The Flute Player 17th century - Public domain portrait engraving
after a painting by Otto Vorsterman, painter, 17th century (artist notes) Flemish (artist nationality) draughtsman and engraver (artist role) Vorsterman, Otto, 17th century (original artist) Recto: u. l.: (engr... More
Parmigianino - The Young and Elder Goatherd
after a drawing by Girolamo Francesco Maria Mazzola, called Parmigianino, painter, draughtsman and etcher, 1503-1540 (artist notes) Flemish (artist nationality) draughtsman and engraver (artist role) Parmigiani... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Madrigali di Luzzasco Luzzaschi per cantare, et sonare a vno, e doi, e...
Music is in score with instrumental accompaniment. This copy evidently was at one time in the Wagener collection at Marburg. Preface to Cardinal Poietro Aldobrandino, dated Ferrara, October 1601, signed by Luzzasche.
Kinko echizen 17th century - Public domain drawing
Kinko and Echizen. Two women, one seated writing a letter, the other pulling back the hair of a man sitting in front of a mirror, possibly an actor applying makeup. Title and other descriptive information compi... More
Parmigianino - The Young and Elder Goatherd
after a drawing by Girolamo Francesco Maria Mazzola, called Parmigianino, painter, draughtsman and etcher, 1503-1540 (artist notes) Flemish (artist nationality) draughtsman and engraver (artist role) Parmigiani... More
Drei Flötenspieler (Three Flute Players), Dayton C. Miller Collection
Flemish (artist nationality) painter and draughtsman (artist role) Recto: u. r.: (within etching, script monogram) A. P. ; verso: u. l.: (in pencil) Oppermann / Feb. 16, 1929 / 50 fcs = $10.00 ; l. l.: (in penc... More
A Company Making Music - Public domain image related to music prforma...
Dutch (artist nationality) draughtsman, engraver, print publisher and painter (artist role) Recto: bottom center: (within image) Crispin de Pass inuent . excudit . ; bottom: (beneath image, in Latin) Concentu v... More
Richard Low 17th century - Public domain engraving
after a painting possibly by John Hayls, portraitist, 1600?-1679; published by John Smith, painter, draughtsman, and engraver, 1652-1743 (artist notes) British (artist nationality) draughtsman and engraver (art... More
Tubicines, Liticines, Lÿricines, Cornicines, qui praecedebant Victimam...
Unknown (artist nationality) Recto: top center: (in Latin) Tubicines, Liticines, Lÿricines, Cornicines, qui praecede- / bant Victimam et Hecatoniben. / Sacra enim sua nunquam / celebrabant antiqui sine musicis ... More
![[ Soldier playing flute, recto; fisherman, verso]](https://cache.getarchive.net/Prod/thumb/cdn4/L3Bob3RvLzIwMTUvMTEvMjUvc29sZGllci1wbGF5aW5nLWZsdXRlLXJlY3RvLWZpc2hlcm1hbi12ZXJzby0xMDI0LmpwZw%3D%3D/40/52/webp "[ Soldier playing flute, recto; fisherman, verso]")
[ Soldier playing flute, recto; fisherman, verso]
German (artist nationality) history and battle painter (artist role) Recto: (in blue pencil, erased?) l. r. 1796; verso: (in pencil) u. l.: Henning Oppermann / Nov. 1928 / $28.00; l. c.: Jac. Matth. [?]; l. l.:... More
Young Man playing a Violone and Woman in a Landscape
after Tiziano Vecelli, called Titian, ca. 1488-1576 (artist notes) Flemish (artist nationality) painter and engraver (artist role) Titian, ca. 1488-1576 (original artist) Recto: l. l.: V. leFebre del. et sculp.... More
Parmigianino - The Young and Elder Goatherd
after a drawing by Girolamo Francesco Maria Mazzola, called Parmigianino, painter, draughtsman and etcher, 1503-1540 (artist notes) Flemish (artist nationality) draughtsman and engraver (artist role) Parmigiani... More
Kinko echizen 17th century - Public domain drawing
Kinko and Echizen. Two women, one seated writing a letter, the other pulling back the hair of a man sitting in front of a mirror, possibly an actor applying makeup. Title and other descriptive information compi... More
![[ Soldier playing flute, recto; fisherman, verso]](https://cache.getarchive.net/Prod/thumb/cdn4/L3Bob3RvLzIwMTUvMTEvMjUvc29sZGllci1wbGF5aW5nLWZsdXRlLXJlY3RvLWZpc2hlcm1hbi12ZXJzby0xLTEwMjQuanBn/40/52/webp "[ Soldier playing flute, recto; fisherman, verso]")
[ Soldier playing flute, recto; fisherman, verso]
German (artist nationality) history and battle painter (artist role) Recto: (in blue pencil, erased?) l. r. 1796; verso: (in pencil) u. l.: Henning Oppermann / Nov. 1928 / $28.00; l. c.: Jac. Matth. [?]; l. l.:... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Florida verba, 16th century - Public domain music sheet scan
Compiled by Florido de Silvestri. An incomplete transcipt in score, said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on the title-page, and containing motets by Durante, Ceche... More
Madrigali di Luzzasco Luzzaschi per cantare, et sonare a vno, e doi, e...
