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The Norman Film M'F'G Co. presents "the crimson skull" Baffling western mystery photoplay / / Ritchey Lith. Corp. N.Y.

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The Norman Film M'F'G Co. presents "the crimson skull" Baffling western mystery photoplay / / Ritchey Lith. Corp. N.Y.

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Summary

Three panel motion picture poster for "The Crimson Skull" showing, in the top panel, a woman resisting the embrace of a man attempting to kiss her; in the middle panel appear the title and credits along with bust portraits of "Anita Bush" and "Lawrence Chenault"; the bottom panel shows "the one legged marvel, Steve Reynolds" holding a bottle of liquor and standing next to a horse, and Death, as a skeleton, standing at the rear end of the horse, facing Reynolds and gesturing for him to come; at the top of the bottom panel appears: Norman Film MFG. Co. Jacksonville, Fla.
Co-starring Anita Bush, Little mother of Colored Drama and the Versatile Lawrence Chenault.
Supported by Bill Pickett, World's Champion Wild West Performer.
The one legged Marvel, Steve Reynolds and 30 Colored Cowboys.
All Colored Cast.
6 Smashing Reels.
Produced by the Norman Film Mfg. Co., Jacksonville, Fla.
Top and bottom sheets identified by: 3 SH. Crimson Skull #1 ; #3.
Middle sheet identified by: [...]N Skull #2.
Poster in three parts with slight overlap between each panel (the size indicated above represents the combined total height of each panel, each panel height is approx. 67.6 cm.).

Movie posters and movie theaters.

Alois Senefelder, the inventor of lithography, introduced the subject of colored lithography in 1818. Printers in other countries, such as France and England, were also started producing color prints. The first American chromolithograph—a portrait of Reverend F. W. P. Greenwood—was created by William Sharp in 1840. Chromolithographs became so popular in American culture that the era has been labeled as "chromo civilization". During the Victorian times, chromolithographs populated children's and fine arts publications, as well as advertising art, in trade cards, labels, and posters. They were also used for advertisements, popular prints, and medical or scientific books.

The popularity of “moving pictures” grew in the 1920s. Movie "palaces" sprang up in all major cities. For a quarter or 25 cents, Americans escaped their problems and lose themselves in another era or world. People of all ages attended the movies with far more regularity than today, often going more than once per week. By the end of the decade, weekly movie attendance swelled to 90 million people. The silent movies gave rise to the first generation of movie stars. At the end of the decade, the dominance of silent movies began to wane with the advance of sound technology.

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Date

01/01/1921
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Source

Library of Congress
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No known restrictions on publication.

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