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Ye'll be after taking my darlin's away from me?

Ye'll be after taking my darlin's away from me?

(DLC/PP-1934:0045). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "The Goldfish," Saturday evening post, 186:17 (Jan. 10, 1914).

What is it? he wheezed - Drawing. Public domain image.

What is it? he wheezed - Drawing. Public domain image.

(DLC/PP-1934:0045). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "Rich Man, Poor Man" by Maximilian Foster, Saturday evening post, 188:21 (Nov. 6, 1915).

[I hope you'll find--what you're looking for] / F.R.C.

[I hope you'll find--what you're looking for] / F.R.C.

Woman standing in doorway of restaurant with sign, "quick lunch." (DLC/PP-1934:0045). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "The Goldfish," Saturday evening post, ... More

He swung into the reception room --

He swung into the reception room --

Gift; Ernest Fuhr estate; (DLC/PP-1934:0111). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "Sunday Night before Tuesday" by Frederick Pierce, Collier's weekly, 54:7 (Oct.... More

Say, yourself, your mouth's open

Say, yourself, your mouth's open

(DLC/PP-1934:0045). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "The Smart Aleck" by Irvin S. Cobb, Saturday evening post, 187:4 (July 18, 1914).

Pshaw! nothing crooked about drawing a will, is there?

Pshaw! nothing crooked about drawing a will, is there?

(DLC/PP-1934:0045). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "The Crow's Nest" by Will Payne, Saturday evening post, 187:5 (Jan. 2, 1915).

Too chary of their complexions to brave the sun

Too chary of their complexions to brave the sun

(DLC/PP-1934.0045). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "The Goldfish," Saturday evening post, 186:19 (Jan. 10, 1914). Exhibited: American beauties: drawings fro... More

Yes, this is Davenport Carstairs

Yes, this is Davenport Carstairs

(DLC/PP-1934:0045). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "Shot with Crimson" by George Barr McCutcheon, Saturday evening post, 190:4 (April 6, 1918).

It's you he wants --  you're going to marry him --  do you understand?

It's you he wants -- you're going to marry him -- do you understand?

(DLC/PP-1934:0045). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "Rich Man, Poor Man" by Maximilian Foster, Saturday evening post, 188:21 (Dec. 4, 1915).

Have the old furniture repaired : if you can't, split it into kindling wood

Have the old furniture repaired : if you can't, split it into kindling...

(DLC/PP-1934:0045). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "My Son" by William Carleton, Saturday evening post, 186:3 (April 4, 1914).

I guess he's going in for a little alimony

I guess he's going in for a little alimony

(DLC/PP-1934:0045). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "Rudolph Where Have You Been" by Montague Glass, Saturday evening post, 186:28 (March 7, 1914).

Milo Brant had a feeling that he was lonesome and afraid

Milo Brant had a feeling that he was lonesome and afraid

(DLC/PP-1934:0045). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "Old Red Rambler" by Wallace Irwin, Saturday evening post, 189:28 (June 16, 1917).

Say, have you seen my brief in the Kuffer case? he demanded triumphantly

Say, have you seen my brief in the Kuffer case? he demanded triumphant...

(DLC/PP-1934:0045). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "N. Brown" by Thane Miller Jones, Saturday evening post, 190:16 (Aug. 18, 1917).

Too chary of their complexions to brave the sun

Too chary of their complexions to brave the sun

(DLC/PP-1934.0045). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "The Goldfish," Saturday evening post, 186:19 (Jan. 10, 1914). Exhibited: American beauties: drawings fro... More

With Captain Buck Owings and with Sheriff Giles Birdsong he was closeted perhaps ten minutes

With Captain Buck Owings and with Sheriff Giles Birdsong he was closet...

(DLC/PP-1934:0045). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "Judge Priest Comes Back" by Irvin S. Cobb, Saturday evening post, 188:5 (Aug. 7, 1915).

