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Kada hone o kezurite kan'u yakizu o ryōji suru zu

description

Summary

Ukiyo-e triptych showing the story of Chinese Baron Kan-u playing go while the famous Dr. Kada operates on his arm and the Baron Shujo looks on.

Title and other descriptive information compiled by Nichibunken-sponsored Edo print specialists in 2005-06.

Format: vertical Oban Nishikie triptych.

Forms part of: Japanese prints and drawings (Library of Congress).

Published in: The Floating world of Ukiyo-e ... / essays by Sandy Kita .... New York ..., 2001, no. 15, p. 36-37.

Exhibited: "The Floating world of Ukiyo-e: shadows, dreams and substances," organized by the Library of Congress, 2001.

Woodblock printing in Japan (木版画, moku-hanga) is a technique best known for its use in the ukiyo-e artistic genre of single sheets, but it was also used for printing books in the same period. Woodblock printing had been used in China for centuries to print books, long before the advent of movable type, but was widely adopted in Japan during the Edo period (1603-1868). Woodblock printing appeared in Japan at the beginning of Edo period, when Tokugawa shogunate was ruled by th​e Japanese society. This technique originated from China, where it was used to print books for many centuries. Its original name is ‘moku-hanga’ and it has a wide usage in artistic genre of ‘ukiyo-e’. As opposed to western tradition, where artists used oil-based inks for woodcuts, moku-hanga technique uses water-based inks. That is why those prints had colors so vivid, as well as glazes, and transparency. This collection describes Japanese printmaking different schools and movements. The most notable of them were: - From 1700: Torii school - From 1700-1714: Kaigetsudō school - From 1720s: Katasukawa school, including the artists Shunsho and Shuntei - From 1725: Kawamata school including the artists Suzuki Harunobu and Koryusai - From 1786: Hokusai school, including the artists Hokusai, Hokuei and Gakutei - From 1794: Kitagawa school, including the artists Utamaro I, Kikumaro I and II - From 1842: Utagawa school, including the artists Kunisada and Hiroshige - From 1904: Sōsaku-hanga, "Creative Prints" movement - From 1915: Shin-hanga "New Prints" school, including Hasui Kawase and Hiroshi Yoshida Woodblock prints were provided by the Library of Congress and cover the period from 1600 to 1980.

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Tags

nobility japan rulers physicians surgery board games triptychs japanese color ukiyo e woodcuts kada kezurite kan kezurite kan yakizu ryoji suru ryoji suru 1853 japanese woodblock prints 19th century history of japan fine prints japanese pre 1915 kuniyoshi utagawa kezurite kan u yakizu medicine aristocracy baron japanese art vintage illustration art posters prints asian art medieval miniatures medieval manuscript illuminated manuscripts free art posters library of congress
date_range

Date

1300 - 1400
person

Contributors

Utagawa, Kuniyoshi, 1798-1861, artist
collections

in collections

Japanese Woodblock Prints

Japanese Woodblock Prints from Library of Congress Collection. Woodcuts, which were made by moku-hanga technique from 1600 to 1980.
place

Location

create

Source

Library of Congress
link

Link

http://www.loc.gov/
copyright

Copyright info

No known restrictions on publication.

label_outline Explore Suru, Medieval Miniatures, Kan

Topics

nobility japan rulers physicians surgery board games triptychs japanese color ukiyo e woodcuts kada kezurite kan kezurite kan yakizu ryoji suru ryoji suru 1853 japanese woodblock prints 19th century history of japan fine prints japanese pre 1915 kuniyoshi utagawa kezurite kan u yakizu medicine aristocracy baron japanese art vintage illustration art posters prints asian art medieval miniatures medieval manuscript illuminated manuscripts free art posters library of congress