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Summary
Print shows Emilio Aguinaldo standing at center, wearing military uniform, and holding a flag and a sword, around him are many old men dressed as women, supplicating themselves and tossing roses at his feet, among them are Carl Schurz, John P. Jones, Charles A. Boutelle, Edwin L. Godkin holding a paper labeled "N.Y. Evening Post", William B. Cockran, Eugene Hale, George G. Vest, Donelson Caffery, George F. Hoar playing a lyre labeled "Sen. Hoar", William Lloyd Garrison, Jr. reading his "Ode to Dear Aguinaldo", George F. Edmunds, Joseph Pulitzer, Oswald Ottendorfer, [and] William Jennings Bryan. There is a bundle of "Editorials" on a rock in the left foreground.
Illus. from Puck, v. 45, no. 1157, (1899 May 10), centerfold.
Copyright 1899 by Keppler & Schwarzmann.
Alois Senefelder, the inventor of lithography, introduced the subject of colored lithography in 1818. Printers in other countries, such as France and England, were also started producing color prints. The first American chromolithograph—a portrait of Reverend F. W. P. Greenwood—was created by William Sharp in 1840. Chromolithographs became so popular in American culture that the era has been labeled as "chromo civilization". During the Victorian times, chromolithographs populated children's and fine arts publications, as well as advertising art, in trade cards, labels, and posters. They were also used for advertisements, popular prints, and medical or scientific books.
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