Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Madrigali di Luzzasco Luzzaschi per cantare, et sonare a vno, e doi, e...
Music is in score with instrumental accompaniment. This copy evidently was at one time in the Wagener collection at Marburg. Preface to Cardinal Poietro Aldobrandino, dated Ferrara, October 1601, signed by Luzzasche.
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Florida verba, 16th century - Public domain music sheet scan
Compiled by Florido de Silvestri. An incomplete transcipt in score, said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on the title-page, and containing motets by Durante, Ceche... More
Madrigali di Luzzasco Luzzaschi per cantare, et sonare a vno, e doi, e...
Music is in score with instrumental accompaniment. This copy evidently was at one time in the Wagener collection at Marburg. Preface to Cardinal Poietro Aldobrandino, dated Ferrara, October 1601, signed by Luzzasche.
Madrigali di Luzzasco Luzzaschi per cantare, et sonare a vno, e doi, e...
Music is in score with instrumental accompaniment. This copy evidently was at one time in the Wagener collection at Marburg. Preface to Cardinal Poietro Aldobrandino, dated Ferrara, October 1601, signed by Luzzasche.
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Florida verba, 16th century - Public domain music sheet scan
Compiled by Florido de Silvestri. An incomplete transcipt in score, said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on the title-page, and containing motets by Durante, Ceche... More
Florida verba, 16th century - Public domain music sheet scan
Compiled by Florido de Silvestri. An incomplete transcipt in score, said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on the title-page, and containing motets by Durante, Ceche... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Florida verba, 16th century - Public domain music sheet scan
Compiled by Florido de Silvestri. An incomplete transcipt in score, said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on the title-page, and containing motets by Durante, Ceche... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Madrigali di Luzzasco Luzzaschi per cantare, et sonare a vno, e doi, e...
Music is in score with instrumental accompaniment. This copy evidently was at one time in the Wagener collection at Marburg. Preface to Cardinal Poietro Aldobrandino, dated Ferrara, October 1601, signed by Luzzasche.
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Madrigali di Luzzasco Luzzaschi per cantare, et sonare a vno, e doi, e...
Music is in score with instrumental accompaniment. This copy evidently was at one time in the Wagener collection at Marburg. Preface to Cardinal Poietro Aldobrandino, dated Ferrara, October 1601, signed by Luzzasche.
Madrigali di Luzzasco Luzzaschi per cantare, et sonare a vno, e doi, e...
Music is in score with instrumental accompaniment. This copy evidently was at one time in the Wagener collection at Marburg. Preface to Cardinal Poietro Aldobrandino, dated Ferrara, October 1601, signed by Luzzasche.
Florida verba, 16th century - Public domain music sheet scan
Compiled by Florido de Silvestri. An incomplete transcipt in score, said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on the title-page, and containing motets by Durante, Ceche... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Florida verba, 16th century - Public domain music sheet scan
Compiled by Florido de Silvestri. An incomplete transcipt in score, said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on the title-page, and containing motets by Durante, Ceche... More
Florida verba, 16th century - Public domain music sheet scan
Compiled by Florido de Silvestri. An incomplete transcipt in score, said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on the title-page, and containing motets by Durante, Ceche... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Florida verba, 16th century - Public domain music sheet scan
Compiled by Florido de Silvestri. An incomplete transcipt in score, said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on the title-page, and containing motets by Durante, Ceche... More
Florida verba, 16th century - Public domain music sheet scan
Compiled by Florido de Silvestri. An incomplete transcipt in score, said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on the title-page, and containing motets by Durante, Ceche... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Florida verba, 16th century - Public domain music sheet scan
Compiled by Florido de Silvestri. An incomplete transcipt in score, said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on the title-page, and containing motets by Durante, Ceche... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Florida verba, 16th century - Public domain music sheet scan
Compiled by Florido de Silvestri. An incomplete transcipt in score, said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on the title-page, and containing motets by Durante, Ceche... More
Florida verba, 16th century - Public domain music sheet scan
Compiled by Florido de Silvestri. An incomplete transcipt in score, said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on the title-page, and containing motets by Durante, Ceche... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Madrigali di Luzzasco Luzzaschi per cantare, et sonare a vno, e doi, e...
Music is in score with instrumental accompaniment. This copy evidently was at one time in the Wagener collection at Marburg. Preface to Cardinal Poietro Aldobrandino, dated Ferrara, October 1601, signed by Luzzasche.
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Florida verba, 16th century - Public domain music sheet scan
Compiled by Florido de Silvestri. An incomplete transcipt in score, said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on the title-page, and containing motets by Durante, Ceche... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Madrigali di Luzzasco Luzzaschi per cantare, et sonare a vno, e doi, e...
Music is in score with instrumental accompaniment. This copy evidently was at one time in the Wagener collection at Marburg. Preface to Cardinal Poietro Aldobrandino, dated Ferrara, October 1601, signed by Luzzasche.
Madrigali di Luzzasco Luzzaschi per cantare, et sonare a vno, e doi, e...
Music is in score with instrumental accompaniment. This copy evidently was at one time in the Wagener collection at Marburg. Preface to Cardinal Poietro Aldobrandino, dated Ferrara, October 1601, signed by Luzzasche.
Madrigali di Luzzasco Luzzaschi per cantare, et sonare a vno, e doi, e...
Music is in score with instrumental accompaniment. This copy evidently was at one time in the Wagener collection at Marburg. Preface to Cardinal Poietro Aldobrandino, dated Ferrara, October 1601, signed by Luzzasche.