Take that Jackal and kick him into the street

Take that Jackal and kick him into the street

(DLC/PP-1934:0045). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "Sargasso Sea" by Donn Byrne, Saturday evening post, 189:4 (Sept. 9, 1916).

If I wanted a favor I always asked exactly what it was going to cost --  and I always got the favor

If I wanted a favor I always asked exactly what it was going to cost -...

(DLC/PP-1934:0045). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "The Goldfish," Saturday evening post, 186:15 (Feb. 7, 1914).

Look here --  you know Varick, don't you --

Look here -- you know Varick, don't you --

(DLC/PP-1934:0045). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "Rich Man, Poor Man" by Maximilian Foster, Saturday evening post, 188:21 (Nov. 6, 1915).

My patrons arrived in groups, couples or singly

My patrons arrived in groups, couples or singly

(DLC/PP-1934:0045). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "Ruggles of Red Gap" by Harry Leon Wilson, Saturday evening post, 187:18 (Feb. 6, 1915).

You brass trumpet! - Drawing. Public domain image.

You brass trumpet! - Drawing. Public domain image.

(DLC/PP-1934:0045). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "Tubal Cain" by Joseph Hergesheimer, Saturday evening post, 189:109 (May 26, 1917).

Dick could hardly wait to get at these figures

Dick could hardly wait to get at these figures

(DLC/PP-1934:0045). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "My Son" by William Carleton, Saturday evening post, 186:22 (April 25, 1914).

I don't know a thing more than you do

I don't know a thing more than you do

(DLC/PP-1934:0045). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "Doubled Stakes" by William R. Lighton, Saturday evening post, 187:7 (April 17, 1915).

On top of that I had a run-in with the Swede for selling whisky to them poor Injin boys

On top of that I had a run-in with the Swede for selling whisky to the...

(DLC/PP-1934:0045). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "Pete's Brother-in-Law" by Harry Leon Wilson, Saturday evening post, 189:5 (Aug. 5, 1916).

There had passed back and forth between them certain documents --

There had passed back and forth between them certain documents --

(DLC/PP-1934:0045). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "The Firm" by Cameron Mackenzie, Saturday evening post, 190:10 (Oct. 6, 1917).

Take that Jackal and kick him into the street

Take that Jackal and kick him into the street

(DLC/PP-1934:0045). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "Sargasso Sea" by Donn Byrne, Saturday evening post, 189:4 (Sept. 9, 1916).

A pair of peering eyes were staring at her from the window

A pair of peering eyes were staring at her from the window

Gift; Ernest Fuhr estate; (DLC/PP-1934:0111). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "The Papered Door" by Mary Roberts Rinehart, Collier's weekly, 52:7 (March 21, 1914).

[Servant conversing with seated woman in muff reading by fireplace]

[Servant conversing with seated woman in muff reading by fireplace]

Title devised by cataloger. No accession number. Forms part of: Cabinet of American illustration (Library of Congress). Probably published as: "Seeing England with Uncle John" for story by Anne Warner in Centur... More

No woman believes she really needs a lawyer

No woman believes she really needs a lawyer

(DLC/PP-1934:0045). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "The Goldfish," Saturday evening post, 186:17 (Feb. 7, 1914).

He's grumpy because you cut him out with Corry Kaley

He's grumpy because you cut him out with Corry Kaley

(DLC/PP-1934:0045). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "Discards" by Ida May Evans, Saturday evening post, 186:29 (June 13, 1914).

I'd like to see you, was penciled on the back

I'd like to see you, was penciled on the back

(DLC/PP-1934:0045). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "Rich Man, Poor Man" by Maximilian Foster, Saturday evening post, 188:23 (Nov. 13, 1915).

Remember, Thomas, that you must have no condition at the end of the term

Remember, Thomas, that you must have no condition at the end of the te...

(DLC/PP-1934:0045). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "To the Last Penny" by Edwin Lefevre, Saturday evening post, 189:4 (Oct. 28, 1916).

