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![[Portrait of Secretary of State Robert M. T. Hunter, officer of the Confederate States Government]](https://cache.getarchive.net/Prod/thumb/cdn4/L3Bob3RvLzE4NjAvMDEvMDEvcG9ydHJhaXQtb2Ytc2VjcmV0YXJ5LW9mLXN0YXRlLXJvYmVydC1tLXQtaHVudGVyLW9mZmljZXItb2YtdGhlLWNvbmZlZGVyYXRlLTEtNjQwLmpwZw%3D%3D/40/61/webp "[Portrait of Secretary of State Robert M. T. Hunter, officer of the Confederate States Government]")
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Two kinds of fool Americans / F.M. Hutchins.
Summary
Print shows Puck standing between two views of Americans depicted on large sheets of paper; on the left are "The Jingoes" identified as "Reid, Frye, Hoar, [and] Lodge" among others, Reid carries a flag that states "We Will Stand No Nonsense from Tyrannical England!!! Our Blood is Always Boiling", atop a tall pedestal is an effigy of John Bull with an Eagle labeled "U.S." perched on his chest, and on the right are "The Anglo-Maniacs" who prostrate themselves before everything British, such as "English Clothes, English Manners, English Fiction, English Lord, English Actor, English Butler", even "'is Royal 'ighness".
Illus. from Puck, v. 37, no. 946, (1895 April 24), centerfold.
Copyright 1895 by Keppler & Schwarzmann.
Alois Senefelder, the inventor of lithography, introduced the subject of colored lithography in 1818. Printers in other countries, such as France and England, were also started producing color prints. The first American chromolithograph—a portrait of Reverend F. W. P. Greenwood—was created by William Sharp in 1840. Chromolithographs became so popular in American culture that the era has been labeled as "chromo civilization". During the Victorian times, chromolithographs populated children's and fine arts publications, as well as advertising art, in trade cards, labels, and posters. They were also used for advertisements, popular prints, and medical or scientific books.
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