Florida verba, 16th century - Public domain music sheet scan
Compiled by Florido de Silvestri. An incomplete transcipt in score, said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on the title-page, and containing motets by Durante, Ceche... More
Florida verba, 16th century - Public domain music sheet scan
Compiled by Florido de Silvestri. An incomplete transcipt in score, said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on the title-page, and containing motets by Durante, Ceche... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Florida verba, 16th century - Public domain music sheet scan
Compiled by Florido de Silvestri. An incomplete transcipt in score, said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on the title-page, and containing motets by Durante, Ceche... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Madrigali di Luzzasco Luzzaschi per cantare, et sonare a vno, e doi, e...
Music is in score with instrumental accompaniment. This copy evidently was at one time in the Wagener collection at Marburg. Preface to Cardinal Poietro Aldobrandino, dated Ferrara, October 1601, signed by Luzzasche.
Madrigali di Luzzasco Luzzaschi per cantare, et sonare a vno, e doi, e...
Music is in score with instrumental accompaniment. This copy evidently was at one time in the Wagener collection at Marburg. Preface to Cardinal Poietro Aldobrandino, dated Ferrara, October 1601, signed by Luzzasche.
Florida verba, 16th century - Public domain music sheet scan
Compiled by Florido de Silvestri. An incomplete transcipt in score, said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on the title-page, and containing motets by Durante, Ceche... More
Florida verba, 16th century - Public domain music sheet scan
Compiled by Florido de Silvestri. An incomplete transcipt in score, said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on the title-page, and containing motets by Durante, Ceche... More
Madrigali di Luzzasco Luzzaschi per cantare, et sonare a vno, e doi, e...
Music is in score with instrumental accompaniment. This copy evidently was at one time in the Wagener collection at Marburg. Preface to Cardinal Poietro Aldobrandino, dated Ferrara, October 1601, signed by Luzzasche.
Florida verba, 16th century - Public domain music sheet scan
Compiled by Florido de Silvestri. An incomplete transcipt in score, said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on the title-page, and containing motets by Durante, Ceche... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Florida verba, 16th century - Public domain music sheet scan
Compiled by Florido de Silvestri. An incomplete transcipt in score, said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on the title-page, and containing motets by Durante, Ceche... More
Madrigali di Luzzasco Luzzaschi per cantare, et sonare a vno, e doi, e...
Music is in score with instrumental accompaniment. This copy evidently was at one time in the Wagener collection at Marburg. Preface to Cardinal Poietro Aldobrandino, dated Ferrara, October 1601, signed by Luzzasche.
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Florida verba, 16th century - Public domain music sheet scan
Compiled by Florido de Silvestri. An incomplete transcipt in score, said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on the title-page, and containing motets by Durante, Ceche... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Florida verba, 16th century - Public domain music sheet scan
Compiled by Florido de Silvestri. An incomplete transcipt in score, said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on the title-page, and containing motets by Durante, Ceche... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Florida verba, 16th century - Public domain music sheet scan
Compiled by Florido de Silvestri. An incomplete transcipt in score, said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on the title-page, and containing motets by Durante, Ceche... More
Florida verba, 16th century - Public domain music sheet scan
Compiled by Florido de Silvestri. An incomplete transcipt in score, said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on the title-page, and containing motets by Durante, Ceche... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Florida verba, 16th century - Public domain music sheet scan
Compiled by Florido de Silvestri. An incomplete transcipt in score, said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on the title-page, and containing motets by Durante, Ceche... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Florida verba, 16th century - Public domain music sheet scan
Compiled by Florido de Silvestri. An incomplete transcipt in score, said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on the title-page, and containing motets by Durante, Ceche... More
Florida verba, 16th century - Public domain music sheet scan
Compiled by Florido de Silvestri. An incomplete transcipt in score, said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on the title-page, and containing motets by Durante, Ceche... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Florida verba, 16th century - Public domain music sheet scan
Compiled by Florido de Silvestri. An incomplete transcipt in score, said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on the title-page, and containing motets by Durante, Ceche... More
Madrigali di Luzzasco Luzzaschi per cantare, et sonare a vno, e doi, e...
Music is in score with instrumental accompaniment. This copy evidently was at one time in the Wagener collection at Marburg. Preface to Cardinal Poietro Aldobrandino, dated Ferrara, October 1601, signed by Luzzasche.
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Madrigali di Luzzasco Luzzaschi per cantare, et sonare a vno, e doi, e...
Music is in score with instrumental accompaniment. This copy evidently was at one time in the Wagener collection at Marburg. Preface to Cardinal Poietro Aldobrandino, dated Ferrara, October 1601, signed by Luzzasche.
Madrigali di Luzzasco Luzzaschi per cantare, et sonare a vno, e doi, e...
Music is in score with instrumental accompaniment. This copy evidently was at one time in the Wagener collection at Marburg. Preface to Cardinal Poietro Aldobrandino, dated Ferrara, October 1601, signed by Luzzasche.
Florida verba, 16th century - Public domain music sheet scan
Compiled by Florido de Silvestri. An incomplete transcipt in score, said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on the title-page, and containing motets by Durante, Ceche... More
Florida verba, 16th century - Public domain music sheet scan
Compiled by Florido de Silvestri. An incomplete transcipt in score, said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on the title-page, and containing motets by Durante, Ceche... More
Madrigali di Luzzasco Luzzaschi per cantare, et sonare a vno, e doi, e...
Music is in score with instrumental accompaniment. This copy evidently was at one time in the Wagener collection at Marburg. Preface to Cardinal Poietro Aldobrandino, dated Ferrara, October 1601, signed by Luzzasche.
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Florida verba, 16th century - Public domain music sheet scan
Compiled by Florido de Silvestri. An incomplete transcipt in score, said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on the title-page, and containing motets by Durante, Ceche... More
Florida verba, 16th century - Public domain music sheet scan
Compiled by Florido de Silvestri. An incomplete transcipt in score, said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on the title-page, and containing motets by Durante, Ceche... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More