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Portrait photo of U.S.S. Massachusetts, group of sailors
U.S.S. Massachusetts, group of sailors, US Navy. Dry Plate Negative by Detroit Publishing Company.
Gold dredge operator. Nye County, Nevada
Removing inferior peas and foreign matter from peas to be canned. Canning factory, Sun Prairie, Wisconsin
A man pushing a cart full of barrels, possibly related to: Packing eggs in cold storage warehouse, Jersey City, New Jersey
Removing inferior peas and foreign matter from peas to be canned. Canning factory, Sun Prairie, Wisconsin
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[Workers in the postage stamp gumming and drying room in the Stamp Division at the Bureau of Engraving & Printing]
Workers wetting sheets prior to printing paper money at the Bureau of Engraving & Printing
Workers taking mucilaged sheets of postage stamps from the drying box in the gumming and drying room of the Stamp Division at the Bureau of Engraving & Printing
[Worker prepares gum for postage stamps in the Stamp Division at the Bureau of Engraving & Printing]
[Workers grinding and processing the ink used to print paper money at the Bureau of Engraving & Printing]
Examining the new small size currence [sic] at the Bureau of Engraving and Printing
[Women trimming and stacking currency sheets at the Bureau of Engraving & Printing]
[Employees at printing presses in the Bureau of Engraving and Printing]
[Man checking drying tray at U.S. Bureau of Engraving and Printing]
[Workers moving newly printed currency into a drying box where sheets will dry before the next wetting and printing at the Bureau of Engraving & Printing]
Summary
Source: Johnston, Frances Benjamin, "Uncle Sam's Money," Demorest's Family Magazine, Vol. XXVI: no. 3, January 1890, p. 136.
Title devised by Library and BEP staff.
Forms part of: Frances Benjamin Johnston Collection (Library of Congress).
Frances Benjamin Johnston (1864-1952) was an American photographer who is best known for her pioneering work in the field of architectural and landscape photography. She was born in Grafton, West Virginia, and after studying art and photography in Paris, she returned to the United States and established herself as a successful photographer. Johnston's work focused primarily on architecture, and she photographed many of the most significant buildings and structures of her time. She also photographed landscapes, gardens, and people, and her work often appeared in magazines such as House Beautiful, Ladies' Home Journal, and Country Life. One of Johnston's most notable projects was her documentation of historic architecture in the American South. In 1933, she was commissioned by the Carnegie Corporation to photograph historic homes and buildings in Virginia, Maryland, and North Carolina. This work resulted in a series of photographs that are now housed in the Library of Congress. Throughout her career, Johnston was also an advocate for women in photography, and she worked to promote the work of other women photographers. She was a founding member of the Women's Professional Photographers' Association and the Photo-Secession, a group of photographers who sought to elevate photography as an art form.
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