Music is in score with instrumental accompaniment. This copy evidently was at one time in the Wagener collection at Marburg. Preface to Cardinal Poietro Aldobrandino, dated Ferrara, October 1601, signed by Luzzasche.
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Madrigali di Luzzasco Luzzaschi per cantare, et sonare a vno, e doi, e...
Music is in score with instrumental accompaniment. This copy evidently was at one time in the Wagener collection at Marburg. Preface to Cardinal Poietro Aldobrandino, dated Ferrara, October 1601, signed by Luzzasche.
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Madrigali di Luzzasco Luzzaschi per cantare, et sonare a vno, e doi, e...
Music is in score with instrumental accompaniment. This copy evidently was at one time in the Wagener collection at Marburg. Preface to Cardinal Poietro Aldobrandino, dated Ferrara, October 1601, signed by Luzzasche.
Madrigali di Luzzasco Luzzaschi per cantare, et sonare a vno, e doi, e...
Music is in score with instrumental accompaniment. This copy evidently was at one time in the Wagener collection at Marburg. Preface to Cardinal Poietro Aldobrandino, dated Ferrara, October 1601, signed by Luzzasche.
Madrigali di Luzzasco Luzzaschi per cantare, et sonare a vno, e doi, e...
Music is in score with instrumental accompaniment. This copy evidently was at one time in the Wagener collection at Marburg. Preface to Cardinal Poietro Aldobrandino, dated Ferrara, October 1601, signed by Luzzasche.
Florida verba, 16th century - Public domain music sheet scan
Compiled by Florido de Silvestri. An incomplete transcipt in score, said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on the title-page, and containing motets by Durante, Ceche... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Madrigali di Luzzasco Luzzaschi per cantare, et sonare a vno, e doi, e...
Music is in score with instrumental accompaniment. This copy evidently was at one time in the Wagener collection at Marburg. Preface to Cardinal Poietro Aldobrandino, dated Ferrara, October 1601, signed by Luzzasche.
Florida verba, 16th century - Public domain music sheet scan
Compiled by Florido de Silvestri. An incomplete transcipt in score, said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on the title-page, and containing motets by Durante, Ceche... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Madrigali di Luzzasco Luzzaschi per cantare, et sonare a vno, e doi, e...
Music is in score with instrumental accompaniment. This copy evidently was at one time in the Wagener collection at Marburg. Preface to Cardinal Poietro Aldobrandino, dated Ferrara, October 1601, signed by Luzzasche.
Madrigali di Luzzasco Luzzaschi per cantare, et sonare a vno, e doi, e...
Music is in score with instrumental accompaniment. This copy evidently was at one time in the Wagener collection at Marburg. Preface to Cardinal Poietro Aldobrandino, dated Ferrara, October 1601, signed by Luzzasche.
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Florida verba, 16th century - Public domain music sheet scan
Compiled by Florido de Silvestri. An incomplete transcipt in score, said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on the title-page, and containing motets by Durante, Ceche... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Florida verba, 16th century - Public domain music sheet scan
Compiled by Florido de Silvestri. An incomplete transcipt in score, said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on the title-page, and containing motets by Durante, Ceche... More
Florida verba, 16th century - Public domain music sheet scan
Compiled by Florido de Silvestri. An incomplete transcipt in score, said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on the title-page, and containing motets by Durante, Ceche... More
Florida verba, 16th century - Public domain music sheet scan
Compiled by Florido de Silvestri. An incomplete transcipt in score, said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on the title-page, and containing motets by Durante, Ceche... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Florida verba, 16th century - Public domain music sheet scan
Compiled by Florido de Silvestri. An incomplete transcipt in score, said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on the title-page, and containing motets by Durante, Ceche... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Florida verba, 16th century - Public domain music sheet scan
Compiled by Florido de Silvestri. An incomplete transcipt in score, said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on the title-page, and containing motets by Durante, Ceche... More
Florida verba, 16th century - Public domain music sheet scan
Compiled by Florido de Silvestri. An incomplete transcipt in score, said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on the title-page, and containing motets by Durante, Ceche... More
Florida verba, 16th century - Public domain music sheet scan
Compiled by Florido de Silvestri. An incomplete transcipt in score, said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on the title-page, and containing motets by Durante, Ceche... More
Florida verba, 16th century - Public domain music sheet scan
Compiled by Florido de Silvestri. An incomplete transcipt in score, said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on the title-page, and containing motets by Durante, Ceche... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Florida verba, 16th century - Public domain music sheet scan
Compiled by Florido de Silvestri. An incomplete transcipt in score, said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on the title-page, and containing motets by Durante, Ceche... More
Madrigali di Luzzasco Luzzaschi per cantare, et sonare a vno, e doi, e...
