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The resistless march of reform - the "hostiles" must go! / F. Opper.

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The resistless march of reform - the "hostiles" must go! / F. Opper.

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Summary

Illustration shows a large group of politicians, newspaper editors, Tammany Hall bosses, and others, dressed as Native Americans, one carrying a banner that shows a crude drawing of the Tammany(?) tiger labeled "Flathead Tribe", on a long march in opposition to President Cleveland's civil service reform agenda; in the upper left corner is the "Blainiac Reservation" and in the opposite corner is Cleveland and his cabinet laying tracks for the "Reform R.R.", keeping ahead of the "Administration Construction Train". In the foreground, Vice President Thomas A. Hendricks is leading the Democratic donkey labeled "Bourbonism", carrying two baskets, one with "Old Ideas" and the other labeled "The Perennial Pappooses" holding Charles A. Dana and Benjamin F. Butler. Standing just to the right is John Kelly carrying Philip H. Dugro in a cradleboard.

Illus. from Puck, v. 17, no. 440, (1885 August 12), centerfold.
Copyright 1885 by Keppler & Schwarzmann.

Alois Senefelder, the inventor of lithography, introduced the subject of colored lithography in 1818. Printers in other countries, such as France and England, were also started producing color prints. The first American chromolithograph—a portrait of Reverend F. W. P. Greenwood—was created by William Sharp in 1840. Chromolithographs became so popular in American culture that the era has been labeled as "chromo civilization". During the Victorian times, chromolithographs populated children's and fine arts publications, as well as advertising art, in trade cards, labels, and posters. They were also used for advertisements, popular prints, and medical or scientific books.

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Date

01/01/1885
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Contributors

Opper, Frederick Burr, 1857-1937, artist
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Source

Library of Congress
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No known restrictions on publication.

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