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The mikado. 19th century, Library of Congress collection

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The mikado. 19th century, Library of Congress collection

description

Summary

Caption: Yum Yum.
Created by "The Jno. B. Jeffery Print.-Eng. Co., Chicago."
Pieces missing from center.
Poster advertising operetta by Gilbert & Sullivan.
Forms part of: Theatrical poster collection (Library of Congress)

Woodblock printing in Japan (木版画, moku-hanga) is a technique best known for its use in the ukiyo-e artistic genre of single sheets, but it was also used for printing books in the same period. Woodblock printing had been used in China for centuries to print books, long before the advent of movable type, but was widely adopted in Japan during the Edo period (1603-1868). Woodblock printing appeared in Japan at the beginning of Edo period, when Tokugawa shogunate was ruled by th​e Japanese society. This technique originated from China, where it was used to print books for many centuries. Its original name is ‘moku-hanga’ and it has a wide usage in artistic genre of ‘ukiyo-e’. As opposed to western tradition, where artists used oil-based inks for woodcuts, moku-hanga technique uses water-based inks. That is why those prints had colors so vivid, as well as glazes, and transparency. This collection describes Japanese printmaking different schools and movements. The most notable of them were: - From 1700: Torii school - From 1700-1714: Kaigetsudō school - From 1720s: Katasukawa school, including the artists Shunsho and Shuntei - From 1725: Kawamata school including the artists Suzuki Harunobu and Koryusai - From 1786: Hokusai school, including the artists Hokusai, Hokuei and Gakutei - From 1794: Kitagawa school, including the artists Utamaro I, Kikumaro I and II - From 1842: Utagawa school, including the artists Kunisada and Hiroshige - From 1904: Sōsaku-hanga, "Creative Prints" movement - From 1915: Shin-hanga "New Prints" school, including Hasui Kawase and Hiroshi Yoshida Woodblock prints were provided by the Library of Congress and cover the period from 1600 to 1980.

The collection includes posters advertising individual plays and operettas, burlesque, vaudeville, and specialty acts, dance companies, extravaganzas produced by the Kiralfy Brothers, portraits of entertainers, and stock posters. Featured performers include Julia Arthur, De Wolfe Hopper, Joseph Hart Vaudeville Co., Thomas W. Keene, Andrew Mack, Robert B. Mantell, Mathews & Bulger, Lewis Morrison, Phil Sheridan's New City Sports Co., Royal Lilliputians, and Jennie Yeamans. Directors, managers, and producers include Edward J. Abraham, Blaney, and Vance, William A. Brady, Sidney R. Ellis, W.J. Fielding, Charles Frohman, Hoyt & McKee, the Kiralfy Brothers, Jacob Litt, Rice & Burton, Rich & Harris, A.Q. Scammon, Sam S. Schubert, Thall & Kennedy, Fred E. Wright, Charles H. Yale, and others. Playwrights include David Belasco, George H. Broadhurst, Bartley Campbell, Charles Turner Dazey, Gilbert & Sullivan, William Gillette, Seymour Hicks, David Higgins, Bronson Howard, Cecil Raleigh, William Shakespeare, Sutton Vane, and others. Plays include such popular titles as Arizona, At Piney Ridge, By the sad sea waves, Devil's auction, Evangeline, Faust, Female drummer, H.M.S. Pinafore, The hidden hand, The last of the Rohans, Ole Olson, The Queen of Chinatown, Shenandoah, Siberia, The sporting life, Uncle Tom's cabin, Venice, The war of wealth, Way down East, Yon Yonson, and others. Images depicted include scenes from plays, portraits of performers, and performers performing. Featured entertainers are not always depicted in the image. Some posters are mainly textual with peripheral images.

date_range

Date

01/01/1885
person

Contributors

Jno. B. Jeffery Pr. & Eng.
Gilbert, W. S. (William Schwenck), 1836-1911.
Sullivan, Arthur, Sir, 1842-1900.
create

Source

Library of Congress
copyright

Copyright info

No known restrictions on publication.

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