Music is in score with instrumental accompaniment. This copy evidently was at one time in the Wagener collection at Marburg. Preface to Cardinal Poietro Aldobrandino, dated Ferrara, October 1601, signed by Luzzasche.
Madrigali di Luzzasco Luzzaschi per cantare, et sonare a vno, e doi, e...
Music is in score with instrumental accompaniment. This copy evidently was at one time in the Wagener collection at Marburg. Preface to Cardinal Poietro Aldobrandino, dated Ferrara, October 1601, signed by Luzzasche.
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Florida verba, 16th century - Public domain music sheet scan
Compiled by Florido de Silvestri. An incomplete transcipt in score, said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on the title-page, and containing motets by Durante, Ceche... More
Florida verba, 16th century - Public domain music sheet scan
Compiled by Florido de Silvestri. An incomplete transcipt in score, said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on the title-page, and containing motets by Durante, Ceche... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Florida verba, 16th century - Public domain music sheet scan
Compiled by Florido de Silvestri. An incomplete transcipt in score, said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on the title-page, and containing motets by Durante, Ceche... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Madrigali di Luzzasco Luzzaschi per cantare, et sonare a vno, e doi, e...
Music is in score with instrumental accompaniment. This copy evidently was at one time in the Wagener collection at Marburg. Preface to Cardinal Poietro Aldobrandino, dated Ferrara, October 1601, signed by Luzzasche.
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Madrigali di Luzzasco Luzzaschi per cantare, et sonare a vno, e doi, e...
Music is in score with instrumental accompaniment. This copy evidently was at one time in the Wagener collection at Marburg. Preface to Cardinal Poietro Aldobrandino, dated Ferrara, October 1601, signed by Luzzasche.
Madrigali di Luzzasco Luzzaschi per cantare, et sonare a vno, e doi, e...
Music is in score with instrumental accompaniment. This copy evidently was at one time in the Wagener collection at Marburg. Preface to Cardinal Poietro Aldobrandino, dated Ferrara, October 1601, signed by Luzzasche.
Florida verba, 16th century - Public domain music sheet scan
Compiled by Florido de Silvestri. An incomplete transcipt in score, said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on the title-page, and containing motets by Durante, Ceche... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Florida verba, 16th century - Public domain music sheet scan
Compiled by Florido de Silvestri. An incomplete transcipt in score, said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on the title-page, and containing motets by Durante, Ceche... More
Florida verba, 16th century - Public domain music sheet scan
Compiled by Florido de Silvestri. An incomplete transcipt in score, said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on the title-page, and containing motets by Durante, Ceche... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Florida verba, 16th century - Public domain music sheet scan
Compiled by Florido de Silvestri. An incomplete transcipt in score, said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on the title-page, and containing motets by Durante, Ceche... More
Florida verba, 16th century - Public domain music sheet scan
Compiled by Florido de Silvestri. An incomplete transcipt in score, said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on the title-page, and containing motets by Durante, Ceche... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Florida verba, 16th century - Public domain music sheet scan
Compiled by Florido de Silvestri. An incomplete transcipt in score, said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on the title-page, and containing motets by Durante, Ceche... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Florida verba, 16th century - Public domain music sheet scan
Compiled by Florido de Silvestri. An incomplete transcipt in score, said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on the title-page, and containing motets by Durante, Ceche... More
Florida verba, 16th century - Public domain music sheet scan
Compiled by Florido de Silvestri. An incomplete transcipt in score, said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on the title-page, and containing motets by Durante, Ceche... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Madrigali di Luzzasco Luzzaschi per cantare, et sonare a vno, e doi, e...
Music is in score with instrumental accompaniment. This copy evidently was at one time in the Wagener collection at Marburg. Preface to Cardinal Poietro Aldobrandino, dated Ferrara, October 1601, signed by Luzzasche.
Motets of the 17th century in score
Ms., 18th cent., said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on p. 3, and containing 56, 2 to 4 part motets, etc., with and without continuo, by 24 composers. Twenti-five... More
Madrigali di Luzzasco Luzzaschi per cantare, et sonare a vno, e doi, e...
Music is in score with instrumental accompaniment. This copy evidently was at one time in the Wagener collection at Marburg. Preface to Cardinal Poietro Aldobrandino, dated Ferrara, October 1601, signed by Luzzasche.
Madrigali di Luzzasco Luzzaschi per cantare, et sonare a vno, e doi, e...
Music is in score with instrumental accompaniment. This copy evidently was at one time in the Wagener collection at Marburg. Preface to Cardinal Poietro Aldobrandino, dated Ferrara, October 1601, signed by Luzzasche.
Florida verba, 16th century - Public domain music sheet scan
Compiled by Florido de Silvestri. An incomplete transcipt in score, said to be in the hand-writing of Thomas Pinto (1714-1783), whose autograph appears on the title-page, and containing motets by Durante, Ceche... More