Related
Entrance to Tartar City -- the great southern gate after its destruction by the Allied Armies, siege of Peking, China
[Looking from the Russian trenches over Fort No. 2 to Taikozan during the siege -- Port Arthur]
[Great victory for the daring Awaya, regimental commander, at the time of the general offensive against Tʻien-chin, China]
The battle of Antietam--Charge of Burnside 9th Corps on the right flank of the Confederate Army / E. Forbes.
[A sentinel over the dead -- guarding comrades who died defending Russian forts -- Port Arthur]
The Great Southern Gate, where the Allied Forces entered Peking, China
[The gate of the Imperial Barracks of the Fire Brigade in Taksim]
[Detritus of war within the earthworks after the surrender of the Confederates at Port Hudson, Louisiana]
[The Japanese army under Major General Fukushima advancing with the allied armies toward Tʻien-chin, China]
[General offensive of the allied armies against Tʻien-chin -- Co. 8, Reg. II Infantry crashing into Tʻien-chin through the south inside gate]
Summary
Print shows Japanese troops bursting through a gate and engaging the Boxer forces at Tianjin, China.
Title from accompanying material.
From series: Boxer Rebellion picture series. No. 12.
Alois Senefelder, the inventor of lithography, introduced the subject of colored lithography in 1818. Printers in other countries, such as France and England, were also started producing color prints. The first American chromolithograph—a portrait of Reverend F. W. P. Greenwood—was created by William Sharp in 1840. Chromolithographs became so popular in American culture that the era has been labeled as "chromo civilization". During the Victorian times, chromolithographs populated children's and fine arts publications, as well as advertising art, in trade cards, labels, and posters. They were also used for advertisements, popular prints, and medical or scientific books.
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