III. Reflections upon that conflagration; with a solemn application to people of every rank and character ...

The Richmond alarm: a plain and familiar discourse in the form of a di...

Preface dated April 10, 1813; entered for copyright, April 7, 1814. Also available in digital form on the Library of Congress Web site. LC copy imperfect: p. 53-56 wanting.

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