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[Kabuki scene of early photography] / Yoshiiku.

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Summary

Triptych shows four actors: two men on the left, a man in the center holding a book and some prints or photographs, and a woman on the right standing with a large camera behind her.

Triptych matted in 3 sections: left (2362a), center (2362b), right (2362c).

Format: vertical Oban Nishikie triptych.

Forms part of: Japanese prints and drawings (Library of Congress).

Woodblock printing in Japan (木版画, moku-hanga) is a technique best known for its use in the ukiyo-e artistic genre of single sheets, but it was also used for printing books in the same period. Woodblock printing had been used in China for centuries to print books, long before the advent of movable type, but was widely adopted in Japan during the Edo period (1603-1868). Woodblock printing appeared in Japan at the beginning of Edo period, when Tokugawa shogunate was ruled by th​e Japanese society. This technique originated from China, where it was used to print books for many centuries. Its original name is ‘moku-hanga’ and it has a wide usage in artistic genre of ‘ukiyo-e’. As opposed to western tradition, where artists used oil-based inks for woodcuts, moku-hanga technique uses water-based inks. That is why those prints had colors so vivid, as well as glazes, and transparency. This collection describes Japanese printmaking different schools and movements. The most notable of them were: - From 1700: Torii school - From 1700-1714: Kaigetsudō school - From 1720s: Katasukawa school, including the artists Shunsho and Shuntei - From 1725: Kawamata school including the artists Suzuki Harunobu and Koryusai - From 1786: Hokusai school, including the artists Hokusai, Hokuei and Gakutei - From 1794: Kitagawa school, including the artists Utamaro I, Kikumaro I and II - From 1842: Utagawa school, including the artists Kunisada and Hiroshige - From 1904: Sōsaku-hanga, "Creative Prints" movement - From 1915: Shin-hanga "New Prints" school, including Hasui Kawase and Hiroshi Yoshida Woodblock prints were provided by the Library of Congress and cover the period from 1600 to 1980.

Yakusha-e (役者絵), or "actor prints", are Japanese woodblock prints of kabuki actors, popular through the Edo period (1603–1867) and into the beginnings of the 20th century. Prints, especially earlier ones, depict actors generically, and plainly, showing in a sense their true natures as actors merely playing roles. Other prints, meanwhile, take something of the opposite: they show kabuki actors and scenes elaborately, intentionally blurring the distinction between a play and the actual events it seeks to evoke.

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Tags

photography japan actors clothing and dress cameras kabuki triptychs japanese woodcuts color scene kabuki scene yoshiiku ukiyo e two men japanese woodblock prints 19th century history of japan fine prints japanese pre 1915 yoshiiku ochiai ultra high resolution high resolution japanese art library of congress
date_range

Date

01/01/1870
person

Contributors

Ochiai, Yoshiiku, 1833-1904, artist
collections

in collections

Japanese Woodblock Prints

Japanese Woodblock Prints from Library of Congress Collection. Woodcuts, which were made by moku-hanga technique from 1600 to 1980.

Yakusha-e

Japanese woodblock prints of kabuki actors
place

Location

create

Source

Library of Congress
link

Link

http://www.loc.gov/
copyright

Copyright info

No known restrictions on publication.

label_outline Explore Kabuki, Yoshiiku Ochiai, Cameras

D'Army Bailey oral history interview conducted by David P. Cline in Memphis, Tennessee,

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Bushū Yokohama meisho zu - Igirisujin - Ukiyo e print

Cameras are Funny but Hunger is No Joke. These little Armenian children have been walking the streets of Ekaterinodar, South Russia for hours asking people as hungry as themselves for a bit of bread. They are refugees and hope in time to get out of the land of the Bolsheviks, back to Armenia. The first funny thing they have seen for a long time is the camera of the American Red Cross officer who wanted them to look pleasant please while he took their pictures. The smile remained when he told them he was in town to see that its suffering population got a little better acquainted with food & clothing

Mansion of John E. Seabrook, Edisto Island, S.C.

Camp 120, Eagle Lake, Sierra Nevadas

Chasovni︠a︡ na gori︠e︡ Chapan-Ata v 5 verst. ot Samarkanda

Mark Twain House, 351 Farmington Avenue (corrected from original address of 531 Farmington Avenue), Hartford, Hartford County, CT

Cache la Poudre Creek - Public domain scan / drawing

Tri pokoli︠e︡nīi︠a︡. A.P. Kalganov s synom i vnuchkoĭ. Dvoe posli︠e︡dnikh rabotai︠u︡t v masterskikh Zlatoustovskago zavoda

National picture. Behold oh! American, your sons the greatest among men / O. Knirsch, Chgo. ; lith. by Chas. Shober, Chicago.

Topics

photography japan actors clothing and dress cameras kabuki triptychs japanese woodcuts color scene kabuki scene yoshiiku ukiyo e two men japanese woodblock prints 19th century history of japan fine prints japanese pre 1915 yoshiiku ochiai ultra high resolution high resolution japanese art library of congress