Puck magazine cover - Getting his bumps / L.M. Glackens.
Summary
Illustration shows a baseball player sitting on one end of a seesaw labeled "1912" and a man labeled "The Politician" being bounced around on the other end, causing him to lose his top hat and papers; standing in the middle is a man labeled "The Common People" with his arms spread, he appears to be handling the ride much better than the politician. A small dog dances on hind legs on the right.
Illus. in: Puck, v. 71, no. 1833 (1912 April 17), cover.
Copyright 1912 by Keppler & Schwarzmann.
It wasn't really until the 1700s that caricature truly blossomed as a form of political criticism. In the late 1750s, a man named Thomas Townshend began using the techniques employed by earlier engravers and applying them towards a political model. This gave Thompson's cartoons a much greater feeling of propaganda than previous artistic critiques of the time. The intense political climate of the period, and often accusatory nature of most political cartoons forced many artists to use pseudonyms in order to avoid accusations of libel. Other artists took it a step farther, and left their cartoons completely unsigned, foregoing any credit they may have received. Political higher-ups were notoriously touchy about their reputations and were not afraid to make examples of offenders. Puck was the first successful humor magazine in the United States of colorful cartoons, caricatures and political satire of the issues of the day. It was published from 1871 until 1918.
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