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Arnold Genthe - Children of high class, Chinatown, San Francisco

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Arnold Genthe - Children of high class, Chinatown, San Francisco

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Title from a similar image in: Old Chinatown : a book of pictures / by Arnold Genthe ; with text by Will Irwin. New York : M. Kennerley, 1913, p. 151. Alternate title from a similar image in: Pictures of old Chinatown / by Arnold Genthe ; with text by Will Irwin. New York : Moffat, Yard and Company, 1908, p. 17. Alternate title from a similar image in: Old Chinatown : a photographic calendar for the year 1946 / Arnold Genthe. Oakland : Mills College, 1946.
Purchase; Genthe Estate; 1942 or 1943.

In the 19th century, a majority of Chinese immigrants were single men who worked for a while and returned home. At first, they were attracted to North America by the gold rush in California. A relatively large group of Chinese immigrated to the United States between the start of the California gold rush in 1849 and 1882, before federal law stopped their immigration. After the gold rush, Chinese immigrants worked as agricultural laborers, on railroad construction crews throughout the West, and in low-paying industrial jobs. Soon, many opened their own businesses such as restaurants, laundries, and other personal service concerns. With the onset of hard economic times in the 1870s, European immigrants and Americans began to compete for the jobs traditionally reserved for the Chinese. Such competition was accompanied by anti-Chinese sentiment, riots, and pressure, especially in California, for the exclusion of Chinese immigrants from the United States. The result was the Chinese Exclusion Act, passed by Congress in 1882. This Act virtually ended Chinese immigration for nearly a century.

The lantern slides first produced for the 17th century's “magic lantern” devices. The magic lantern, also known by its Latin name Lanterna Magica, an image projector that used pictures on transparent plates (usually made of glass), one or more lenses, and a light source, used for entertainment. The earliest slides for magic lanterns consisted of hand-painted images on glass, made to amuse their audiences. After the invention of photography, lantern slides began to be produced photographically as black-and-white positive images, created with the wet collodion or a dry gelatine process. Photographic slides were made from a base piece of glass, with the emulsion (photo) on it, then a matte over that, and then a top piece of a cover glass. Sometimes, colors have been added by hand, tinting the images. Lantern slides created a new way to view photography: the projection of the magic lantern allowed for a large audience. Photographic lantern slides reached the peak of their popularity during the first third of the 20th century impacting the development of animation as well as visual-based education.

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Date

01/01/1896
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Library of Congress
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