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One of several intricate murals by artist William de Leftwich Dodge in the governor's reception room, often called the "war room" because of its decorations' largely military theme, at the New York Capitol in Albany. This small inset portrays Gouverneur Kemble Warren, who served as chief engineer of the Union Army of the Potomac during the U.S. Civil War of the 1860s
One of several intricate murals by artist William de Leftwich Dodge in the governor's reception room, often called the "war room" because of its decorations' largely military theme, at the New York Capitol in Albany. This small panel protrays a young Theodore Roosevelt in his "rough rider" uniform during his service in the Spanish-American War
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7th Division officers meet President Coolidge. The officers who commanded the 7th Division during the World War are now holding their annual reunion in Washington. They were received at the White House today by President Coolidge. In the center of photograph, left to right: General E. Wittenmyer who commanded the 7th Division in World War; President Coolidge and Col. W. Withington, President of the 7th Division Association
Heroic figures atop an entrance to the Indiana War Memorial Building, the centerpiece of a huge plaza that covers several blocks in downtown Indianapolis, Indiana
One of several intricate murals by artist William de Leftwich Dodge in the governor's reception room, often called the "war room" because of its decorations' largely military theme, at the New York Capitol in Albany. The artist's daughter, Sara Dodge Kimbrough, posed for this central overhead figure that Dodge called the "Goddess of Harmony"
Summary
Title, date and keywords based on information provided by the photographer.
Purchase; Carol M. Highsmith Photography, Inc.; 2018; (DLC/PP-2018:052-2)
Forms part of Carol M. Highsmith's America Project in the Carol M. Highsmith Archive.
Credit line: Photographs in the Carol M. Highsmith Archive, Library of Congress, Prints and Photographs Division.
In 2015, documentary photographer Carol Highsmith received a letter from Getty Images accusing her of copyright infringement for featuring one of her own photographs on her own website. It demanded payment of $120. This was how Highsmith came to learn that stock photo agencies Getty and Alamy had been sending similar threat letters and charging fees to users of her images, which she had donated to the Library of Congress for use by the general public at no charge. In 2016, Highsmith has filed a $1 billion copyright infringement suit against both Alamy and Getty stating “gross misuse” of 18,755 of her photographs. “The defendants [Getty Images] have apparently misappropriated Ms. Highsmith’s generous gift to the American people,” the complaint reads. “[They] are not only unlawfully charging licensing fees … but are falsely and fraudulently holding themselves out as the exclusive copyright owner.” According to the lawsuit, Getty and Alamy, on their websites, have been selling licenses for thousands of Highsmith’s photographs, many without her name attached to them and stamped with “false watermarks.” (more: http://hyperallergic.com/314079/photographer-files-1-billion-suit-against-getty-for-licensing-her-public-domain-images/)
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