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Historical re-enactors at the Old Tombstone theme park and movie set help visitors visualize the raucous days of the 1880s in Tombstone, when this dusty patch of southeastern Arizona was so violent, it was known as "The Town Too Tough to Die." Pictured are, left to right, owner Lee McKechnie, Leva Clark, Jon Mossholder, Jim Kolegraf, and Udaya Sun
Historical re-enactors at the Old Tombstone theme park and movie set help visitors visualize the raucous days of the 1880s in Tombstone, when this dusty patch of southeastern Arizona was so violent, it was known as "The Town Too Tough to Die." Pictured are, left to right, owner Lee McKechnie, Leva Clark, Jon Mossholder, Jim Kolegraf, and Udaya Sun
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In the O.K. Corral theme park area of Tombstone, Arizona re-enactors relive the "Town Too Tough To Die" days of the 1880s, when western gunfighters such as Wyatt Earp and John Henry "Doc" Holliday swaggered along the streets of town
In the O.K. Corral theme park area of Tombstone, Arizona re-enactors Aaron Gain, Zach Etter, Kyle Truhill, and Bob Kenney (l. to r.) relive the "Town Too Tough To Die" days of the 1880s, when western legends such as Wyatt Earp and John Henry "Doc" Holliday walked its streets
Carving on a bench in the streets of Tombstone. The dusty spot in southeastern Arizona has remained viable by recreating its "Town Too Tough To Die" days of the 1880s, when western gunfighters such as Wyatt Earp and John Henry "Doc" Holliday swaggered along the streets
Historical re-enactors at the Old Tombstone theme park and movie set help visitors visualize the raucous days of the 1880s in Tombstone, when this dusty patch of southeastern Arizona was so violent, it was known as "The Town Too Tough to Die." Pictured are, left to right, owner Lee McKechnie, Leva Clark, Jon Mossholder, Jim Kolegraf, and Udaya Sun
Historical re-enactors Udaya Sun (left) and owner Lee McKechnie at the Old Tombstone theme park and movie set help visitors visualize the raucous days of the 1880s in Tombstone, when this dusty patch of southeastern Arizona was so violent, it was known as "The Town Too Tough to Die"
A saloon re-imagines the olden days in Tombstone, a dusty spot in southeastern Arizona has remained viable by recreating its "Town Too Tough To Die" days of the 1880s, when western gunfighters such as Wyatt Earp and John Henry "Doc" Holliday swaggered along the streets
Historical re-enactors at the Old Tombstone theme park and movie set help visitors visualize the raucous days of the 1880s in Tombstone, when this dusty patch of southeastern Arizona was so violent, it was known as "The Town Too Tough to Die." Pictured are, left to right, owner Lee McKechnie, Leva Clark, Jon Mossholder, Jim Kolegraf, and Udaya Sun
Historical re-enactors Leva Clark (rear) and Lee McKechnie at the Old Tombstone theme park and movie set help visitors visualize the raucous days of the 1880s in Tombstone, when this dusty patch of southeastern Arizona was so violent, it was known as "The Town Too Tough to Die"
Historical re-enactors Udaya Sun (left) and owner Lee McKechnie at the Old Tombstone theme park and movie set help visitors visualize the raucous days of the 1880s in Tombstone, when this dusty patch of southeastern Arizona was so violent, it was known as "The Town Too Tough to Die"
In the O.K. Corral theme park area of Tombstone, Arizona re-enactors relive the "Town Too Tough To Die" days of the 1880s, when western gunfighters such as Wyatt Earp and John Henry "Doc" Holliday swaggered along the streets of town
Summary
Title, date and keywords based on information provided by the photographer.
Wyatt Earp and Doc Holliday were on the peace offiers' side of the "Gunfight at the O.K. Corral," a deadly, 30-second blaze of bullets on an October day in 1881 that is generally regarded as the most famous shootout in the history of the American Wild West.
Title, date and keywords based on information provided by the photographer.
Purchase; Carol M. Highsmith Photography, Inc.; 2018; (DLC/PP-2018:005)
Forms part of Carol M. Highsmith's America Project in the Carol M. Highsmith Archive.
Credit line: Photographs in the Carol M. Highsmith Archive, Library of Congress, Prints and Photographs Division.
In 2015, documentary photographer Carol Highsmith received a letter from Getty Images accusing her of copyright infringement for featuring one of her own photographs on her own website. It demanded payment of $120. This was how Highsmith came to learn that stock photo agencies Getty and Alamy had been sending similar threat letters and charging fees to users of her images, which she had donated to the Library of Congress for use by the general public at no charge. In 2016, Highsmith has filed a $1 billion copyright infringement suit against both Alamy and Getty stating “gross misuse” of 18,755 of her photographs. “The defendants [Getty Images] have apparently misappropriated Ms. Highsmith’s generous gift to the American people,” the complaint reads. “[They] are not only unlawfully charging licensing fees … but are falsely and fraudulently holding themselves out as the exclusive copyright owner.” According to the lawsuit, Getty and Alamy, on their websites, have been selling licenses for thousands of Highsmith’s photographs, many without her name attached to them and stamped with “false watermarks.” (more: http://hyperallergic.com/314079/photographer-files-1-billion-suit-against-getty-for-licensing-her-public-domain-images/)
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