Similar
A scene on the frontiers as practiced by the "humane" British and their "worthy" allies / William Charles, del et sculp.
L'Attaque de la constitution - A painting of a group of people on a beach
Montcalm trying to stop the massacre / A. Bobbett ; Darley.
The see-saw nations--The Anglo-Saxons balance of power / Victor Gillam.
Related
Cynllun arglwydd derby. Cyfundrefn yr adrannau / printed by Roberts & Leete, Ltd., London.
The gambler's wife. Dr. Crofts.- Music By Henry Russell. Andrews, Printer, 38 Chatham St., N. Y
R to L: Ernest Howe of S.E.C. & Gerhard Gesell, S.E.C. Counsel. Monopoly
"Anibyniaeth sydd yn galw am ei dewraf dyn" / V. Sout[a?]y ; printed by Roberts & Leete Ltd., London.
Louis Haghe - Tombs of the caliphs--Cairo / David Roberts, R.A.
Suffrage parade - Mrs. Mary Bair, Mr[s]. W. Albert Wood, and Mrs. R.S. [i.e., Richard Coke] Burleson
It is going to be a long drawn-out struggle. [...] / printed by Roberts & Leete Ltd., London.
Battle of Queenstown: Between the Americans, Commanded by Gen. Van Ransellaer, and the British by Gen. Brock. Printed By Nathaniel Coverly, Jun. Corner Theatre-Alley ---Boston
Robert Wood's ornamental iron works, Ridge Avenue, Philadelphia / Hinckley ; printed by Henry B. Ashmead.
Consular games - the game of brag - the game of hazard / Woodward del. ; etch'd by Roberts., British Cartoon Print
Summary
Print with two scenes, "Brag" shows Napoleon I wearing an oversized hat and holding a large sword exhorting his troops to follow him in an invasion of England; "Hazard" shows the French fleet destroyed and Napoleon, with arms raised, floating in the water before a British fort.
Forms part of: British Cartoon Prints Collection (Library of Congress).
It wasn't really until the 1700s that caricature truly blossomed as a form of political criticism. In the late 1750s, a man named Thomas Townshend began using the techniques employed by earlier engravers and applying them towards a political model. This gave Thompson's cartoons a much greater feeling of propaganda than previous artistic critiques of the time. The intense political climate of the period, and often accusatory nature of most political cartoons forced many artists to use pseudonyms in order to avoid accusations of libel. Other artists took it a step farther, and left their cartoons completely unsigned, foregoing any credit they may have received. Political higher-ups were notoriously touchy about their reputations and were not afraid to make examples of offenders. Puck was the first successful humor magazine in the United States of colorful cartoons, caricatures and political satire of the issues of the day. It was published from 1871 until 1918.
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