Part of PICRYL.com. Not developed or endorsed by the Library of Congress
Kimball & Gorton Philadelphia R.R. Car Manufactory, 21st & Hamilton Streets Philadelphia / F. Moras fe.

Similar

Kimball & Gorton Philadelphia R.R. Car Manufactory, 21st & Hamilton Streets Philadelphia / F. Moras fe.

description

Summary

Print shows an advertisement for the Kimball & Gorton Philadelphia R.R. Car Manufactory, with side views of a railroad passenger car and a city street-railroad passenger car that is passing P.S. Duval's lithographic establishment at the corner of Fifth and Minor streets in Philadelphia, Pennsylvania.

Stamped in lower left: From the file of James F. Queen artist, 1824-1889.
Purchase; Marian Carson; 1997; (DLC/PP-1997:105).
Forms part of: Marian S. Carson collection at the Library of Congress.

The invention of lithography at the turn of the 19th century opened a new world for bird illustrators. It brought many advantages to the artist — ease of use, a softness of line, and a new freedom to effect bold designs with a wide range of light and dark tones. Most of the fine ornithology books of the 19th century were prepared in folio format with hand-colored lithographic plates. The lithographic process is one of flat surface printing from a design drawn on stone. It is based on the principle of the resistance of grease to water. There are no raised or cut portions, as there are in engraving and etching. The image is drawn with greasy ink or chalk on a smooth stone, and the rest of the stone is treated with gum arabic and nitric acid. The gum retains the lines of the greasy design, which repels the water used in printing. Special paper and ink, as well as a special press, are needed to produce the prints. First used for bird illustration in 1820, lithography was widely adopted by the best artists of the century. The technique was popular because the artist could draw his own illustration directly on the lithographic stone. Prints could be made from the drawing with no intermediary such as an engraver. Accurately reproduced and then colored by hand, the resulting illustrations gave the impression of original watercolor paintings.

Streetcars or trolley or tram were once the chief mode of public transit in hundreds of cities and towns. From the 1820s to the 1880s urban transit in many cities began with horse-drawn omnibus lines. Horsecar lines ran wagons along rails set in a city so the rolling resistance of the vehicle is lowered and the speed increased. North America's first streetcar lines opened in 1832 from downtown New York City to Harlem by the New York and Harlem Railroad, in 1834 in New Orleans, and in 1849 in Toronto along the Williams Omnibus Bus Line. In many cities, mule-drawn or horse-drawn streetcars drawn by a single animal were known as "bobtail streetcars". By the mid-1880s, there were 415 street railway companies in the U.S. operating over 6,000 miles (9,700 km) of track and carrying 188 million passengers per year using animal-drawn cars. In the 1860s, streetcar operators started switched from animals to steam engines or cable power. San Francisco's cable car system continues to operate to this day. After 1893 electricity-powered cars dominate. Los Angeles built the largest electric tramway system in the world, which grew to over 1600 km of track. The rapid growth of streetcar systems led to the widespread ability of people to live outside of a city and commute into it for work on a daily basis. By 1895 almost 900 electric street railways and nearly 11,000 miles (18,000 km) of track had been built in the United States. The Great Depression of the 1930s led to the closure of many streetcar lines in North America. By the 1960s most North American streetcar lines were closed.

The Americana collection of Marian Sadtler Carson (1905-2004) spans the years 1656-1995 with the bulk of the material dating from 1700 to 1876. The collection includes more than 10,000 historical letters and manuscripts, broadsides, photographs, prints and drawings, books and pamphlets, maps, and printed ephemera from the colonial era through the 1876 centennial of the United States. It is believed to be the most extensive existing private collection of early Americana. The collection includes such important and diverse historical treasures as unpublished papers of Revolutionary War figures and the Continental Congress; letters of several American presidents, including Thomas Jefferson; a manuscript account of the departure of the first Pony Express rider from St. Joseph, Mo.; and what may be the earliest photograph of a human face. Many of the rare books and pamphlets in the collection pertain to the early Congresses of the United States, augmenting the Library's unparalleled collection of political pamphlets and imprints. The Carson Collection adds to the Library's holdings the first presidential campaign biography, John Beckley's Address to the people of the United States with an Epitome and vindication of the Public Life and Character of Thomas Jefferson, published in Philadelphia in 1800. The book was written to counter numerous attacks against Jefferson's character, which appeared in newspapers and pamphlets during the bitter election campaign. The Rare Book and Special Collections Division shares custodial responsibility for the collection with the Library's Geography and Map Division, Music Division, Prints and Photographs Division, and the Manuscript Division.

date_range

Date

01/01/1857
person

Contributors

P.S. Duval & Son, printer
place

Location

create

Source

Library of Congress
copyright

Copyright info

No known restrictions on publication.

Explore more

railroad passenger cars
railroad passenger cars