Part of PICRYL.com. Not developed or endorsed by the Library of Congress
Some once-popular TV and movie celebrities whose likenesses appear as part of the whimsical decoration at the Canyon 66 Restaurant & Lounge, part of the Ramada Inn motel in Kingman, Arizona

Similar

Some once-popular TV and movie celebrities whose likenesses appear as part of the whimsical decoration at the Canyon 66 Restaurant & Lounge, part of the Ramada Inn motel in Kingman, Arizona

description

Summary

Mural artist: Dan & Vicki.
The accompanying identies on the mural are curious. It was Jerry Lewis (not Frank Lewis) who played The Busboy in a comedic movie (and starred on TV as well), and the figure at the right is indeed comic Phyllis Diller. No "Frank Lewis" is particularly famous as an actor, so the fellow on the left is quite possibly someone else. The "66" refers to old U.S. Route 66, a two-lane highway that was once the "Mother Road" from Chicago to Santa Monica, California, in the heyday of family cross-country travel.
Title, date and keywords based on information provided by the photographer.
Gift; Barbara Barrett; 2018; (DLC/PP-2018:112)
Forms part of Carol M. Highsmith's America Project in the Carol M. Highsmith Archive.
Credit line: Photographs in the Carol M. Highsmith Archive, Library of Congress, Prints and Photographs Division.

In 2015, documentary photographer Carol Highsmith received a letter from Getty Images accusing her of copyright infringement for featuring one of her own photographs on her own website. It demanded payment of $120. This was how Highsmith came to learn that stock photo agencies Getty and Alamy had been sending similar threat letters and charging fees to users of her images, which she had donated to the Library of Congress for use by the general public at no charge. In 2016, Highsmith has filed a $1 billion copyright infringement suit against both Alamy and Getty stating “gross misuse” of 18,755 of her photographs. “The defendants [Getty Images] have apparently misappropriated Ms. Highsmith’s generous gift to the American people,” the complaint reads. “[They] are not only unlawfully charging licensing fees … but are falsely and fraudulently holding themselves out as the exclusive copyright owner.” According to the lawsuit, Getty and Alamy, on their websites, have been selling licenses for thousands of Highsmith’s photographs, many without her name attached to them and stamped with “false watermarks.” (more: http://hyperallergic.com/314079/photographer-files-1-billion-suit-against-getty-for-licensing-her-public-domain-images/)

The popularity of “moving pictures” grew in the 1920s. Movie "palaces" sprang up in all major cities. For a quarter or 25 cents, Americans escaped their problems and lose themselves in another era or world. People of all ages attended the movies with far more regularity than today, often going more than once per week. By the end of the decade, weekly movie attendance swelled to 90 million people. The silent movies gave rise to the first generation of movie stars. At the end of the decade, the dominance of silent movies began to wane with the advance of sound technology.

date_range

Date

01/01/2018
place

Location

arizona
create

Source

Library of Congress
copyright

Copyright info

No known restrictions on publication.

Explore more

arizona
arizona