[I hope you'll find--what you're looking for] / F.R.C.

[I hope you'll find--what you're looking for] / F.R.C.

Woman standing in doorway of restaurant with sign, "quick lunch." (DLC/PP-1934:0045). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "The Goldfish," Saturday evening post, ... More

It was as if the summons had come from out of the grave

It was as if the summons had come from out of the grave

(DLC/PP-1934:0045). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "The Missing Seventeen" by Edison Marshall, Saturday evening post, 188:17 (May 20, 1916).

Went down! down! muttered a man named Shively

Went down! down! muttered a man named Shively

(DLC/PP-1934:0045). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "One Every Minute" by Edwin Lefevre, Saturday evening post, 189:22 (Feb. 3, 1917).

Where, in the name of Chaucer, did you get this comprehension -- of life?

Where, in the name of Chaucer, did you get this comprehension -- of li...

(DLC/PP-1934:0045). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "Joy Rider" by Joseph Hergesheimer, Saturday evening post, 189:18 (Dec. 23, 1916).

I felt you owed me something --

I felt you owed me something --

(DLC/PP-1934:0045). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "To the Last Penny" by Edwin Lefevre, Saturday evening post, 189:3 (Oct. 28, 1916).

May God bless her an' may sorrer never touch her!

May God bless her an' may sorrer never touch her!

(DLC/PP-1934:0045). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "Saint Patrick's Day in the Morning" by Peter B. Kyne, Saturday evening post, 189:16 (May 19, 1917).

It's you he wants --  you're going to marry him --  do you understand?

It's you he wants -- you're going to marry him -- do you understand?

(DLC/PP-1934:0045). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "Rich Man, Poor Man" by Maximilian Foster, Saturday evening post, 188:21 (Dec. 4, 1915).

Hold it up a little for us : don't give it out to the newspapers until after we're through here

Hold it up a little for us : don't give it out to the newspapers until...

(DLC/PP-1934:0045). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "The Biography of a million dollars" by George Kibbe Turner, Saturday evening post, 190:20 (Dec. 29, 1917).

[Woman signing document in office while younger woman and seated man watch]

[Woman signing document in office while younger woman and seated man w...

Title devised by cataloger. Illustration for "The McCafferty's Mortgage," Saturday evening post; probably not published. (DLC/PP-1934:0045). Forms part of: Cabinet of American illustration (Library of Congress).

Too chary of their complexions to brave the sun

Too chary of their complexions to brave the sun

(DLC/PP-1934.0045). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "The Goldfish," Saturday evening post, 186:19 (Jan. 10, 1914). Exhibited: American beauties: drawings fro... More

The man is a paranoiac : he should be at once confined in an asylum for the criminal insane

The man is a paranoiac : he should be at once confined in an asylum fo...

(DLC/PP-1934:0045). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "Ruggles of Red Gap" by Harry Leon Wilson, Saturday evening post, 187:20 (Feb. 13, 1915).

He began to hang around the mansion house

He began to hang around the mansion house

(DLC/PP-1934:0045). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "The Customary Two Weeks" by Freeman Tilden, Saturday evening post, 189:4 (Feb. 24, 1917).

The ruins of the Abbey of Jumieges

The ruins of the Abbey of Jumieges

(DLC/PP-1935:0022). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "Seeing France with Uncle John" by Anne Warner, Century, 72:296 (June 1906).

As he grew better he talked to me of my own life

As he grew better he talked to me of my own life

(DLC/PP-1935:0022). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "The Mind Reader" by S. Weir Mitchell, Century, 74:657 (Sept. 1907).

A pair of peering eyes were staring at her from the window

A pair of peering eyes were staring at her from the window

Gift; Ernest Fuhr estate; (DLC/PP-1934:0111). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "The Papered Door" by Mary Roberts Rinehart, Collier's weekly, 52:7 (March 21, 1914).

For six months I dogged that old German's steps

For six months I dogged that old German's steps

(DLC/PP-1934:0045). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "The Goldfish," Saturday evening post, 186:18 (Feb. 7, 1914).

Look here, I want you to buy some stock for me

Look here, I want you to buy some stock for me

(DLC/PP-1934:0045). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "One Every Minute" by Edwin Lefevre, Saturday evening post, 189:5 (Jan. 20, 1917).

May God bless her an' may sorrer never touch her!

May God bless her an' may sorrer never touch her!

(DLC/PP-1934:0045). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "Saint Patrick's Day in the Morning" by Peter B. Kyne, Saturday evening post, 189:16 (May 19, 1917).

Too chary of their complexions to brave the sun

Too chary of their complexions to brave the sun

(DLC/PP-1934.0045). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "The Goldfish," Saturday evening post, 186:19 (Jan. 10, 1914). Exhibited: American beauties: drawings fro... More

The ruins of the Abbey of Jumieges

The ruins of the Abbey of Jumieges

(DLC/PP-1935:0022). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "Seeing France with Uncle John" by Anne Warner, Century, 72:296 (June 1906).

Gone --  gone is my poached egg, my pipe, my dreams

Gone -- gone is my poached egg, my pipe, my dreams

(DLC/PP-1934:0045). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "The Goldfish," Saturday evening post, 186:14 (Dec. 27, 1913).

He would work at anything, night and day, like a madman!

He would work at anything, night and day, like a madman!

(DLC/PP-1934:0045). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "To the Last Penny" by Edwin Lefevre, Saturday evening post, 189:4 (Oct. 28, 1916).

They've got the respectability of a big solid concern to wrap themselves and their rottenness in --

They've got the respectability of a big solid concern to wrap themselv...

(DLC/PP-1934:0045). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "The Firm" by Cameron Mackenzie, Saturday evening post, 190:10 (Oct. 6, 1917).

And I sat right down again and stayed there -- watching that door as if I expected the devil to pop out of it

And I sat right down again and stayed there -- watching that door as i...

(DLC/PP-1934:0045). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "The Biography of a Million Dollars" by George Kibbe Turner, Saturday evening post, 190:21 (Dec. 15, 1917).

Friend of my heart, I love you!

Friend of my heart, I love you!

(DLC/PP-1934:0045). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "Cappy Ricks, Wheat Baron" by Peter B. Kyne, Saturday evening post, 189:20 (Feb. 17, 1917).

When a man goes to fight for France, France leaps to meet him

When a man goes to fight for France, France leaps to meet him

(DLC/PP-1934:0045). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "Open Sesame" by Frederick Orrin Bartlett, Saturday evening post, 190:3 (Aug. 10, 1918).

If you're going to raise milk which has to be sterilized, I don't want it

If you're going to raise milk which has to be sterilized, I don't want...

(DLC/PP-1934:0045). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "My Son" by William Carleton, Saturday evening post, 186:4 (April 4, 1914).

Honest, a tenspot looks to me like it had seven ciphers to it

Honest, a tenspot looks to me like it had seven ciphers to it

(DLC/PP-1934:0045). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "An Idle Million" by George Randolph Chester, Saturday evening post, 186:27 (Feb. 21, 1914).

Yes, Sour-dough's right, that Earl just hates the sight of her

Yes, Sour-dough's right, that Earl just hates the sight of her

(DLC/PP-1934:0045). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "Ruggles of Red Gap" by Harry Leon Wilson, Saturday evening post, 187:18 (Feb. 27, 1915).

Didn't I tell you so? said Zetta

Didn't I tell you so? said Zetta

(DLC/PP-1934:0045). Forms part of: Cabinet of American illustration (Library of Congress). Published in: "The Biography of a Million Dollars" by George Kibbe Turner, Saturday evening post, 190:22 (Dec. 8, 1917).